Blogs/News/PSAs

The Zhiyun Weebill-S is a compact gimbal that supports both DSLR and mirrorless cameras

Should I buy the Zhiyun Weebill-S?

Expert's Rating:

ratingsratingsratingsratingsratings

recommended

Pros

DSLR & mirrorless support

Compact

On-device controls

Cons

Stiff balance adjustment

Poor instructions

Confusing button layout

Our Verdict

If you need a portable gimbal for light professional filming with a DSLR - or, perhaps more likely, to step up the quality of your hobbyist filming or YouTubing - the Weebill-S is a solid shout.

Price when reviewed

Zhiyun Weebill-S full review

The Weebill-S is a pretty simple proposition: a fully featured gimbal that can handle either DSLRs or mirrorless cameras, but features a compact, lightweight(ish) design that avoids as much bulk as possible.

This isn’t the gimbal for you if you want something to stabilise your phone photography, but if you’ve got a ‘proper’ camera and want to expand your video options there aren’t many better options.

Design and build

This is above all where the Weebill-S triumphs, with a design that’s compact, portable, and yet still feature-rich.

1x1 pixel

The gimbal includes locks for each of the three axis for individual calibration and tuning, with a two-part quick release plate for the camera that’s easy to remove and compatible with other tripod systems in case you need to move from one platform to another.

It’s a little fiddlier to remove the plate entirely from the camera - there are three screws to deal with along the way - but it’s painless in terms of moving the camera on and off the gimbal itself on the fly.

Calibration and balancing is relatively simple - though not helped much by the rather cryptic included instructions - though a few of the calibration points can be a little stiff, making fine-tuning occasionally tricky. Otherwise build quality is top notch though - a necessity if you’re going to trust a several-grand camera to it - and this feels as sturdy and reliable as you’d need it to be.

The tripod base feels sturdy and secure, and you have the option of attaching it below the gimbal for a traditional upright mode, or at an angle on the rear in a sling mode.

The trigger shaped main handle includes the battery compartment, basic controls, menu for changing on-device settings, a scroll wheel that controls the optional zoom-and-focus attachment, and a small monochrome display.

At 895g the Weebill-S is also lightweight by DSLR gimbal standards, though once you’ve slapped a big camera in there you will still begin to feel the burn as you sling it around. That’s especially true if you have a large lens on too, as this supports some fairly hefty camera/lens combos.

Obviously the weight is less of an issue if you use a mirrorless camera, but if you’re using a mirrorless then you honestly might be better off with Zhiyun’s own Crane M2, which is designed for mirrorlesses, smartphones, and action cameras. It’s cheaper and lighter, but the lack of DSLR support makes it less useful for professional work.

Features and performance

So the Weebill-S is well-built, but what does it let you do? For starters, you get six shooting modes: the standard PF, F, and L, along with Go, Vortex, and POV. That gives you plenty of options for whatever you’re filming, with just about every possible combination of locked and open axis available.

To make it easier to switch modes on the fly they’re dotted around between different buttons on the handle a toggle for PF and L, a trigger for Go, a dedicated POV button… It saves you from cycling through the modes one by one, but will mean you have to memorise which button does what if you want to change quickly as you go, especially since the mix of buttons, toggles, and triggers is maddeningly inconsistent.

That’s fairly typical for recent Zhiyun gimbals, but what’s more impressive is tucked behind the mini OLED display on the Weebill-S. As before this gives you access to on-device controls, but now there are perhaps more than ever.

You can adjust motor strength (with a great auto tuning option), follow speed, smoothness, deadbanding for each axis individually, and more. If you prefer you can also tune all of this through Zhiyun’s app, as before, but now it’s far quicker to tweak things without faffing about with your phone first.

Zhiyun suggests a battery life of about 14 hours with the included rechargeable Li-ion batteries. This will of course vary depending on the weight of your camera - and how well you balance it during setup. You also have the option to use the gimbal to keep your camera charged up, but of course this will drain the gimbal faster in turn.

A second battery compartment is included (though not the second set of batteries) to make it easier to swap things out on the fly, so you can keep shooting with minimal interruption.

1x1 pixel

Then there are all the accessories. The one you’ll probably want is the focus/zoom controller, which lets you use the dial on the Weebill’s handle to adjust the camera’s focus/zoom, as you might guess. It works, and works well, though the included USB-C cable to power it is only juuuuuust long enough to stretch round a DSLR, and depending on the camera I fear it might not make it at all.

The TransMount Image Transmission Module is a little more exciting. It can sync 1080@30 video up to 100m, to up to three devices simultaneously, for live monitoring complete with zebra stripes, histograms, reference lines and more.

The separate phone mount then lets you mount your phone to the gimbal, and when paired with the Image Transmission Module you can use your phone both as a monitor screen, and a full controller for the gimbal.

Price

Buying all that kit stretches the price up, but at £369/$439 the base price for the Weebill-S isn’t bad at all for what you’re getting: a fully featured professional gimbal that’s compact, lightweight, and versatile enough to handle mirrorless cameras and most DSLRs.

It comfortably undercuts the £459/$559 DJI Ronin S - the closest comparable rival - making it a relatively affordable option.

Verdict

If you need a portable gimbal for light professional filming with a DSLR - or, perhaps more likely, to step up the quality of your hobbyist filming or YouTubing - the Weebill-S is a solid shout.

At just under a kilo it’s still a hefty piece of kit, but lighter than most alternatives that will handle a DSLR, and it’s packed with smart touches that make it quicker, easier, and more convenient to use.

A few minor design irritations hold the Weebill-S back from full marks, but otherwise it’s easy to recommend.

Tags: Photo & Video

Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn't affect our editorial independence. Learn more.

SmallRig has a range of new accessories for the Zhiyun Crane 3S gimbal. These include a Mounting Clamp, a Mounting Plate, and a Baseplate.

All of the accessories have been designed to be as lightweight as possible.

SmallRig Mounting Clamp for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 23 18 PM

The SmallRig Mounting Clamp allows you to add accessories to your gimbal.

Screenshot 2020 05 20 at 11 22 57 PM

Screenshot 2020 05 20 at 11 23 06 PM

The clamp locks onto the neck of Crane 3S through the use of two captive m4 screws.

Screenshot 2020 05 20 at 11 22 50 PM

The clamp has a maximum payload capacity of 15kg (33lb), yet it only weighs 115g (4oz).

Screenshot 2020 05 20 at 11 23 28 PM

Screenshot 2020 05 20 at 11 15 30 PM 1

The Mounting clamp features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads which makes it easy to mount a wide range of accessories, such as the separately available Magic Arm and Cold Shoe. By doing this you can add attachments such as a monitor, light, or microphone.

