Blogs/News/PSAs

After the massive success of the Kickstarter campaign for their SMOOTH-Q2 smartphone gimbal, Zhiyun is back with a new gimbal for DSLR and Mirrorless cameras: the Zhiyun Weebill-S. This compact and robust handheld gimbal is a follow-up to the previous Weebill LAB that was announced at Photokina 2018. Let’s take a closer look at it!

Zhiyun Weebill-S Design

Zhiyun has just announced their new handheld gimbal for mirrorless and DSLR cameras: the Zhiyun Weebill-S. This fresh stabilizer is a follow-up to the previous Weebill LAB, but it is not a replacement. Overall, the one-of-his-kind design is similar between the two. If it works, don’t fix it.

ZhiyunWeebillS_01

Image credit: Zhiyun

You can mount the included tripod – that double as a handle – in “normal” mode under the gimbal. That way, you can operate the Weebill-S like any other one-hand-gimbal. But, the neat feature is that you can also mount the tripod horizontally as a handgrip. In that position, it makes it easier to operate the gimbal in underslung mode and get low-to-the-ground shots.

The Zhiyun Weebill-S is also pretty compact, with a total height of just 297mm. It is powered by two 18650 interchangeable batteries, for a runtime of up-to 14-hours according to Zhiyun.

ZhiyunWeebillS_02

Image credit: Zhiyun

One thing that I like in the design of the Zhiyun Weebill-S is the locking switches on every axis. There is one dedicated switch on the Pan, Tilt and Roll axis.

These locks are helpful for transport purposes, so your gimbal doesn’t go in every direction in your bag without you noticing. Also, for balancing goals, you can adjust each axis at a time by locking the other two. These are the small design features that make your life easier and your job quicker.

ZhiyunWeebillS_Featured

Image credit: Zhiyun

But what’s new with the Zhiyun Weebill-S compared to the previous generations?

Zhiyun Weebill-S Features

The Zhiyun Weebill-S features new motors with a 300% improvement in motor torque and a 50% increase in responsiveness, according to Zhiyun. In short, it means that you can now mount and balance more massive setups like a Sony A7III + FE 24-70mm F/2.8 and Canon 5D4 + EF 24-70mm F/2.8.

The quick-release plate to mount your camera is now Manfrotto and Arca-Swiss compatible. Otherwise, there is no word from Zhiyun regarding the maximum payload the Weebill-S can take at the moment.

ZhiyunWeebillS_03

Image credit: Zhiyun

A new intelligent auto-tune feature should provide more stable and flawless stabilization results. Indeed, the Weebill-S can now automatically recognize the setup weight and auto-tune its power to adapt the camera setup best.

ZhiyunWeebillS_04

Image credit: Zhiyun

Zhiyun wholly redesigned the image transmission module. The new TransMount Image Transmission Module can be directly mounted under the quick release plate.

The features of the TransMount module are quite impressive: 1080P transmission at up to 30 frames per second, a 100-meter range, and a range of tools such as LUT/false color/focus peaking/zebra. Also, you can use the TransMount for live streaming purposes, but you can also connect up to three devices at the same time.

ZhiyunWeebillS_05

Image credit: Zhiyun

Zhiyun Weebill-S Control Features

The TransMount Image Transmission Module gives you access to the ViaTouch 2.0 eco-system. In short, ViaTouch turns your smartphone into a monitor and remote controller. If your camera is compatible, you can control/record/adjust the camera parameters through ViaTouch 2.0. For a complete list of the compatible cameras, please look at the Zhiyun’s inventory on their website here.

ZhiyunWeebillS_06

Image credit: Zhiyun

With your smartphone attached to the Weebill-S, you can use SmartFollow 2.0 to track an object or person in your shot automatically. Finally, with the Sync Motion functionality, you can use your smartphone with the Zhiyun app to control the gimbal, like the Freefly Mimic, for example.

ZhiyunWeebillS_07

Image credit: Zhiyun

On the gimbal itself, there is a control wheel on the side of the bottom handle. You can use that wheel to control your focus electronically without the need for an additional follow-focus (if your camera is supported). But the control wheel can also pilot the Zhiyun TransMount Servo Zoom/Focus Controller (sold as an accessory).

ZhiyunWeebillS_08

Image credit: Zhiyun

Finally, six creative shooting modes are available: full range POV mode, Vortex mode, GO mode, PF mode, F mode, and L mode.

Pricing and Availability

The Zhiyun Weebill-S retails for $439/351€. Shipping should begin at the end of October. The TransMount Max Servo Zoom/Focus Controller retails for $89/85€.

Several packages are available; there is a Zoom & Focus Pro Package that includes the Weebill-S and the follow focus for $519/426€. Another Image Transmission Pro Kit that consists of the Weebill-S, follow focus, and Image Transmission Module is $679/521€.

What do you think of the Zhiyun Weebill-S? Do you think it is a direct competitor to the Ronin-S/SC? Let us know in the comments!

SmallRig has a range of new accessories for the Zhiyun Crane 3S gimbal. These include a Mounting Clamp, a Mounting Plate, and a Baseplate.

All of the accessories have been designed to be as lightweight as possible.

SmallRig Mounting Clamp for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 23 18 PM

The SmallRig Mounting Clamp allows you to add accessories to your gimbal.

Screenshot 2020 05 20 at 11 22 57 PM

Screenshot 2020 05 20 at 11 23 06 PM

The clamp locks onto the neck of Crane 3S through the use of two captive m4 screws.

Screenshot 2020 05 20 at 11 22 50 PM

The clamp has a maximum payload capacity of 15kg (33lb), yet it only weighs 115g (4oz).

Screenshot 2020 05 20 at 11 23 28 PM

Screenshot 2020 05 20 at 11 15 30 PM 1

The Mounting clamp features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads which makes it easy to mount a wide range of accessories, such as the separately available Magic Arm and Cold Shoe. By doing this you can add attachments such as a monitor, light, or microphone.

Each side incorporates a NATO Rail that allows for quick-release accessories such as the Magic Arm and NATO Handle.

The interior of the clamp features rubber pads so your Crane 3S won’t get scratched.

The Mounting Clamp is available to pre-order for $24.90 USD. It will start shipping on June 7th.

SmallRig Mounting Plate for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 31 52 PM

The SmallRig Mounting Plate, just like the Mounting Clamp, allows you to place accessories on your Crane 3S.

Screenshot 2020 05 20 at 11 32 16 PM

The Mounting Plate locks onto the gimbal through a captive 3/8”-16 screw and two locating pins to prevent it from twisting.

Screenshot 2020 05 20 at 11 32 24 PM

It features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads that enable you to mount a wide range of accessories, such as the separately sold Magic Arm and Cold Shoe.

Screenshot 2020 05 20 at 11 32 00 PM

The plate is compatible with Zhiyun’s original sling handle adapter and SmallRig Sling Handle. The interior of the plate features rubber padding so it doesn’t scratch or damage your gimbal.

The Mounting Plate is available to pre-order for $13.90 USD. It will start shipping on June 7th.

SmallRig Baseplate for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 40 08 PM

The SmallRig Baseplate allows you to add accessories to the bottom of Crane 3S gimbal.

Screenshot 2020 05 20 at 11 38 33 PM

This baseplate attaches to the bottom of the stabilizer with a captive 3/8”-16 screw and two locating pins to prevent twisting.

Screenshot 2020 05 20 at 11 38 26 PM

Just like the other products listed, it features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads for mounting accessories.

Screenshot 2020 05 20 at 11 38 44 PM

You can also attach the Top Handle to hold your gimbal upside-down or to attach an Easyrig. The plate is compatible with Zhiyun’s original tripod.

Screenshot 2020 05 20 at 11 38 51 PM

It is available to pre-order for $13.90 USD and it will start shipping on the 7th of June.