Each side incorporates a NATO Rail that allows for quick-release accessories such as the Magic Arm and NATO Handle.

The interior of the clamp features rubber pads so your Crane 3S won’t get scratched.

The Mounting Clamp is available to pre-order for $24.90 USD. It will start shipping on June 7th.

SmallRig Mounting Plate for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 31 52 PM

The SmallRig Mounting Plate, just like the Mounting Clamp, allows you to place accessories on your Crane 3S.

Screenshot 2020 05 20 at 11 32 16 PM

The Mounting Plate locks onto the gimbal through a captive 3/8”-16 screw and two locating pins to prevent it from twisting.

Screenshot 2020 05 20 at 11 32 24 PM

It features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads that enable you to mount a wide range of accessories, such as the separately sold Magic Arm and Cold Shoe.

Screenshot 2020 05 20 at 11 32 00 PM

The plate is compatible with Zhiyun’s original sling handle adapter and SmallRig Sling Handle. The interior of the plate features rubber padding so it doesn’t scratch or damage your gimbal.

The Mounting Plate is available to pre-order for $13.90 USD. It will start shipping on June 7th.

SmallRig Baseplate for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 40 08 PM

The SmallRig Baseplate allows you to add accessories to the bottom of Crane 3S gimbal.

Screenshot 2020 05 20 at 11 38 33 PM

This baseplate attaches to the bottom of the stabilizer with a captive 3/8”-16 screw and two locating pins to prevent twisting.

Screenshot 2020 05 20 at 11 38 26 PM

Just like the other products listed, it features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads for mounting accessories.

Screenshot 2020 05 20 at 11 38 44 PM

You can also attach the Top Handle to hold your gimbal upside-down or to attach an Easyrig. The plate is compatible with Zhiyun’s original tripod.

Screenshot 2020 05 20 at 11 38 51 PM

It is available to pre-order for $13.90 USD and it will start shipping on the 7th of June.

OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

hat is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

Mediavine

OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

FOR

Decent max payload

Lond battery life

Good for fast motion

AGAINST

Heavy

Limited features for some cameras

Joystick can be tricky to reach

What is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

Buy the Crane 3S now from eBay (£659), Wex Photographic (£659), Amazon (£659), Park Cameras (£689).”>

SPECIFICATION

Product type: Stabilising gimbal

Max Payload: 6.5kg

Battery life: 12 hours

Feature App : ZY Play

DC-In: Yes

Camera Control: yes

Features

The Crane 3S comes in three different kits with modules that differentiate each. Each of those modules is available separately so you can upgrade from one to the next as required.

The EasySling is the first option and features the gimbal along with an additional handle that can be bolted in for more significant support.

Zhiyun Crane 3S SmartSling

The SmartSling, which is the version I’m looking at in this review, features the SmartSling handle that again bolts into the gimbal and provides the same support but has integrated camera controls.

The Pro kit features the EasySling and SmartSling along with the Servo Zoom and Follow Focus Motors.

Before we look at the features, it’s worth pointing out that each configuration will only work with certain cameras and lens combinations. Zhiyun have a comprehensive compatibility list on their website which can be seen here: https://www.zhiyun-tech.com/search/en

If you have a compatible camera, such as with the Panasonic GH5 then the Crane 3S is a formidable piece of kit, if you own the Sony A7 III then it’s still a formidable piece of kit but you’re are limited to basic camera control and the powerful stabiliser.

At present, the SmartSling and App have compatibility with many cameras including the Nikon D850, Z6, Canon 5D Mark IV, 6D and R, Panasonic GH5 and Sony A7R3. This list is rapidly growing, so do check out the website for your camera.

Basic features

The Crane 3S SmartSling kit includes the main gimbal, mini tripod, SmartSling a few accessories and cables and the free to download app.

One feature that instantly makes the Crane 3S stand out is the maximum payload which is 6.5kg; this compares to the DJI Ronin-S at 3.6kg. This additional payload does one of two things, the first being that it enables you to stabilise far heavier cameras, the second being it’s a little more forgiving.

Zhiyun Crane 3S motor

Unlike other single-handed gimbal stabilisers, Zhiyun has concentrated on comfort. As well as the usual foldable mini tripod base that converts to a grip in use there’s a horizontal grip and then the addition of the SmartSling. This multi-grip design makes the Crane 3S easier to hold than other gimbals, even with a heavy camera and lens combo, although it is heavy.

Adaptability has also been well-considered, and the Crane 3S is one of the few gimbals of this size that can quickly adapt from being handheld to being part of a larger rig or mounted. There’s plenty of mounting options.

As well as the ability to adapt the grips to your needs, the arms and mounts can be adapted to support small and large cameras better. This means that you can use the Crane 3S with a Sony FS7 then switch to a small Sony A7 III mirrorless if you so wish.

The gimbal lock design has also been redesigned compared with the previous version, and this gives more security when being transported.

The Crane 3S is supplied with three batteries that provide power for 12 hours with a 3KG load.

The Crane 3S SmartSling Kit without the camera or baseplate weighs in at 3.08kg.

There is also the option for DC in, which supports the new 25.2v TransMount PowerPlus battery pack. This gives the Crane extended use time to 18 hours and is ideal on professional shoots.

One of the issues that affect many gimbal stabilisers of this type is the effects of high wind and G-Force that reduce the usual stability the Crane 3S would provide. Engineers have worked hard to counteract these forces with an all-new algorithm that promises to enable you to capture smooth shake-free footage however fast the action.

Another feature that has been carefully considered is the 55º tilted roll axis that has been accurately calculated and ensures that you always get a good view of the camera’s screen and have plenty of space to mount cinema, camera lens combos.

When it comes to the mechanics of motion it has a tilt range of 360º, Roll range of 330º with a max of 75º and min of -255º and pan axis of 360º. This gives plenty of flexibility and control.

Mediavine

Other features available with additions

While the SmartSling does have a good level of features, you can further add to the functionality with the addition of modular motors and wifi kit, which are available for an additional cost.

On the side of the gimbal, there’s a built-in focus wheel. To use this, you’ll need those add on servo motors and of course a compatible lens.

Zhiyun Crane 3S review

On the SmartSling there’s also a built-in zoom rocker, again this requires a compatible camera and lens to use.

Another exciting addition that you could add is the CRANE 3S X TransMount Image Transmission System.

This enables you to control and transmit visuals directly from the camera connected gimbal to a smart device. Again check the compatibility for this, and the feature also requires additional equipment.

Then there’s ViaTouch 2.0 which is part of the TransMount system and enables seamless communication between the gimbal, camera and smart device all using the ZY Play app that needs to be installed on a smart device. Again you need the additional kit to take advantage of all the features.

ZY Play App

The ZY Play app is where most of the advanced features reside.

Once your camera is wired into the gimbal, say a GH5, you can then take control of your camera, adjusting the values and some shooting settings as well as starting and stopping recording.

The app also packs in some interesting features such as Panoramic, timelapse and trajectory photography.

Build and Handling

The Crane 3S once assembled and balanced is solid and features the usual three-axis mechanism that enables the motorised stabilisation.

Real attention to detail has been paid throughout the design with independent locks for each axis. These locks help protect the motors and arms during transportation and make it easy to pack away; they’re also used when balancing the camera at set-up.

Zhiyun Crane 3S Easy view of screen

There is little to fault with the manufacture of the Crane 3S other than to say that this is not a small or lightweight piece of kit.

Key features of the design are the axis locks, DC-in on the side, plenty of accessory ports both for digital and physical additions, the SmartSling handle that slots and locks and the variety of other mounting threads, both 1/4 and 2/3-inch giving plenty of options and versatility.

Mediavine

Initial assembly and balancing

As with most motorised gimbal stabilisers, a little assembly is required before you get started, it’s also worth downloading the app, ZY Play.

The first part of the assembly is the mini tripod which bolts to the main gimbal, once screwed in the gimbal can then be placed on a flat surface and the SmartSling slotted and locked in.

Next, dependent on the camera the base plate is bolted on, if you’re using a mirrorless or medium DSLR, then you’ll probably need the riser plate as well.

This additional plate gives the lens a little more space and is required for balancing with smaller cameras.

Once in place, the lens support can be slotted on to the base plate, and the Y section raised to rest against the lens.

It’s worth noting that if you’re using a zoom lens and you intend to zoom in and out without rebalancing, then the zoom needs to be placed at the midway focal length. For an example using a 24-70mm, something around the 50mm is a good midpoint and means that there is less for the gimbal to do to correct the slight imbalance if you zoom in or out0.

Now the baseplate is slotted into the gimbal and making sure the tilt axis is unlocked, you slide the camera back and forth until it finds a balance.

Once the camera balance has been found, the lock can then be secured. Now the tilt axis can be balanced; this involves moving the arm up and down until the camera holds it’s a position.

Next, you repeat a similar procedure for the other two axes. It takes a while to get the hang of it, but Zhiyun has created superb videos that walk you through the process.

The final stage is to connect the cables, and this will differ depending on the camera you have. Again check the compatibility chart on the website to see what functions and features will be available for your camera.

On the Panasonic GH5, most of the features such as focus and camera settings and control are all available, on the Sony A7 III you can only really start and stop recording and take photos. In both cases, you’ll need to ensure that your camera has been updated with the latest firmware.

Now that the camera is balanced and connected, you’re almost set to go. Switch on the gimbal, then the camera, and finally connect the app.

Once the app boots, you need to select the manufacturer through the settings screen, and that’s it, you’re ready to shoot ultra-smooth video or use the app to shoot timelapse and panoramas.

Performance

For the bulk of this test, I used the Sony A7 III with a variety of lenses. The first thing to note is that if you thought the DJI Ronin-S was heavy, then the Crane 3S is another level up.

However, the design of the Crane 3S does give you plenty of handling options, and if shooting for a day, I would recommend a Flycam Flowline or similar.

And that’ss the thing with the Crane 3S, it gives you options, and that’s something that other gimbals just don’t do.

Using the Crane 3S with the Panasonic GH5 was seamless, the two are ideally matched, and the compatibility between the two is incredible.

The gimbal smooths and stabilises the footage, and there’s plenty of control over the settings through the SmartSling.

Switching to the Sony A7 III and the gimbal still works well, although you lose the ability to change settings through the SmartSling, the loss of the LiveView through the app is also a shame but not a deal-breaker.

What does become apparent very early on is that the Crane 3S is very forgiving? Those motors are designed to carry the load of a professional stills or video camera, so a small mirrorless is easily balanced and held.

That leniency does have a limit, and if you hold the gimbal to close to the max or minimum rotations when the camera isn’t quite balanced, you will get a small amount of judder.

During the test I found, especially for low angled shots, that on occasion there was a slight judder from the motors. If this happened, a quick rebalance would quickly correct the issue.

A cruder fix was just to tilt the handle up slightly to give the gimbal a little more room to play. These are user-related issues rather than anything with the gimbal; it’s just that the power of the motors forgives the user being a little lax with the setup.

The results of the stabilised footage are impressive. Handheld and static scenes showed the framing and hold on composition are excellent; there’s a natural smoothness to the look of the footage.

Setting out on a brisk walk and trying to tailor the walk to avoid any bobbing and again the Crane 3S does a great job enabling you to capture smooth professional-looking video with ease.

The final stabilisation test was to take the Crane 3S for a run. Not a long one, as it weighs quite a bit, and here you can see just how impressive those motors and new algorithms are.

OK, the speed wasn’t overly fast, but the terrain was pretty rough, and downhill and you can see just how well the motors work to create a smooth pan.

There is a slight jerk in the footage just after a jump, but the Crane 3S manages to smooth this, so it looks like a small blip, whereas it was me momentarily losing my balance and only just recovering from a possible face plant.

When it came to the stabilising performance, there was little to fault.

However, in use, there are a few things that I did highlight. The main one was access to the joystick under the horizontal handle. The spacing here is tight, and sometimes it can be a little tricky to get the full range of movement that you want.

Also, I would have liked some control on the SmartSling over the motion of the axis, maybe the zoom could operate tilt, and the index finger jog wheel could operate the side to side movement. Still, unfortunately, I couldn’t see a way to customise these buttons and dials in this way.

The final part of the Crane 3S that I have mentioned but not in any depth is the app. ZY Play is used across the Zhiyun gimbals and offers added features for the gimbal as well as adjustments.

The interface is well laid out but does take a little time to orientate correctly. The two main highlights from the app are the timelapse which enables you to capture stunning timewarp style footage and the panoramic option.

The Panoramic setting enables you to set a start and stop point, and then the gimbal works out how many shots are needed and automatically shoots the sequence. It’s a feature that has been common across gimbal stabilisers but nevertheless is still impressive.

Zhiyun Crane 3S review verdict

The Crane 3S is an impressive piece of kit, and what I liked about it was the flexibility. If you’re working solo, then there’s plenty of features that will assist you with the shoot; such as the ability to attach accessories and hook up to additional supports.

It’s also incredibly easy to balance due to those powerful motors and the axis locks help out as well.

Zhiyun Crane 3S grip

The build is solid, there’s nothing dainty or weak about the construction, and it feels like a real workhorse.

That solid build and power do come at a price, and that’s the weight, you do need to be fit to shoot with it unaided for a day, but again Zhiyun has thought of that with all those connection options.