Do you know the difference between spherical and aspheric lenses?

The aspheric

When it comes to the lens, you have to mention the aspherical lens. In many people's understanding, the asperical lens is a symbol of high level, and the advanced lens is almost all aspherical lenses.

Let's start with what is called a aspherical camera lens. The aspherical lens is contained in the camera lens, aspheric is often calculated according to the surface, some aspherical lens side, the other is not, or both sides is spherical, and so on.

In general, a lens with two or more aspherical lenses is a very advanced lens. So, is the aspheric surface a very difficult technique?

We can look at it from the other side.

Now, in terms of glasses, the aspheric surface is also very widely used, and in fact, it is no more expensive than the spherical lens. For numerical control grinders, the wave surface can also be made.

Clearly, many people's understanding of the aspheric surface is still stuck in the leica 501.2 myth, which itself has long since been broken.

Of course, many people would still use the so-called "grinding aspheric", but don't say what grind the aspheric surface. I believe that for many people, it's impossible to tell whether a picture is not a spherical lens.

Is the aspheric surface necessarily good?

Even if it's a cock shot, it's impossible for each lens to be aspherical, the aspheric lens is actually a supporting role in the lens, not the main character, the main corrective, the correction function, after the use of aspherical lenses, the image of the edge of the image will be solved well and the picture will be more average.

So, is it a good thing to have an aspheric surface? From the current situation, the use of aspheric surface technology has become the standard configuration, especially the high technology index lens, for example, large aperture wide-angle zoom lens, it is difficult to guarantee the quality of the picture without the aspheric surface.

But in terms of our film fans, the aspherical lens we can use is relatively limited, after all, we use the camera mainly concentrated in the last century 60-90s, until the 90s, aspherical lens or less. Here we're talking about 135, and less in 120. We have seen that CAI has built so many classic Hau shots, such as the 384.5 on SWC, and there is no aspherical lens.

In a series of SLR lenses designed by Mr. CAI for nikon, many of them have no aspheric surfaces. But it doesn't prevent these lenses from being a good shot, like chase 50, 1.4 SLR, and the picture is average. Aspherical Camera Lens Better than a spherical lens camera  is ture.

Our client base spans across defense, security, bioengineering, pharmaceutical, institutional, industrial, and research industries worldwide. We specialize in DFM (optical assembly manufacturing) input from rapid prototyping to volume production. Our comprehensive metrology coupled with cost-effective philosophy can help Hyperion customers obtain a competitive edge in the global market.

The Zhiyun Crane 3S is the latest addition in the Crane series of gimbals. Zhiyun has taken a lot of what they learned from building the Crane 3 Lab to create their latest flagship gimbal. The biggest selling point of the Crane 3S is that it can handle camera payloads of up to 6.49 kg (14.3 lb).

Zhiyun has forged a strong reputation for making affordable, yet high-quality gimbals, so let’s see if the Crane 3S follows in those footsteps.

It fills a gap in the market

Screenshot 2020 04 13 at 4 31 18 PM

For the last few years, we have had one-handed gimbals that were meant for mirrorless/DSLR cameras and smaller sized digital cinema cameras, or larger gimbals such as the DJI Ronin 2 or Movi Pro that were designed for mid to larger sized digital cameras. There really wasn’t anything that bridged that gap.

Screenshot 2020 04 13 at 4 32 18 PM

Moza Air X

One of the few exceptions was probably the Moza Air X. It is the only other single-handed gimbal that I can think of that could handle payloads of up to 6kg.

Screenshot 2020 04 13 at 4 34 08 PMZhiyun Crane 3 Lab

Screenshot 2020 04 13 at 4 34 08 PM

Screenshot 2020 04 13 at 4 34 34 PM

Screenshot 2020 04 13 at 4 35 08 PM

Sure, there are gimbals such as the Zhiyun Crane 3 Lab, DJI Ronin-S, and Moza Air 2, which could take smaller sized digital cinema cameras with a little persuasion, but that is not what they were primarily designed to do.

The Crane 3S is bridging a gap in the market between single-handed gimbals and gimbals that were designed to be specifically used with mid to large-sized digital cinema cameras.

With a lot of shooters using cameras such as the Canon C200/C300/C500, Sony FX7/FX9, Panasonic EVA1, and to a lesser extent the Kinefinity TERRA/MAVO and Z-Cam offerings, there is a place for a gimbal such as the Crane 3S.

Yes, you could well argue that running a small to mid-sized digital cinema camera on a one-handed gimbal is counter-intuitive, but we will explore that argument a little later on.

What cameras will work with it?

Screenshot 2020 04 12 at 3 42 55 PM 1

Compatible cameras include the Canon EOS 1DX, Blackmagic Pocket Cinema Cameras, Canon Cinema EOS, Sony FS & FX series, and RED Digital Cinema Cameras. You could of course also use cameras such as the ARRI ALEXA Mini, Panasonic EVA 1, Z-Cam series, and any of the KInefinity options.

CRANE-3S-Camera-Compatibility-List-ENDownload

Above you can download the full camera compatibility list. This is list is more to show you what functionality is available when using various camera and lens combinations on the Crane 3S.

Just because you can, doesn’t mean you should

DSC 2519

It is all good and well being able to put a small to mid-sized digital cinema camera on a single-handed gimbal, but is it the best idea? That answer really depends on what you want to do with this gimbal. I see it more as a gimbal you would attach to a crane or car mount than a gimbal people will want to use for regular shots.

If you are someone who just wants to get the occasional gimbal shot using their main ‘A’ camera then maybe it makes sense. If you are someone who wants to uses gimbal a lot and needs to hold onto it for extended periods of time then you should steer clear.

DSC 6370

In a lot of ways, the Crane 3S is a niche product and it is only going to appeal to a certain segment of the market, it isn’t for everyone.

Design

Zhiyun took direct design cues from the Crane 3 Lab, and its appearance is very similar. Is it two handles or one handle? Well, it’s sort of both. By designing the gimbal in this way it has allowed Zhiyun to shorten the main handle. The reason behind doing this is to allow the user to get the gimbal closer to the ground for low-angle shots.

DSC 6287 01Secondary handle on the Crane 3S

DSC 6287 01

The secondary handle on the Zhiyun Crane 3 Lab

Unlike on the Crane 3 Lab, the secondary handle isn’t fixed in a locked and non-movable position.

DSC 6316

The Crane 3S handle can be detached if you don’t want to use it.

DSC 6312

DSC 6309

DSC 6310 01

The secondary, removable handle has an electronic connection point that slides into the main section of the Crane 3S. This allows power and control functionality.

DSC 6308 01

It is simple to remove the handle and even easier to put it back on.

Having a secondary handle is supposed to allow the operator to make a smooth transition to and from the low mode. By including the secondary handle you just have to change your hand position depending on whether you want to hold it upright or use it in an underslung position.

DSC 6318 01

On the Crane 3S, you can use the control handle, the regular handle, or even the mini tripod stand on the back of the gimbal.

DSC 6329 01

If you use the regular handle as well as the mini tripod legs the gimbal becomes very long.

Screenshot 2020 04 12 at 4 07 30 PM

Screenshot 2020 04 12 at 4 07 30 PM

Screenshot 2020 04 12 at 4 07 08 PM

Screenshot 2020 04 12 at 4 07 22 PM

The big difference between the Crane 3 Lab and the Crane 3S is that the Crane3S has been designed to be a lot more modular, which makes it a lot easier to attach and use with industry equipment.

You need to hold the Crane 3S with two hands, one on each handle. This does take some getting used to and you need to work out which hand goes on what handle. There really isn’t any right or wrong way to position your hands. Whether you like the two handle design is going to very much be down to personal preference. By going with this type of design, at least Zhiyun has given you options as to how you can hold and use the Crane 3S. You may well find that you prefer holding it one particular configuration over another. I will talk more about how it is to actually use and hold later in the review.