The real test comes down to the compatibility and quality of stabilisation.

On the first point, compatibility is increasing, and already through the test, all cameras that I tried with the gimbal had an acceptable level of control. If all could have the levels attributed to the Panasonic GH5, then that would be amazing. Still, even with just the ability to start and stop recording, take pictures etc as with the Sony A7 III, that was still enough to make this a worthwhile purchase.

The primary function of the Crane 3S is to provide you with a platform for shooting smooth video, and to that end, this motorised gimbal stabiliser excels.

So, yes this is a fantastic product, but who should buy it? For most enthusiasts the price and size will be off putting, it is just above the needs of those just starting out or looking for something for occasional use.

However, if you’re a professional or filmmaker, then the Crane 3S gives you more options than other similar products. Mainly the ability to mount in a variety of ways making it incredibly flexible in use.

Attach the Crane 3S to a Crane, rig, flowline, dolly or any equipment that enables motion, and it won’t let you down.

Handheld some might find it heavy, you’re looking at a minimum of 5kg, but during several tests out in the field, I carried it for well over an hour without issue. The design of the handles makes it easy and comfortable to carry when not filming.

When filming, I could happily control the gimbal position for around five minutes before a quick rest and the more you use it, the more you discover the comfortable positions to hold.

Overall I have to say I was blown away with the quality of the Crane 3S. Its performance throughout was excellent, and for handheld static and motion shots, the quality of the stabilisation was exceptional.

For faster-moving and running shots, the Crane 3S really stood out.

For any professional videographer or filmmaker needing a highly versatile gimbal then there’s really nothing else this good at this kind of size and price.

Brought to you by Zhiyun

Zhiyun tech

IBC Showcase: From intense chasing shoot to studio filming, different types of shooting environments require both high capacity and flexibility of shooting equipment. Bearing filmmakers in mind, Zhiyun felt the Crane series can be even better to adapt to strict and unpredictable filming environment. Now introducing the new Crane 3S, ...

IBC SHOWCASE

Please sign in or sign up for free unrestricted access to IBC Showcase, IBC’s virtual event, enabling you to keep up to date with the latest industry developments.

Explore and network with IBC exhibitors online and engage with content sessions, product innovation and strategies to take your business forwards.

The Zhiyun Crane 3S is the latest iteration of Zhiyun’s flagship line of Crane gimbals, traditionally designed for DSLRs and mirrorless cameras. On first glance, the Crane 3S looks a lot like the Crane 3 LAB, but it definitely holds a few extra tricks up its sleeve.

I’ve been using one for a few weeks now when weather and Scotland’s lockdown rules have allowed and I’m going to go over some of those differences and the advantages the Crane 3S has to offer over the Crane 3 LAB.

There are three different Crane 3S kits available. There is the Crane 3S-E, the Crane 3S and the Crane 3S Pro. We’ll get into the differences a little later, but for clarification, the kit I have is the standard Crane 3S.

FIRST IMPRESSIONS & DIFFERENCES OVER THE CRANE 3 LAB

The case for the Crane 3S is quite similar to that of the Crane 3 LAB. It feels a little more compact, although it’s actually pretty close in size. It feels tough and rugged, built from the same kind of hard foam as many gimbal cases these days. It has a top handle for carrying it and locking clips that keep it shut when it needs to be.

Inside though, the Crane 3S case looks a little more cramped than that of the Crane 3 LAB due to a slightly beefier body, with no empty slots for future expansion and upgrades, which is a little disappointing. This was a great feature of the Crane 3 LAB case, which had dedicated slots for all the extras you could buy separately as well as a spare set of batteries. There is still nowhere to add any kind of shoulder strap. So, if you’re carrying the case, you’re tying up one of your hands.

If you buy the 3S Pro kit, I would assume (hope?) that it comes with a different case containing slots for all the extra bits that come with it. But if you’re buying the 3S and hoping to add extras like the focus motor (which only come with the 3S Pro kit), then you’re going to need something else to store them in.

All that said, the case feels solid and everything is packed well inside. The immediate difference between the 3S and the 3 LAB, for the observant ones amongst you, is that the handle isn’t actually attached to the gimbal. Yes, that’s right, it’s removable, and the gimbal can function just fine without it through a bunch of extra buttons on the gimbal body itself or by using the mobile app.

You can see when you look inside the Crane 3S and Crane 3 LAB cases side by side that the 3S is somewhat beefier than the 3 LAB, with noticeably thicker arms and larger motors. This provides the Crane 3S load capacity of a whopping 6.5kg vs the 4.5kg of the Crane 3 LAB. Interestingly, both gimbals have the same minimum load capacity of a somewhat modest 0.6kg. The gimbal itself, however, weighs almost a kilogram more than the 3 LAB, coming in at 3.2kg vs 2.3kg – which is a significant difference.

Pulling it out of the case, the 3S actually feels even more solid than the 3 LAB did. I think this is partly due to the new locking mechanism on the pitch, roll and yaw axes. In the 3 LAB, the arms could either be unlocked and free to move or “locked”, restraining them to a fairly consistent position, although a little movement was available. With the Crane 3S, these locks now have three modes. There’s unlocked, a locked mode similar to the 3 LAB and a new really locked mode, which tightens the arms down hard so that they don’t move at all – which makes balancing a little easier.

One of the things I immediately noticed about the 3S over the 3 LAB was how many connection points it has. But it wasn’t just the quantity that caught my attention, but the fact that some of them have been upgraded from 1/4-20″ to 3/8-16″. This is great because it means you’ll get a more substantial connection between accessories and support systems, but it is slightly annoying in other ways as some accessories will not be interchangeable between gimbals if you own both the Crane 3S and Crane 3LAB, or other gimbals that only utilise 1/4-20″ threads.

The new mounting plate was also something that I noticed right away. It’s still a Manfrotto PL compatible plate, although they’ve ditched the strange extra adjustable platform of the mounting plate that came with the 3 LAB and they’ve also added threads on the front of the plate to attach rods for your follow focus motors. Having this built right into the tripod plate means it’s much easier to set up your camera and balance it properly with a follow focus unit now than it was before because the camera and focus motor is moving together.

You’ll see above that there’s also a lens support supplied with the mounting plate. Personally, I’ve only needed to use this when playing around with the 300mm, but it can be very handy for larger cameras with big lenses that need a little extra assistance. To help with the increased size of the loads it can carry, the whole mount assembly slides left and right from the tilt arm, too, which means you no longer need offset plates for wide cameras like the Blackmagic Pocket 4K.

As a quick aside, while we’re on the topic of focus motors, the Crane 3S is compatible with the Crane 3 LAB focus motors, and there are Type-C USB sockets for connecting both right next to the mounting plate. So, if you’re upgrading from the 3 LAB to the 3S, bear this in mind.