If you are used to the Zhiyun Crane Lab 3, then you will feel right at home operating the Crane 3S.

DSC 6276 01

DSC 6276 01

DSC 6294 01

Just like on the Weebill Lab and Crane 3 Lab, the rear arm is also offset so you don’t have the back screen on your camera being obscured when you are shooting. However, with the Crane 3S, Zhiyun has gone a step further and designed the gimbal with a 55° tilted roll axis that provides an even more unobstructed view.

Screenshot 2020 04 12 at 4 06 41 PM

Screenshot 2020 04 12 at 4 06 50 PM

If you need to run an even longer camera, Zhiyun includes an extension arm bracket.

You need to use this extension arm bracket if you are running longer camera and lens packages. There weren’t any instructions for how to install it, so here is what I had to do in steps:

DSC 6354 01

Undo the four screws on the roll arm.

DSC 6351 01

2. Undo the two small screws that hold the cable cover in place

DSC 6356 01

3. Gently separate the arm from the roll axis

DSC 6359 01

4. Install the extension arm bracket near the roll motor.

DSC 6360

5. Install the extension arm bracket to the roll arm

DSC 6362

DSC 6362

DSC 6363 01

6. Reinstall the cable cover and tighten the screws

To return the gimbal to its original form you just reverse these steps.

High payload capacity

DSC 6369 01

The Crane 3S has a payload capacity of 6.49 kg (14.3 lb). That is a substantial jump from the Crane 3 Lab’s 4.58 kg (10.14 lb) load capacity.

In recent times we have seen companies coming out with one-handed gimbals that can accept some pretty heavy payloads. In my opinion, I think this sort of defeats the purpose of having a compact one-handed gimbal. The heavier the payload, the shorter the time you actually hold it for. I think once a gimbal payload reaches a certain point you are better off with a two-handed design. This is especially true if you are going to try and use something like a Canon C300, Panasonic EVA-1, or an ALEXA Mini on a single-handed gimbal.

DSC 2523

In my opinion, if you are just going to be running a small mirrorless or DSLR set up, there really isn’t a lot gained by buying a larger one-handed gimbal that supports high payloads. Sure, having the added flexibility to run a variety of cameras on a gimbal is great, but you really need to take into account just how long you can operate a single-handed gimbal with a heavy payload.

IMG 8019

So how does the Crane 3S payload capacity compare to other single-handed gimbals? Below you can see:

Above you can see the payload capacities of some of the other one-handed gimbals that are available. As you can see, the Crane 3S payload capacity is almost 2 kg more than the Crane 3 Lab and almost 3 kg more than the capacity of the DJI Ronin S.

It still has a reasonably small footprint

DSC 6343

Despite its large payload capacity, the Crane 3S can still be folded down into a relatively small footprint. Look, it is still quite big, but at least the design enables you to fold it down into a workable solution. This makes it a lot more convenient to travel with. This is a big advantage that the Zhiyun models have over other competing gimbals, such as the DJI Ronin-S and the Moza Air 2.

Who is it aimed at?

Screenshot 2020 04 13 at 4 04 01 PM

The Crane 3S is aimed at users of small to mid-sized digital cinema cameras and larger mirrorless and DSLR camera packages. Even if you are running a mirrorless or DSLR camera having a larger payload capacity gives you the flexibility to be able to run heavier lenses without straining the gimbal.

IMG 8023

A lot of shooters are happy running mirrorless or DSLR cameras on a gimbal and I’m not quite sure how many would prefer to be using their main camera on a gimbal instead. Running a smaller mirrorless or DSLR ‘B’ camera on a gimbal is just easier for most shooters as they don’t want to carry around a larger gimbal like a DJI Ronin 2 or Movi Pro. Whether the Crane 3S tempts shooters to start using their main camera on a gimbal will be interesting to see.

What do you get?

DSC 6347

The Zhiyun Crane 3S comes in a foam case that you can carry and store the gimbal in. The case probably isn’t strong enough for air travel, so I wouldn’t recommend you check it in.

DSC 6348 01

Inside the case, there are custom cutouts for everything that comes with the gimbal. All the components are easy to see and access.

The Crane 3S comes in a case, but once you fit the extension arm bracket it won’t fit back into the case. This is something you should be aware of.

You also get a quick start guide which gives you enough information that you can set up and get your gimbal running fairly quickly.

Along with the actual Crane 3S gimbal, you also get:

Quick Release Camera Plate

SmartSling Handle

3 x 18650 Battery

Battery Charger

Extension Arm

Handle Adapter Base

Backing Base

Tripod

Lens Support

Lens Support Rod

Micro-USB Canon Control Cable

Mini-USB Canon Control Cable

USB Type-C Panasonic Control Cable

USB Type-C to Multi Sony Control Cable

USB Type-C Charging Cable

Foam Storage Box

3 x 1/4″-20 Screw

Wrench Set (M1.3, M2.5, M4)

Limited 1-Year Warranty

Build Quality

DSC 6271 01

DSC 6271 01

DSC 6251

DSC 6254

DSC 6260 01

The Crane 3S has a similar build quality to the Crane 3 Lab. In saying that, I think Zhiyun gimbals have continued to improve over time and the Crane 3S feels just a little more polished than the Crane 3 Lab.

DSC 2528

Despite quite a lot of plastic being used, it’s still a pretty heavy gimbal. All the buttons, switches, and knobs are fairly well made. If you are familiar with Zhiyun products you will be more than happy with the build quality of the Crane 3S. There wasn’t anything that I saw that overly concerned me in terms of how it was built and put together. It looks like it would hold up well to the rigors of field use.

The gimbal is heavy

Screenshot 2020 04 13 at 4 02 50 PM

Look there is no way to sugar coat it, it’s a heavy gimbal. Even using a smaller sized digital cinema camera, I wasn’t able to hold onto it for very long before I felt like I wanted to put it back down. This is not a dig at the Crane 3S, I find this to be the case with all of the larger single-handed gimbals.

What you do need to keep in mind is that the Crane 3S (with batteries) weighs in at 2.47 kg (5.45 lb). If you were to attach a camera package with a payload of around 6 kg you are looking at having to carry around 8.5 kg. This is not easy to do and you will find yourself putting the gimbal down within a few minutes.

How much does it weigh compared to other gimbals? Below you can see:

Batteries & Run Time

DSC 6372

The Crane 3S requires 3x 18650 batteries, and Zhiyun claims a run time of up to 12 hours. Based on my experience using the gimbal I found that the battery life was good and it should easily get most shooters through an entire day.

DSC 6373

To remove the battery cover, there is a little locking switch on the top that you need to unlock.

Screenshot 2020 04 12 at 4 24 37 PM

If you want longer run times, Zhiyun also now sells an optional TransMount PowerPlus Battery Pack that can house 6x 18650 batteries. It also serves as a compact yet fast-charging power bank for your devices.

The TransMount PowerPlus Battery Pack will run the CRANE 3S for up to 18 hours. For camera combos over 3kg, Zhiyun recommends you use the PowerPlus Battery Pack.

DSC 6253

There is a DC input on the gimbal where you attach the TransMount PowerPlus Battery Pack.

Double Locks

DSC 6255

DSC 6255

DSC 6256 01

DSC 6257 01

Just like the Crane 3 Lab, the Crane 3S Lab features a latch on each axis that you can lock off to make balancing the gimbal a lot easier. Zhiyun has actually slightly redesigned this system and now it features double locks.

The double locks are a necessity because you don’t want a heavy camera and lens package falling down or to one side when you are trying to balance it.

DSC 6262 01

The nice aspect about these latches is they aren’t made out of plastic, they are anodized aluminum and are not going to break.