After charging up the batteries and pulling everything out of the case, things went together well. The SmartSling removable handle, which replaces the fixed handle on the Crane 3 LAB goes in and out easily and utilises a double locking system to ensure a good fit with no accidents.

The camera slides onto the mount smoothly and balancing the camera is just as straightforward as it was on the 3 LAB if not a little easier, thanks to being able to completely lock each arm down tight.

Powering it up presents the same array of shooting modes as the Crane 3 LAB and handling seems very similar, albeit slightly heavier.

Let’s dig into a little more detail now, though.

THE SMARTSLING (AND EASYSLING) HANDLES

The kit that I have is the standard Zhiyun Crane 3S package. This includes the SmartSling handle, which offers similar controls to the built-in handle on the Crane 3 LAB except that unlike that one, this is removable.

A removable handle might seem a little odd at first, especially if you’re only used to using gimbals handheld, but it has a few benefits. First, it means you can break the gimbal down into smaller components for more easily packing into a backpack. But it also means that you have easier mounting options for attaching it to things like vehicles, as the arm isn’t going to be getting in the way, and helps to keep everything as compact as possible.

Attaching the Crane 3S to a vehicle isn’t something I’ve tried yet, although it’s on my list. After Scotland’s lockdown is fully over and it’s safe to travel and be in close proximity to other people, it’s one of the first things I’ll be trying when the chance presents itself, so stay tuned for that.

The Crane 3S-E package comes with just the EasySling handle, which is essentially just a rubber-clad metal cylinder with a 3/8-16″ threaded socket in the bottom, a 3/8-16″ threaded screw on the top. It’s clad in rubber to make it easy to grip and not feel so cold when you’re shooting in chilly weather. You can screw this straight into the gimbal, or attach it via a small offset plate, putting it into a similar position to how the SmartSling would mount. Of course, you don’t get any handle controls or display with the EasySling handle.

Despite not being part of the standard 3S kit, I did receive the EasySling handle, and if you decide to only get the standard kit, I’d definitely recommend buying an EasySling handle separately. It’s available as an optional accessory. Both handles come included with the Crane 3S Pro kit, and having them both will make your life much easier with the Crane 3S, especially if you’re using larger cameras, as you can also mount it underneath the gimbal with the supplied tabletop tripod below that.

Being able to use both the SmartSling and EasySling handles simultaneously in this way and pick the whole rig up and set it back down with two hands definitely makes life easier on your arms and back.

I was originally going to recommend that the EasySling handle would be a good upgrade for existing Crane 3 LAB owners who don’t need the added load capacity and versatility of the Crane 3S, but there’s a bit of a snag. The Crane 3 LAB and its accompanying tabletop tripod use 1/4-20″ threads, not 3/8-16″. Hopefully, Zhiyun will release a similar handle that uses 1/4-20″ for Crane 3 LAB users, as Zhiyun has stressed that the 3S is not a replacement model for the 3 LAB, it’s simply another product line.

The mount on the Crane 3S (left) is 3/8-16″, a beefy upgrade from the 1/4-20″ on the Crane 3 LAB (right), although it means parts aren’t interchangeable.

This also means that all your 1/4-20″ quick releases for the Crane 2 and Crane 3 LAB to take it on and off the mini tripod, your monopod, or whatever else you put it on also won’t fit the Crane 3S. Hopefully, they’ll release a 3/8-16″ version, too. Or at least one with a 3/8-16″ hole in the bottom, a 1/4-20″ thread on top, and a couple of 1/4-20″ to 3/8-16″ adapters.

WEIGHT AND SIZE CAPACITY

While the Zhiyun Crane line of gimbals has traditionally held a lot of weight, they’ve had a one or two issues. Many users haven’t been able to take full advantage of that weight capacity due to size limitations. Usually, it’s because the camera just can’t sit off to the side or forward & backwards enough to balance well or the larger camera systems (like the Blackmagic URSA Mini) physically don’t fit. With the Crane 3S, those problems are solved, with the ability to take some pretty large cinema cameras. Even the Blackmagic URSA Mini.

Knowing in advance that I’d have a Zhiyun Crane 3S was on the way to me, I had hoped to get hold of and actually test it with a Blackmagic URSA Mini but then the lockdown happened, making that pretty much impossible. So, I’ve had to make do with the equipment I have here at my disposal. For me, that primarily means Nikon DSLRs and Panasonic mirrorless. Not the best test subjects for a heavy-duty gimbal like this, but it does allow me to test out at least physically large and awkward setups, even if it’s not putting much of a load strain on the gimbal.

My basic setup for these tests was the Nikon D800 and the Sigma 28-70mm f/2.8 lens. It’s not a particularly outstanding setup when it comes to video quality, but it’s a respectable size and weight and represents what you might get with something like a Pocket 4K or larger video-centric mirrorless camera. So, it serves the purpose.

Initially, I tried it out with just the supplied mini tripod screwed into the bottom. Despite the increased weight, it felt quite similar to using the Crane 3 LAB. The movements were pretty much the same, and the general operation didn’t differ too much despite the extra controls and buttons on the Crane 3S.

The one thing that did stick out, though, was the joystick. You can’t unscrew it and remove it on the Crane 3S like you can with the Crane 3 LAB, which can sometimes lead to accidentally knocking it and moving the orientation of the camera if you’re not careful.

What I really wanted to see, though, was how big and useful this thing was fully extended. The extension is a separate piece, and it’s awesome, but it’s also awkward. It’s not designed to be regularly taken on and taken off. The wires contained within the arm are quite delicate and it is quite easy to risk damaging them if you’re not careful. So, if you’re always using larger camera systems, you’ll want to keep the extension attached all the time. This means you’re probably going to be looking for another case in which to keep the gimbal, as it won’t fit into the supplied one with the extension arm attached.

But, I extended the arm on the head of the gimbal, put the EasySling handle underneath and attached the focus motor. My D800 was otherwise engaged, so I just grabbed a 1.5x crop Nikon D7000 – mostly because this would offer me a field of view at a given focal length similar to Super 35mm. On this camera, I put the Nikon 300mm f/4 AF-S, for a field of view similar to a 450mm lens on full-frame. This is a setup that just should not work on a gimbal, and it’s rare you’ll find people using anything longer than about a 60mm or 70mm full-frame equivalent lens, just because such a long focal length massively magnifies the little micro-jitters from the motors or simply being handheld.

It actually held up surprisingly well. You do need to be quite careful, and tracking a moving subject is extremely difficult because the tiniest movement in pan follow mode can translate into a very big shift going ahead of your subject. But I just wanted to see how well it could even handle such an odd (for shooting video on a gimbal) set up and it was very impressive. It held the shot extremely well. Occasionally I moved a little too quickly and it would be pointing at something completely different to what I intended, but when I wasn’t screwing up, it was certainly giving me usable steady shots, without any of the jitters you’d expect with such an unusual load.

It’s certainly not a practical setup, by any means, and not something I’d ever use in the real world, but it served its testing purpose. If you want to go handheld on a static subject at a distance with such a long lens, then it does sort-of work. Of course, I’d probably recommend a tripod with a fluid head instead for this sort of thing, but curiosity got the better of me and I had to try it.

My loads were typically of the DSLR + 28-70mm f/2.8 variety I mentioned earlier, though and it it performed equally as well as the Crane 3 LAB. Except with the added benefit of being able to put the EasySling handle between the gimbal and the mini tripod, making it much easier to pick it up, set it back down and walk around with it two-handed.

BALANCING AND THE NEW LOCKS ON THE ARMS

As mentioned earlier, the Crane 3S features a 3-way locking system over the 2-way system of the Crane 3 LAB, which had them completely loose or sort-of locked. Now you get loose, sort-of locked and locked solid. This actually makes much more of a difference than I expected it to. For easy transporting in a backpack (which the Crane 3S can do, thanks to the removable handle), being able to fully lock the arms provides a much more secure feeling when it’s bouncing around inside the bag. But it also made balancing easier, too.

Instead of having a locked-ish feeling with the two arms I wasn’t currently balancing, I could lock them down completely. They were absolutely immobilised, which meant that it was much easier to adjust the length of the other arms individually and balance each one in turn without wobbles from the other two. As a result, balancing was easier and possibly a little quicker than it was with the Crane 3 LAB, and when you’ve got a big, unbalanced and unwieldy load on there, it definitely helped.

The locks of the Crane 3 LAB were definitely a step in the right direction from the no-lock-at-all on the Crane 2. The Crane 3S just takes that a step further and it made a big difference to me.

OTHER FEATURES

The Crane 3S comes with the usual assortment, but also has one or two extra tricks up its sleeve. As one would expect, there are places to connect a pair of servo motors to control focus and zoom (or aperture) rings on your lens. These sit directly next to the mounting plate for your camera, so they’re within easy reach. The Crane 3S also works with the same motors as the Crane 3 LAB. So, if you’re upgrading from the 3 LAB to the 3S, you won’t need to buy new motors.

There’s also the port on the other side for connecting the gimbal to your camera, offering some level of remote control for a number of brands and models of camera to different degrees. With some, you can control the focus without a servo motor over the USB connection. With others you can adjust the exposure settings. Some cameras allow you to start and stop recording from a button on the gimbal itself. And some don’t offer you any kind of communication between the camera and gimbal at all.

None of my cameras are compatible with the USB communications on the Crane 3S, but I did use the focus motor from my Crane 3 LAB with it and it behaved flawlessly.

One of the big advantages the Crane 3S has over the Crane 3 LAB is when it comes to power. Yes, both of them are powered internally by a trio of Zhiyun 18650 batteries, but the Crane 3S also allows for external power via the Zhiyun TransMount PowerPlus, which extends the battery life with six more 18650 batteries and plugs into a port on the side of the Crane 3S.

SHOOTING MODES AND HANDLING

As you would expect, the Zhiyun Crane 3S offers the usual array of shooting modes including Pan Follow (PF), Follow (F), Point of View (POF), Vortex (V), Lock (L) and Go. Each of these modes offers different ways of shooting to get different kinds of shots.

Pan Follow (PF) – This mode lets you pan and follow your subject on a horizontal plane, even if you’re tilting the actual gimbal for better handholding.

Follow (F) – This mode pans horizontally as well as tilts up and down to follow your movements.

Point of View (POV) – This offers synchronous 360° movements on all three axes.

Vortex (V) – This offers 360° barrel rotation when the gimbal is “underslung”

Lock (L) – This locks the camera to always point in a specific direction, no matter how you turn or tilt the handle.

Go Mode – This mode lets you capture fast action and movement for things like sports or fancy whip pan transitions

All of these modes performed quite well, although I don’t really need to use the POV or Go modes much for the kinds of things I shoot. Pan Follow, Follow, Vortex and Lock modes work as well as we’ve seen from other gimbals in Zhiyun’s lineup – although Vortex isn’t one I need to use too often.

The controls to switch between modes are available on the SmartSling handle with buttons spread around the LCD and to the side, but you can also switch them on the gimbal itself. This means you have access to change modes with either hand if you need it, or when you’re using the EasySling handle.

After using the Crane 3 LAB for the past year or so, switching to the Crane 3S with the SmartSling handle was a doddle. It operates in a very similar fashion. Using the EasySling handle, though, took a little more getting used to. Not having the controls right there at my fingertips with an easy to read display was a pain. If you’ve never used the 3 LAB or the SmartSling handle, you’d probably take to it more quickly. But for me, that EasySling handle will live underneath the gimbal between it and the mini tripod.

And with that setup, it’s absolutely fantastic. SmartSling handle on the back, EasySling handle underneath (if you go for the standard 3S kit, BUY THE HANDLE!) and it felt easier to handle than the Crane 3 LAB, despite the increased weight. Because I was able to more easily distribute that weight, and because I didn’t struggle as much to lift or set down the gimbal, my arms and wrists survived for much longer.

If you’re using a much heavier system, like the previously mentioned URSA Mini, then you’re not going to have such an easy time. It’s certainly not something you’re going to be carrying around all day without some assistance from something like a Steadicam vest & arm or the Digitalfoto Thanos Pro. But, without the arm & vest, it should still be usable for short bursts.

One of the things I’m particularly looking forward to trying, which I haven’t done yet, is vehicle mounting. It’s something Zhiyun showed off in the launch video, and it’s made easier by the fact that there’s a more substantial 3/8-16″ socket underneath but also a second one on top, allowing for two pretty solid mounting points. And as you can remove the SmartSling handle from the gimbal, it’s not sitting there getting in the way.

When using this setup, obviously you’re not going to be holding it. You’re either going to be communicating via smartphone or Zhiyun’s Image Transmission System. But it’s definitely something I plan to try once the country starts to fully open up and it’s safe to hang out with other people again. And what could be a better view for it than the Scottish wilderness on two wheels?

CONCLUSION

Overall, it’s a really nice upgrade over the Crane 3 LAB if you can deal with the extra weight or really need the increased load capacity. If you already have the Crane 3 LAB and it already offers you exactly what you need, then I’d probably stick with it. If you don’t know whether you need the extra features and load capacity the Crane 3S offers over the Crane 3 LAB you already have, then just stick with what you know. But if you don’t have the Crane 3 LAB yet, and you’ve been thinking about it, it’s definitely worth considering the Crane 3S instead.