What I do like is if you are traveling around from location to location you can lock all of the axes and keep your camera on the gimbal. Then when you turn up you can simply unlock them and you are ready to go. This saves you a ton of time as you don’t have to re-balance the gimbal every time you move locations. If you are like me, I tend to leave a camera on a gimbal as I find it too time-consuming to be taking a camera on and off all the time. This is one of my favorite features of the Crane 3S.

In saying all of this, it is just as easy to take your camera off as it has a quick-release plate. This allows you to put the camera back on the gimbal without needing to do any major rebalancing.

Balancing

DSC 6275 01

Here is where I found the Crane 3S to be very hit and miss. Balancing smaller camera and lens packages like a Panasonic S1H or a BMPCC 6K is relatively easy and straight forward, but larger cameras are a different story.

Screenshot 2020 04 13 at 4 50 41 PM

I tried balancing a Kinefinity MAVO LF on the Crane 3S and it was a little difficult. With larger cameras, the balance needs to more exact and things make the whole balancing process take longer.

DSC 6261

The other problem I found is that once you have a heavier camera placed on the gimbal, it becomes extremely hard to move the adjustment arms. They require you to use so much force that it is hard to make subtle micro-adjustments.

With bigger, heavier cameras it is also hard to make adjustments because you have all of the weight and inertia of the camera fighting against you.

Quick Release Plate

DSC 6266 01

The Crane 3S utilizes a Manfrotto quick release plate. Once you attach the plate to your camera you just slide it on and then lock it in place. The locking mechanism hs been slightly redesigned and it is better than the one found on the Crane 3 Lab.

DSC 6267 01

DSC 6267 01

DSC 6344

DSC 6345 01

The redesigned plate also lets you attach the included rods straight to the front of the plate.

No built-in stand

DSC 6245

The Crane3S comes with a small removable stand that you can attach to the bottom of the gimbal. This allows you to put the camera and gimbal down onto a flat surface.

This removable stand is quite small and the problem I found is that it is awkward to unfold quickly, especially when you need to do it with one hand.

Zhiyun Crane 3 Lab Review

In a nice touch, Zhiyun has labeled the tripod stand so you know exactly which way it needs to be turned to remove it or tighten it onto the gimbal. I like little touches like this because it shows me that the design team is paying attention to small details.

Mounting Points

DSC 6374

The Crane 3S has a 3/8″ mounting point on the base of the main handle. This is where you can attach the included Mini Tripod Legs, or put it onto a light stand, pole or anything else that you want to use.

DSC 6376

There is also a 3/8″ mounting point towards the back of the gimbal. Here there are also two 1/4 20″ tapped mounting holes.

DSC 6341

DSC 6340

Zhiyun also includes a mounting bracket that you can attach with two screws to this same mounting point. This allows you to mount other accessories or move the long handle further back.

DSC 6264

DSC 6375

Near the back of the gimbal, there are also two rosette style attachment points (one on the left side and one on the right side)where you can attach the optional TransMount Phone Holder with Crown Gear or a monitor arm or other accessory. This is also a 1/4-20″ tapped hole.

Zhiyun Crane 3 Lab Review Optional TransMount Phone holder

Optional TransMount Phone holder

The optional TransMount Phone Holder with Crown Gear really is a must if you are purchasing the Crane 3S. I still can’t work out why they made this an optional accessory and charge $49 USD for it. It really should have been a standard accessory that is included with the gimbal.

Wireless Image Transmission

Using the wireless video feed with an iPhone 7 Zhiyun Crane 3 Lab

Using the wireless video feed with an iPhone 7+

First introduced on the Weebill Lab, wireless image transmission is also as a standard feature on the Crane 3 Lab, However, it is not standard on the Crane 3S. The in-built wireless was one of the main features for me that put the Weebill Lab ahead of its competition (when it worked). I hate rigging up an external monitor to a gimbal and I can’t for the life of me judge exposure, framing and focus from a tiny screen on the back of a camera. This is especially true when shooting in bright sunny conditions.

With no built-in wireless transmitter, you need to buy the optional module to be able to do real-time monitoring, framing, and camera control (although this depends on the camera).

Zhiyun Crane 3 Lab Review

The image is wirelessly transmitted over wi-fi so all you need to do is download the Zhiyun Play app and then fire up your smartphone. The way it works is that you need to connect an HDMI cable from your camera to the optional image transmission module.

The only problem is, and they never show you this in the marketing material, you need to have both the camera control cable and an HDMI cable connected up between your camera and the gimbal. This means you have a myriad of cables sticking out everywhere. You also need to be aware that with certain cameras, if you attach an HDMI cable or use a camera control cable, the back LCD screen turns black.

The Zhiyun Play app allows you to adjust and control your gimbal as well as control quite a few functions on your camera (this depends on what camera you are using).

Object tracking with the Zhiyun Crane 3 Lab

One of the features in the Zhiyun Play app is the image tracking. This feature allows you to draw a box around an object and then the gimbal will track that object no matter which direction the gimbal is moving. I found the image tracking to be pretty disappointing. It seems to only work when subjects are in the middle of the frame. As soon as they start moving toward the side of the frame the tracking seems to stop.

Physical Controls & Layout

DSC 6280

DSC 6282 01

DSC 6284 01

DSC 6279 01

DSC 6286

If you are familiar with other Zhiyun gimbals you will find that the basic control layout is very similar to the Crane 3 Lab, but some controls have been repositioned.

DSC 6289

Now, this is both good and bad. The good aspect is because of the way the Crane 3S has been designed, you are probably going to be holding it with two hands anyway. The bad aspect is that by positioning the controls and status screen on the rear handle, Zhiyun is forcing you to use it.

DSC 2532

If you want to use the joystick control or focus wheel then you are almost being forced into holding the gimbal with one hand on the rear handle and one on the main. If you want to just hold onto the main handle you won’t be able to easily change camera settings such as f-stop etc.

In saying this, if you did want to just hold onto the main handle or not use the rear handle, you could attach your smartphone and then make all of your changes there. That way you don’t have to touch any of the controls on the rear handle.

You may also find that you will have to hold the rear handle with whatever is your dominant hand. For example, if you are right-handed and you try and hold the rear handle with your left hand you might find it awkward to make changes or operate the buttons.

I do, however, like that the display screen is on the rear handle because it makes it a lot easier to see. Having the screen on the main handle doesn’t make a lot of operational sense because you can’t really see it easily.

On the rear handle, there is a small display, record button, GO button, buttons for changing the camera setting modes such as ISO and f-stop, and a dial for navigating the menu and making changes. To the left-hand side there are three buttons for changing the gimbals operating modes.

DSC 6333

On the rear of the back handle, you will find a zoom rocker. This can be used to zoom compatible lenses or to control the optional focus/zoom motor. There is also a dial underneath the zoom rocker that is for making camera setting adjustments.

DSC 6298 01

DSC 6270 01

To the far right of where the camera baseplate goes, you will find the inputs for camera control, and on the opposite side, you will find the inputs for focus and zoom control.

On the tilt axis, you will find the camera control input, as well as the inputs for focus and zoom motors.

PhoneGo Mode

If you want to follow fast moving objects or people you can enter what is called the PhoneGo Mode. By single tapping on the Go button, the gimbal goes into its maximum follow speed. This is handy if you are filming sports or anything with fast moving motion. This is similar to Sports mode on the Ronin-S.

Motion Sensor Control

The gimbal has a built-in motion control sensor, so if you don’t want to use your smartphone on your gimbal, you can take it off and turn it into a motion sensor controller. By simply moving your phone, you are controlling the gimbal in real time. This is a nice feature and it’s impressive that it is a free built-in feature in the app. If you have used Mimic with a Freefly Movi or the controller mirror mode on the Ronin 2, it is a similar feature.

It does take a bit of time to get used to how it works, and it is not the most intuitive way to operate your gimbal, but once you get the hang of it it works fairly well. This feature can come in handy if you are using the gimbal on a jib or as a remote head.

Focus & Zoom Motors

Getting critical focus, especially when shooting 4K on a full frame sensor camera is hard at the best of times. In the last 12 months or so we have seen quite a few follow focus systems emerge for gimbals. The Crane 3S has a built-in focus controller on the gimbals handle, but they also have two optional follow focus (or zoom) motors that are available. On the Crane 3S you can connect up two follow focus motors, so you can use one for focus and the other for zoom.

The TransMount Lite Servo Focus and Max Servo Zoom/Focus Controllers

The TransMount Lite Servo Focus and Max Servo Zoom/Focus Controllers

Now, there is actually two different versions of the motor available. One is the TransMount Lite Servo Focus Controller, and the other is the TransMount Max Servo Zoom/Focus Controller. While they look similar, the TransMount Max Servo Zoom/Focus Controller is slightly larger. Both Controllers will work on the Weebill Lab as well as the Crane 3 Lab and the new Crane 3S.

What's included with the TransMount Focus Motor

What’s included with the TransMount Focus Motor

Included with Focus Controllers are the mounting bracket, a 15mm rod, and the power, control cable.

Both Focus controllers feature a tool-less design, and they attach to the gimbal using just the included thumbscrews. To attach, you secure it to the supplied support bracket and mounting rod using two thumbscrews, and attach this assembly to the bottom of the gimbal’s baseplate with the third thumbscrew. You then connect the servo to the gimbal with the provided USB cable and connect the camera to the gimbal with one of the camera control cables the gimbal comes with. The USB cable connection provides zero-latency signal transmission.

The external follow focus can be controlled in two ways, one is through a tactile wheel on its body, or through the app directly on your smartphone screen. If you use one as a zoom, you can also control it via the app or through a zoom rocker on the gimbal.

Zhiyun Crane 3 Lab Review

The Zhiyun TransMount focus motor is pretty much silent

The external follow focus motors are relatively lightweight and certainly do work. You just hook it up to the gimbal with a cable and then you can control focus directly on the side of the gimbal. The motor is absolutely silent and doesn’t make any noise at all.

Zhiyun Crane 3 Lab Review

With the follow focus motor you get a couple of rubber lens gears that you can use on lenses that don’t have pitch gears. These work reasonably well, you just have to make sure you have then tight enough around the lens so they don’t slip or move. I found they were a little fiddly to put on to your lens and secure tightly.

While there is absolutely nothing wrong with how the motors operate or perform (with stills lenses) they do take a bit of time to install and set up. The whole process is a little fiddly and time consuming and by the time you add the rubber lens gear and attach another cable between the gimbal and the motor you end up with cables and bits and pieces everywhere. I think it would have made more sense to design a wireless system that communicated with both the gimbal and the app so you didn’t end up with so many cables. I would have also preferred to see the motors feature an inbuilt battery so they could be used without the gimbal.

How does it actually perform?

DSC 2538

Features are great, but at the end of the day it’s still a gimbal, and therefore it needs to be able to create smooth shots. So how does the Crane 3S perform? The gimbals stabilization is, for the most part, nice and smooth, and with the increased motor strength it never really feels like its struggling even if you are running very heavy camera payloads.

While it works well, it is heavy. The package I was running, including the weight of the Crane3S, tipped the scales at 6.8kg (15lb). If you take away the weight of the gimbal, and the SmallHD monitor and arm I was still 2.2kg short of reaching the max. payload capacity. I wouldn’t want to be holding a gimbal package that was 2kg heavier than the one I was using!

I did find a problem that if you had the adjustment arm where the camera sits all the way out to its full extension the tilt motor would vibrate violently and make a lot of noise. This is obviously a design flaw.

I found that the majority of the footage I got was very smooth and usable, and the gimbal performed well. Like any gimbal or Steadicam, results will vary depending on how proficient you are as an operator.

Above you can see some quick example footage captured with the Crane 3S. This is not a collection of pretty shots, as all I was interested in is to see how the gimbal performed and how it was to operate and use, especially with a heavier camera package.

Above you can see some shots taken at a higher frame rate. To be honest his tells me nothing about a gimbals performance. Any gimbal shot looks good in slow motion.

IMG 8016

As this gimbal can be used with a variety of cameras I also decided to do a couple of quick tests using a Nikon Z6. I wanted to see how the gimbal performs with a lighter camera.

Above you can see some vision from the Z6 and a Sigma 18-35mm F1.8 lens.

Like any new product there is always going to be a learning curve. It is very hard to make a comprehensive conclusion as to the performance of the gimbal without using it over a prolonged period of time.

One-handed gimbals always have the inherent problem of creating quite pronounced up and down movement when you are walking. This is due to the momentum of your body moving your arm up and down. With a two-handed gimbal, this is easier to control as you are essentially locking your shoulders to create a more stable platform. The Crane 3S actually does a fairly good job with this, although just like any one-handed gimbal, you will still get a slight up and down movement when walking.

DSC 2548 1

DSC 2549 1

The design of the Crane 3S does make it easier to get low angle shots and transition from a low angle to a normal level. Having two handles certainly does make a difference when doing these type of shots.

DSC 2546

I also liked that because the gimbal is quite long you can actually use it to do dolly style shots.

DSC 2563

It is nice to use the two handles on the bottom of the gimbal because you can actually use it as a sort of brace against your leg when you are resting.

Screenshot 2020 05 21 at 3 10 58 PM

You can also use the two handles to place the gimbal on the ground to get a regular low angle tripod style shot.

DSC 2560

Another benefit of the two handles is you can elevate the gimbal quite high. This allows you to create some interesting perspectives.

Screenshot 2020 05 25 at 10 10 11 AM

The problem I found when running a larger camera package and using both of the handles on the bottom of the gimbal is that to hold it comfortably you have to place your hand a long way down on the handles. When you do this you can no longer reach the joystick, so if you wanted to pan the gimbal left or right or up and down you can’t do it.

As far as the actual performance goes, I didn’t feel like it was that much different from any other Zhiyun product I had used.

The focus control wheel is located in a position where it isn’t that easy to use due to the way you have to hold onto the Crane 3S.

When you use your smartphone in the optional cradle I found it very hard to make changes without putting the gimbal down. To make changes you need to take your hand off the main handle, which means all of the weight gets transferred to the hand holding the rear handle.

To be perfectly frank, you are almost always going to be able to get better results from gimbals such as a Movi or Ronin. One handle gimbals have their limitations, but what you sacrifice in performance, you make up for in portability.

Accessories

TransMount Lite Servo Focus Controller for Crane 3-Lab & WEEBILL LAB: $85 USD

TransMount Max Servo Zoom/Focus Controller for Crane 3-Lab & WEEBILL LAB: $89 USD

TransMount Quick Release Baseplate for WEEBILL LAB, Crane 3-Lab & Crane 2: $19 USD

TransMount Camera Backing Base for WEEBILL LAB, Crane 3-Lab & Crane 2: $19 USD

TransMount Focus & Zoom Servo Combo Kit for Crane 3-Lab: $74 USD

TransMount Phone Holder with Crown Gear for Crane 3-Lab & WEEBILL LAB: $49 USD

Competition

Screenshot 2020 05 22 at 2 35 54 PM

This is an interesting one, because if you want to run camera and lens payloads that are over 5kg, there aren’t many options unless you want to go to larger gimbal such as a DJI Ronin 2 or Movi Pro.

Realistically, if you want to stick to a smaller, more compact gimbal solution that is easier to travel with, the Crane 3S is arguably the only solution.