PROS

When it comes to the pros, there are quite a few – more than I expected over the Crane 3 LAB.

6.5kg load capacity with stronger motors for big beefy rigs

Extendable arm for increased size capacity for larger camera setups

Same minimum load capacity as the Crane 3 LAB

Lateral movements of the camera plate for wide cameras like the Pocket 4K

External power for longer running time with heavier systems

Removable handle to let it fit in a backpack when travelling

The EasySling Handle as a base between the gimbal and tripod (just get it)

CONS

Weight. In a straight side-by-side with the Crane 3 LAB, assuming you’re using a camera setup that works fine on both, you’re carrying around an extra 900g for no real benefit. When you add the EasySling handle, though, it gets easier and for me, it sort of evened things out.

If you’re using a really heavy rig, then you’re going to need to invest in a vest and arm solution for long term use on set.

If you’re thinking about the Crane 3S-E package which only contains the EasySling handle, then I’d probably suggest going for the Crane 3 LAB instead, if you can find one, unless you’re planning to vehicle mount it or something and control it remotely and really need that extra load capacity. The versatility of the built-in handle on the Crane 3 LAB is well worth the extra, plus you save some weight.

If you’re looking at the standard Crane 3S package, then I’d probably recommend going for this over the Crane 3 LAB if you don’t own one already. If you’re concerned about the extra weight, sure, go for the Crane 3 LAB, but given the benefits of the EasySling handle underneath the gimbal in addition to the SmartSling handle controlling the gimbal, I think I’d still prefer the Crane 3S with buying that extra handle (it’s only an extra $49)

If you’re planning to go the whole hog and get the Crane 3S Pro package, then you likely already know that you need both handles, along with the external power, focus & zoom motors and all the extra bits, so just go for it. But plan for the arm & vest.

With Zhiyun's new gimbal about to launch, should you care? And if so, why?

With modern DSLR and mirrorless bodies being more than capable video cameras, a lot of stills shooters have dipped their toes in to moving image waters. However, there was the barrier that is so familiar to photographers the world over: money. To effectively shoot professional quality footage, there's always equipment you could do with owning, but that racks up in cost. However, typical to all technological advance, things are getting smaller and cheaper.

Zhiyun have already built a good reputation in the gimbal world, and their new Crane M2 looks to be an excellent option with a low entry point — a very low entry point. Coming in at just $269, videographers using mirrorless, small DSLRs, or phone cameras can have a serious gimbal for under $300 without having to take your chances with unproven brands. It is certainly an interesting option.

Do you currently have a gimbal at this price point? Are you looking to buy Zhiyun-Tech's new stabilizer? Share your thoughts in the comments below.

Many consumers will think that why you quote a higher price than other manufacturers for the same packaging box. Today, Lihua Group tells you that it is not so simple.

1. The prices quoted by two different packing box manufacturers are different. Most of the purchases will choose the cheap one to save money. In fact, the low price cell phone case packaging box is not so simple. We all know that the low price is not really cheap, because the price of cell phone case packaging boxes is the most critical material and manual, in the same place, labor and site costs are the same.

2. The thickness of paper used by different manufacturers of cell phone case packaging box varies greatly. Some manufacturers of cell phone case packaging boxuse 1200g gray board, some use 1500g gray board, and some manufacturers of mobile phone packaging boxes may use 1400g gray board instead of 1500 gray board. If you don't use calipers or rulers to measure, it is hard to find such a problem. Different brands need to use different materials. If the thickness of materials is slightly reduced, then the cell phone case packaging box can not reach the weight of our products, which may lead to the damage of products in transit.

So, cell phone case packaging boxes that looks the same from the surface is not really the same. Some cell phone case packaging boxes are jerry-built on some minor details. The result of it is that the final production of cell phone case packaging boxes quality can not be guaranteed.

The above is shared by Lihua Group today - why the same cell phone case packaging boxes will have different phenomenons, hoping to bring help to customers and colleagues. If you need high quality cell phone case packaging boxes and phone packaging design, or if you are looking for a paper packaging company, please contact us through our website!

PERFECT DECORATION

Crafted from high-quality wood or bamboo wood, the wooden wireless charging station is lightweight and durable, stylish and unique. The concise appearance and compatible design make it not only an easy-to-use charger but also a decorative piece to your desk. Effortlessly add a pastoral vibe with its wooden outside and meet your various charge needs with its high-tech inside. The combination of rustic idea and smart tech will be conveyed with a premium way which tells by its exquisite look. Comfortable to the touch and pleasing to the eyes. Compatible with any decoration style, the best choice for home and office use. No one would love to miss such a perfect smart device to be at your service for charging!

NATURAL

We use bamboo and wood material for the outside look of chargers based on an environment protection appeal. Adopting natural materials in the design is not only to make our customer's life healthier and full of vitality but also cause less waste of non-degradable materials while improving the convenience and visually enjoyability. Plastic or metal will do great harm to our living environment by taking years or decades to degrade. However, the biodegradable bamboo and wood material would never put our natural environment in danger. The environmental protection function of bamboo and wood materials is more perfect, and the materials used are absolutely environmentally friendly materials. With more new technology and ways of utilizing our resources coming up, Our bamboo and wood wireless chargers are ready for your better lifestyle!

SMART CHIP TECHNOLOGY

Our wooden wireless phone charger uses state of the art smart chip technology to detect what device you're using and automatically optimize the current output to deliver the right amount. With this smart technology, our wireless charger can provide faster-charging performance yet not damage the battery, protecting your smartphone from overheating, overvoltage and short-circuit to ensure the safety as well as a full charge! It's time to have your phone ready to go at any time!

If you are looking for wholesale wireless cell phone charger, take a look at ours. Meree provides a wide range of high-quality portable fast wireless chargers of various different styles for home/office/car. Get a quote at your best professional wireless charger supplier!

LIGHT UP YOUR ROOM, AND POWER YOUR PHONE

It integrates the functional convenience of QI wireless charging technology within the graceful, elegant design of the lamp. Perfect for your desk or workspace, this wireless phone charging lamp features a Qi wireless charging pad so you can charge your wireless charging-compatible device directly from the base of the lamp.

WARM LED TABLE LIGHT, WIRELESS PHONE CHARGER

If you’d like a new desk lamp for your home or office and your style is sleek and modern, it really doesn’t get any better than a wireless charger with a LED Desk Lamp, this combo gadget makes your life convenient and geek.

You can articulate the adjustable arm into whatever configuration you need to best illuminate your space. It's a perfect combination of wireless charger and table lamp, it's a perfect choice for your warm sweet home, it's for you.

Wireless charger supplier Meree works to produce the best wireless charger. We have a new wireless cell phone charger wholesale and custom wireless charger design. If you are looking for the best wireless charging pad, please contact our professional team. We will provide quotes and suggestions free of charge.

SAY GOODBYE TO TANGLED WIRES

Designed for Google, Meree wireless charger for google phone can offer a simple way to charge. Having done enough researches and development, wireless charger manufacturer Meree produces the best google pixel wireless charging pad for customers. With connecting the wireless charging pad to a power source, you only have to place your phone onto the charging pad, then your phone begins to charge automatically. Say goodbye to tangled wires and lost charging cables. You would not be troubled by Micro cables anymore.

ADVANTAGES OF WIRELESS CHARGING

Safety enough：

Harmless wireless signal - the wireless signal from the charging pad does no harm to human bodies. Actually, your phone will charge only when it has physical contact with the wireless charging pad;

Built-in foreign object recognition - the inductive charging pad can recognize a foreign object. It will stop providing power to the phone until the object is removed;

Overheating prevention - our wireless charger stand can control the temperature to prevent overheating;

Overcharging prevention - the wireless charging pad can recognize the battery status and provides overcharging prevention; when your phone is placed on the wireless charging pad, if the battery power drops below 100%, a small amount of current will be supplied to the battery to ensure it is always fully charged.  

Short-circuit protection - with short-circuit protection, you don't have to worry about your phone;

Case-friendly: with a charging distance of 6mm-8mm, you don’t have to pull off and on the case every time. You just need to put your device on the wireless phone charger for google pixel, then it will charge immediately;

Charging everywhere: with the cableless charger, you can charge your device when you are at home, work or some other places.

We are into a new era of wireless charger. Meree works to produce the best wireless charger. We have wireless charger wholesale and provide custom wireless chargers.

Founded in 2007, Meree is devoted to producing wireless phone charger. We are always committed to growing bigger and making more possibilities. Additionally, we are always concerned about seeking for long-term cooperation. Welcome to join us and make more progress together!

The Industrial Sip Phone, suitable for internal network of enterprises and institutions, carrier-class IP telephony operation network and users with INTERNET broadband access. It not only supports the voice functions that traditional commercial systems can provide, but also supports application modes such as conference calls, telephone recording, and Internet voice calls. In recent years, with the development of mobile Internet and smart terminals, people have frequently used Skype, Viber, FaceTime, etc. The OTT service makes calls, and the time spent on traditional phones is getting less and less. Juniper Research predicts that 1 billion people will use voice and video calling services through App and mobile devices by 2017. Mobile VoIP Internet telephony based on the SIP protocol Session Initiated Protocol, or mobile IP phones, has become an overwhelming replacement for traditional phones.

The industrial sip phone is based on various resources of the platform and the special functions of the IP network and realizes the Softswitch application service, which is suitable for personal desktop applications. The sip softphone service implements voice communication, data communication and other functions through a personal desktop terminal, and manages user accounts through the OSS system.

The Industrial Sip Phone Function

Outgoing, Incoming, SoftPhone for the secondary call, group call, custom group call, redial, incoming call conference, SoftPhone number for the call already called, a simultaneous ringing function for multiple calls, automatic answering function, random selection of extension number function, USB phone access, mobile office, etc.

The Industrial Sip Phone Configuration Management

Call history, personal address book function, corporate address book function, view local number, change password, transfer number function, transfer number function, open card operation, query and recharge account.

VoIP industrial speakerphones are IP-based Integrated PA & Intercom telephone, which are fully contained in a composite waterproof housing with loud speakerphone and alarm lamp, that provides effective communication in the nosy harsh area, resulting in high reliability of the product long MTBF. Rugged sip phone represents a perfect fit for many different industrial and emergency areas.

The unique robust handset is manufactured from molded polyurethane and designed specifically to withstand arduous use in all environments, it can be fitted with an armored cord, if required, can provide additional resistance to vandalism for heavy industrial use. with horn or lamp on the top design, incoming calls with very loud sound and the lamp will flash.

It supports POE power supply, support SIP v1 (RFC2543), v2 (RFC3261)

The GSM/CDMA all-weather wireless phones are providing a reliable and effective communications terminal when it is limited or no infrastructure can often be costly and time-consuming, they usually are fully contained in a composite waterproof housing with a handset or hands-free design, resulting in high reliability of the product long MTBF.

Additionally, these GSM telephones are fully programmable, remotely via SMS, designed to be shipped complete to site ready to operate, with the only requirement being the insertion of an appropriate network SIM card, perfect for many applications where an economical and reliable solution is required. 

Our GSM core module supports quad-band GSM / GPRS, its working frequency band is: GSM850MHz, GSM900MHz, DCS1800MHz and PCS1900MHz can be compatible with all countries of the mobile network. they embedded TCP, UDP, FTP, PPP and other protocols, according to the customer requirements custom background management system. 

PSST focused on the communication needs of the world's industrial markets.we produce water resistant cordless phone and weather resistant telephone.We welcome merchants from all over the world to cooperate with our factory for mutual benefit and win-win, and jointly create a better future. 

Analog weather resistant direct connect telephone are engineered to deliver reliable, high-quality communications in extremely harsh environments, it's an ideal security solution for outdoor or indoor areas.

The shell electrostatic spraying powder coat finishes available in yellow or grey, durable, uvioresistant, and resistant to discolouration also easily cleaned. telephones can be wall mounted or design the mounting bracket according to actual requirements. 

The waterproof analog phone does not need a separate power supply, compatible with 48 ~ 60V of the various PBX, only through the telephone line will be able to transfer 7KM, they are widely used in railways, power stations, the armed services and heavy industry area. 

There are a variety of cell phone brands on the market, and each brand packaging has its own characteristics. But the same is, these boxes generally have brand logos, product names, product photo and product numbers on the surface. Maybe you want a simple but beautiful cell phone packaging box, in which case we will only print your brand logo on it.

A complete cell phone packaging box:
Cell phone packaging boxes are common in our life, a simple and classic box can be more attractive to consumers and arouse their desire to buy. A complete cell phone packaging box contains a mobile phone, a PIN, a data cable, a charging head and a product manual. Therefore, the internal design of the box is also very important. How to make each accessory neatly placed is also a question we have to consider.

Cell phone packaging box by Lihua group:
In the business of packaging and printing, we are one of the trusted supplier, we have many years of experience working with cell phone companies like GOOGLE, VIVO, MEIZU, XIAOMI and HTC etc. As China leading paper packing supplier, we have provided telescope style rigid box, Injection lid and bottom style rigid box, custom printed magnetic flap closure rigid box, these boxes have high end construction and stable durability. If you have any other design ideas, we will do our best to serve you.