Price

Screenshot 2020 05 25 at 10 46 56 AM

The Crane 3S comes in a range of different configurations.:

Zhiyun-Tech CRANE 3S Handheld Stabilizer $739 USD

Zhiyun-Tech CRANE 3S PRO Handheld Stabilizer $1,149 USD

Zhiyun-Tech CRANE 3S-E Handheld Stabilizer $649 USD

The Crane 3S is more expensive than most other single-handed gimbals, but it does have a much higher payload capacity.

For the price, it represents very good value for money. As a comparison, a DJI Ronin 2 retails for $8,399 USD. Yes, it has a payload capacity of 30 lb, but before the Crane3S came along you would have had to use something like the Ronin 2 to run a rigged up Sony FS7.

Conclusion

Screenshot 2020 05 22 at 2 34 15 PM

Zhiyun has certainly made a product that will suit some shooters, especially if you have been wanting to run a mid-sized digital cinema camera but didn’t want to spend a ton of cash.

Does it get heavy? Yes. Do you have to put it down after a few minutes? Yes. If you want smaller sized gimbal that can run heavy payloads the trade-off is going to be the time you can spend using it before fatigue sets in. This is something you clearly need to understand if you are going to use it.

Unless you want to use it with an Easyrig or something similar you may find yourself saying more expletives than normal.

This is not a gimbal for everyone and you really need to think long and hard whether it is what you actually need.

I personally don’t like heavy one-handed style gimbals, but that’s just me. If you can’t hold a one-handed gimbal for more than a few minutes without having to put it down then that is a problem. I am less likely to use a gimbal that I can’t hold for more than a couple of minutes than one I can hold comfortably for a lot longer.

I have to give credit to Zhiyun. They are constantly improving their products and they have been at the forefront of innovation and features when it comes to single-handed gimbals.

I’m not a big fan of using heavy gimbals if you are just running smaller DSLR or mirrorless cameras. In that regard, for me at least, I prefer the smaller Weebill Lab or the Crane Lab 3 over the Crane 3S. In saying that, using a larger gimbal puts less stress on the motors and does give you more flexibility to use larger lenses and bigger cameras, but that does come at the expense of usability.

Zhiyun has certainly thrown everything but the kitchen sink into the Crane 3S, and there is no denying that it is a very feature-rich gimbal. Despite all of the features and pizazz, it’s nice that you don’t need to use any of them if you don’t want to. Zhiyun has managed to still make a gimbal that can be used for both simple and more complicated shots and is versatile to handle a large range of camera and lens packages.

The gimbal itself performs pretty well, but it’s not perfect.

The new latches are a really nice touch, but to be honest, I think they are there out of necessity more than anything else.

The optional electronic follow focus and zoom motors work well, but in all honesty, I’m not sure how many people are actually going to use this. As it only works on a gimbal, it’s not a very flexible product. Don’t get me wrong, it’s great to have, but for me personally, when I use a small gimbal it’s usually with a wide-angle lens where you don’t tend to adjust the focus and zoom that often.

The wireless video and app that allows you to monitor the images from certain cameras and make changes have all been improved by Zhiyun, to the point where it is much more reliable and easier to use. The image quality of the wireless signal is a lot better than it was with the Weebill Lab, but it still has some latency issues every now and then.

In summing up I think Zhiyun has made a reasonably good gimbal that certainly offers pretty decent value for money, although it is a fairly niche product that is not going to appeal to everyone. Its performance as a gimbal is pretty good and the fact that you get so many included features is bound to make it a popular choice for shooters looking for a compact, easy to travel with gimbal that can handle larger camera packages.

The biggest caveat is the weight. Carrying around a gimbal and a payload that weighs upwards of 8Kg is a back, shoulder, and arm breaker.

If you are planning on buying the Crane3S you better hit the gym!

Like what we do and want to support Newsshooter? Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker.

OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

hat is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

Mediavine

OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

FOR

Decent max payload

Lond battery life

Good for fast motion

AGAINST

Heavy

Limited features for some cameras

Joystick can be tricky to reach

What is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

Buy the Crane 3S now from eBay (£659), Wex Photographic (£659), Amazon (£659), Park Cameras (£689).”>

SPECIFICATION

Product type: Stabilising gimbal

Max Payload: 6.5kg

Battery life: 12 hours

Feature App : ZY Play

DC-In: Yes

Camera Control: yes

Features

The Crane 3S comes in three different kits with modules that differentiate each. Each of those modules is available separately so you can upgrade from one to the next as required.

The EasySling is the first option and features the gimbal along with an additional handle that can be bolted in for more significant support.

Zhiyun Crane 3S SmartSling

The SmartSling, which is the version I’m looking at in this review, features the SmartSling handle that again bolts into the gimbal and provides the same support but has integrated camera controls.

The Pro kit features the EasySling and SmartSling along with the Servo Zoom and Follow Focus Motors.

Before we look at the features, it’s worth pointing out that each configuration will only work with certain cameras and lens combinations. Zhiyun have a comprehensive compatibility list on their website which can be seen here: https://www.zhiyun-tech.com/search/en

If you have a compatible camera, such as with the Panasonic GH5 then the Crane 3S is a formidable piece of kit, if you own the Sony A7 III then it’s still a formidable piece of kit but you’re are limited to basic camera control and the powerful stabiliser.

At present, the SmartSling and App have compatibility with many cameras including the Nikon D850, Z6, Canon 5D Mark IV, 6D and R, Panasonic GH5 and Sony A7R3. This list is rapidly growing, so do check out the website for your camera.

Basic features

The Crane 3S SmartSling kit includes the main gimbal, mini tripod, SmartSling a few accessories and cables and the free to download app.

One feature that instantly makes the Crane 3S stand out is the maximum payload which is 6.5kg; this compares to the DJI Ronin-S at 3.6kg. This additional payload does one of two things, the first being that it enables you to stabilise far heavier cameras, the second being it’s a little more forgiving.

Zhiyun Crane 3S motor

Unlike other single-handed gimbal stabilisers, Zhiyun has concentrated on comfort. As well as the usual foldable mini tripod base that converts to a grip in use there’s a horizontal grip and then the addition of the SmartSling. This multi-grip design makes the Crane 3S easier to hold than other gimbals, even with a heavy camera and lens combo, although it is heavy.

Adaptability has also been well-considered, and the Crane 3S is one of the few gimbals of this size that can quickly adapt from being handheld to being part of a larger rig or mounted. There’s plenty of mounting options.

As well as the ability to adapt the grips to your needs, the arms and mounts can be adapted to support small and large cameras better. This means that you can use the Crane 3S with a Sony FS7 then switch to a small Sony A7 III mirrorless if you so wish.

The gimbal lock design has also been redesigned compared with the previous version, and this gives more security when being transported.

The Crane 3S is supplied with three batteries that provide power for 12 hours with a 3KG load.

The Crane 3S SmartSling Kit without the camera or baseplate weighs in at 3.08kg.

There is also the option for DC in, which supports the new 25.2v TransMount PowerPlus battery pack. This gives the Crane extended use time to 18 hours and is ideal on professional shoots.

One of the issues that affect many gimbal stabilisers of this type is the effects of high wind and G-Force that reduce the usual stability the Crane 3S would provide. Engineers have worked hard to counteract these forces with an all-new algorithm that promises to enable you to capture smooth shake-free footage however fast the action.

Another feature that has been carefully considered is the 55º tilted roll axis that has been accurately calculated and ensures that you always get a good view of the camera’s screen and have plenty of space to mount cinema, camera lens combos.

When it comes to the mechanics of motion it has a tilt range of 360º, Roll range of 330º with a max of 75º and min of -255º and pan axis of 360º. This gives plenty of flexibility and control.

Mediavine

Other features available with additions

While the SmartSling does have a good level of features, you can further add to the functionality with the addition of modular motors and wifi kit, which are available for an additional cost.

On the side of the gimbal, there’s a built-in focus wheel. To use this, you’ll need those add on servo motors and of course a compatible lens.

Zhiyun Crane 3S review

On the SmartSling there’s also a built-in zoom rocker, again this requires a compatible camera and lens to use.

Another exciting addition that you could add is the CRANE 3S X TransMount Image Transmission System.

This enables you to control and transmit visuals directly from the camera connected gimbal to a smart device. Again check the compatibility for this, and the feature also requires additional equipment.

Then there’s ViaTouch 2.0 which is part of the TransMount system and enables seamless communication between the gimbal, camera and smart device all using the ZY Play app that needs to be installed on a smart device. Again you need the additional kit to take advantage of all the features.

ZY Play App

The ZY Play app is where most of the advanced features reside.

Once your camera is wired into the gimbal, say a GH5, you can then take control of your camera, adjusting the values and some shooting settings as well as starting and stopping recording.

The app also packs in some interesting features such as Panoramic, timelapse and trajectory photography.

Build and Handling

The Crane 3S once assembled and balanced is solid and features the usual three-axis mechanism that enables the motorised stabilisation.

Real attention to detail has been paid throughout the design with independent locks for each axis. These locks help protect the motors and arms during transportation and make it easy to pack away; they’re also used when balancing the camera at set-up.

Zhiyun Crane 3S Easy view of screen

There is little to fault with the manufacture of the Crane 3S other than to say that this is not a small or lightweight piece of kit.

Key features of the design are the axis locks, DC-in on the side, plenty of accessory ports both for digital and physical additions, the SmartSling handle that slots and locks and the variety of other mounting threads, both 1/4 and 2/3-inch giving plenty of options and versatility.

Mediavine

Initial assembly and balancing

As with most motorised gimbal stabilisers, a little assembly is required before you get started, it’s also worth downloading the app, ZY Play.

The first part of the assembly is the mini tripod which bolts to the main gimbal, once screwed in the gimbal can then be placed on a flat surface and the SmartSling slotted and locked in.

Next, dependent on the camera the base plate is bolted on, if you’re using a mirrorless or medium DSLR, then you’ll probably need the riser plate as well.

This additional plate gives the lens a little more space and is required for balancing with smaller cameras.

Once in place, the lens support can be slotted on to the base plate, and the Y section raised to rest against the lens.

It’s worth noting that if you’re using a zoom lens and you intend to zoom in and out without rebalancing, then the zoom needs to be placed at the midway focal length. For an example using a 24-70mm, something around the 50mm is a good midpoint and means that there is less for the gimbal to do to correct the slight imbalance if you zoom in or out0.

Now the baseplate is slotted into the gimbal and making sure the tilt axis is unlocked, you slide the camera back and forth until it finds a balance.

Once the camera balance has been found, the lock can then be secured. Now the tilt axis can be balanced; this involves moving the arm up and down until the camera holds it’s a position.

Next, you repeat a similar procedure for the other two axes. It takes a while to get the hang of it, but Zhiyun has created superb videos that walk you through the process.

The final stage is to connect the cables, and this will differ depending on the camera you have. Again check the compatibility chart on the website to see what functions and features will be available for your camera.

On the Panasonic GH5, most of the features such as focus and camera settings and control are all available, on the Sony A7 III you can only really start and stop recording and take photos. In both cases, you’ll need to ensure that your camera has been updated with the latest firmware.

Now that the camera is balanced and connected, you’re almost set to go. Switch on the gimbal, then the camera, and finally connect the app.

Once the app boots, you need to select the manufacturer through the settings screen, and that’s it, you’re ready to shoot ultra-smooth video or use the app to shoot timelapse and panoramas.

Performance

For the bulk of this test, I used the Sony A7 III with a variety of lenses. The first thing to note is that if you thought the DJI Ronin-S was heavy, then the Crane 3S is another level up.

However, the design of the Crane 3S does give you plenty of handling options, and if shooting for a day, I would recommend a Flycam Flowline or similar.

And that’ss the thing with the Crane 3S, it gives you options, and that’s something that other gimbals just don’t do.

Using the Crane 3S with the Panasonic GH5 was seamless, the two are ideally matched, and the compatibility between the two is incredible.

The gimbal smooths and stabilises the footage, and there’s plenty of control over the settings through the SmartSling.

Switching to the Sony A7 III and the gimbal still works well, although you lose the ability to change settings through the SmartSling, the loss of the LiveView through the app is also a shame but not a deal-breaker.

What does become apparent very early on is that the Crane 3S is very forgiving? Those motors are designed to carry the load of a professional stills or video camera, so a small mirrorless is easily balanced and held.

That leniency does have a limit, and if you hold the gimbal to close to the max or minimum rotations when the camera isn’t quite balanced, you will get a small amount of judder.

During the test I found, especially for low angled shots, that on occasion there was a slight judder from the motors. If this happened, a quick rebalance would quickly correct the issue.

A cruder fix was just to tilt the handle up slightly to give the gimbal a little more room to play. These are user-related issues rather than anything with the gimbal; it’s just that the power of the motors forgives the user being a little lax with the setup.

The results of the stabilised footage are impressive. Handheld and static scenes showed the framing and hold on composition are excellent; there’s a natural smoothness to the look of the footage.

Setting out on a brisk walk and trying to tailor the walk to avoid any bobbing and again the Crane 3S does a great job enabling you to capture smooth professional-looking video with ease.

The final stabilisation test was to take the Crane 3S for a run. Not a long one, as it weighs quite a bit, and here you can see just how impressive those motors and new algorithms are.

OK, the speed wasn’t overly fast, but the terrain was pretty rough, and downhill and you can see just how well the motors work to create a smooth pan.

There is a slight jerk in the footage just after a jump, but the Crane 3S manages to smooth this, so it looks like a small blip, whereas it was me momentarily losing my balance and only just recovering from a possible face plant.

When it came to the stabilising performance, there was little to fault.

However, in use, there are a few things that I did highlight. The main one was access to the joystick under the horizontal handle. The spacing here is tight, and sometimes it can be a little tricky to get the full range of movement that you want.

Also, I would have liked some control on the SmartSling over the motion of the axis, maybe the zoom could operate tilt, and the index finger jog wheel could operate the side to side movement. Still, unfortunately, I couldn’t see a way to customise these buttons and dials in this way.

The final part of the Crane 3S that I have mentioned but not in any depth is the app. ZY Play is used across the Zhiyun gimbals and offers added features for the gimbal as well as adjustments.

The interface is well laid out but does take a little time to orientate correctly. The two main highlights from the app are the timelapse which enables you to capture stunning timewarp style footage and the panoramic option.

The Panoramic setting enables you to set a start and stop point, and then the gimbal works out how many shots are needed and automatically shoots the sequence. It’s a feature that has been common across gimbal stabilisers but nevertheless is still impressive.

Zhiyun Crane 3S review verdict

The Crane 3S is an impressive piece of kit, and what I liked about it was the flexibility. If you’re working solo, then there’s plenty of features that will assist you with the shoot; such as the ability to attach accessories and hook up to additional supports.

It’s also incredibly easy to balance due to those powerful motors and the axis locks help out as well.

Zhiyun Crane 3S grip

The build is solid, there’s nothing dainty or weak about the construction, and it feels like a real workhorse.

That solid build and power do come at a price, and that’s the weight, you do need to be fit to shoot with it unaided for a day, but again Zhiyun has thought of that with all those connection options.

The real test comes down to the compatibility and quality of stabilisation.

On the first point, compatibility is increasing, and already through the test, all cameras that I tried with the gimbal had an acceptable level of control. If all could have the levels attributed to the Panasonic GH5, then that would be amazing. Still, even with just the ability to start and stop recording, take pictures etc as with the Sony A7 III, that was still enough to make this a worthwhile purchase.

The primary function of the Crane 3S is to provide you with a platform for shooting smooth video, and to that end, this motorised gimbal stabiliser excels.

So, yes this is a fantastic product, but who should buy it? For most enthusiasts the price and size will be off putting, it is just above the needs of those just starting out or looking for something for occasional use.

However, if you’re a professional or filmmaker, then the Crane 3S gives you more options than other similar products. Mainly the ability to mount in a variety of ways making it incredibly flexible in use.

Attach the Crane 3S to a Crane, rig, flowline, dolly or any equipment that enables motion, and it won’t let you down.

Handheld some might find it heavy, you’re looking at a minimum of 5kg, but during several tests out in the field, I carried it for well over an hour without issue. The design of the handles makes it easy and comfortable to carry when not filming.

When filming, I could happily control the gimbal position for around five minutes before a quick rest and the more you use it, the more you discover the comfortable positions to hold.

Overall I have to say I was blown away with the quality of the Crane 3S. Its performance throughout was excellent, and for handheld static and motion shots, the quality of the stabilisation was exceptional.

For faster-moving and running shots, the Crane 3S really stood out.

For any professional videographer or filmmaker needing a highly versatile gimbal then there’s really nothing else this good at this kind of size and price.

A perfectly portable powerhouse gimbal for stable video shoots.

With many people now choosing a DSLR or mirrorless camera for all their still photography and video needs, the market for high-performing gimbals that help deliver the best, most creative and stable footage has mushroomed in recent years.

Zhiyun is one major player in this arena, alongside main rivals DJI and Moza, plus others. Zhiyun has released over a dozen different gimbals since 2014, from the smartphone-oriented Smooth Q2 to professional gimbals such as the Crane 3S which is designed to support heavier camera setups with extended lenses.

This latter kind of setup would be overkill for most consumer and prosumer users - e.g. any set-up and situation where you might realistically be advised to wear a back brace for shooting video for hours on end. What most people want is a gimbal that offers plenty of power and flexibility, but which doesn’t look like you arrived in a truck with a crew.

The Zhiyun Weebill-S is the Chinese company’s latest offering for this mid-range customer. Building on the success of its Crane Lab gimbal, the Weebill-S takes design cues from its older sibling but presents them in a more compact form factor. Zhiyun is calling the Weebill-S a ‘Tiny Giant’. This is intended to convey the relatively diminutive form factor of the Weebill-S, whilst simultaneously underlying its strengths (incidentally, a weebill is in fact Australia’s smallest bird, a bit like a European sparrow or wren).

Zhiyun Weebill-S gimbal, inline

Unboxing the Weebill-S is encouraging, with an overall feeling of quality and attention to detail. A sturdy foam box in two halves neatly houses the gimbal and all components that you need for immediate operation (it’s an idea to photograph the contents when you first open the box, so you can put everything back in the right place later - see photo below). There is no actual carry case supplied - nor, as far as we can tell, one available to purchase at time of writing - so the foam box could prove important to you long-term. Alternatively, as the Weebill-S folds down to be no bigger than a piece of A4 paper, a decent camera bag or backpack can easily accommodate it plus a few accessories.

The delivery includes the gimbal, a quick-release plate, a variety of connector leads and two heavy-duty batteries. The latter provide up to 14 hours of runtime and can also simultaneously charge your camera, so all-day shooting should be feasible. We certainly never ran into any power issues during our extended testing.

Zhiyun Weebill-S gimbal delivery, inline

The Weebill-S is not noticeably heavy (it weights just under 1kg, without a camera) and even with a camera attached it never becomes unwieldy. The gimbal features the popular two-in-one quick release plates (Manfrotto/Arca-Swiss), enabling an easy setup and fast transitions between equipment without the need for constant re-balancing. There is also a riser plate included in the delivery, should you need a particular camera to be elevated slightly above the quick release plate.

The Weebill-S has a new ‘Axis Lock’ design, with a redesigned lock switch on each axis to make balancing and storage easier. This makes it easier to fine-tune the crucial balancing process, as you can balance one axis and lock this in place, then tackle the next axis and so on. Once they’re all locked, you’re good to go and you can leave your camera on the gimbal as you move around and nothing should change. When you’re ready to shoot, simply unlock the axes and the gimbal can do its stabilising thing.

Once you’ve successfully balanced your camera, you can also leave the mounting plate attached, giving you freedom to shoot with or without the gimbal as circumstance demands. The plate is relatively unobtrusive, so never feels too much in the way of hands and fingers, and when you want to use the gimbal again, your camera is already set up for perfect balance.

One caveat regarding balancing and operation - applicable to all gimbals - is that the bigger and heavier your camera payload, the higher the chance of some limitations of movement at certain angles. We didn’t experience anything significant with our test Canon 760D camera, but some users with more elaborate camera-lens-filter set-ups have reported issues, especially when switching gimbal handling modes.

Zhiyun Weebill-S gimbal with camera and tripod, inline

The Weebill-S is ideally suited to mid-range DSLR and mirrorless cameras with native lenses. Given the uprated strength of its motors, the Weebill-S can also handle more elaborate, esoteric and heavier kit configurations, but obviously the permutations here are endless, so if you have a specific niche camera set-up you should research this aspect more carefully. There are plenty of reviews online, which cover most camera configurations.

On the subject of motors, the Weebill-S has much stronger motors than the Crane Lab and an improved and upgraded ‘8th Instune’ algorithm for snappier responsiveness to help eliminate camera jitter in fast-moving situations. The autotune function instructs the gimbal to deliver the appropriate motor power for the camera and lens combination you choose to run, with three levels of torque for the stabiliser. It’s also possible to adjust the speed and other parameters of each axis directly using the dial on the handle of the Weebill-S.

Zhiyun claims the new motors provide a 300 per cent improvement in torque and a 50 per cent increase in responsiveness - big numbers, any way you slice them. Zhiyun cites camera and lens combinations such as the Sony A7Ⅲ with an FE 24-70mm F2.8 or a Canon 5D MK IV with EF 24-70mm F2.8 as examples of serious kit that can easily be balanced and stabilised atop the Weebill-S. We’ve seen a camera/lens combination weight of around 2kg suggested as a sensible ballpark for the Weebill-S. YMMV.

Stabiliser modes available include Pan Following Mode (PF) (the camera pans left/right following the movement of the stabiliser, with the tilt and roll axes locked, although operating the joystick manually enables control of the tilt axis); Locking Mode (L) (which locks the movement of all three axes; again, the joystick can manually override tilt and pan); Point of View Mode (POV) (whereby all three motors can rotate 360° to follow the movement); Follow Mode (pressing the trigger button at the back means the camera pans and tilts, following the movement of the stabiliser, while the joystick controls the rotation of the roll axis); Go Mode (press the Fn Button allows the camera to pan and tilt, following the movement of the stabiliser at fast speeds, but keeping the roll axis locked); and finally Vortex Mode (double-pressing the POV mode button tilts the camera at a 90° angle and pans to follow the movement of the handle with unlimited 360° rotation, keeping the roll axis locked).

Essentially, any way you want to shoot, the Weebill-S has got your back. Whether it’s a straightforward tracking shot or something altogether wilder (the 360° and Vortex modes are heaps of creative fun), this gimbal can keep pace with your ideas.

One of the coolest features of the Weebill-S is its handling. It’s a simple enough innovation, but the ability to choose between either holding it upright in front of you or in ‘underslung’ mode - where the camera is essentially shooting from knee/ankle-height - is very convenient and makes creative shooting more straightforward to execute. All you have to do is unscrew the handle and reattach it where you want it: top or bottom. This handle also doubles as a built-in stand, so you won’t necessarily always need a separate tripod (even though there is a thread adapter to take one, should you need it): you can simply fold out the handle’s three legs. All told, it’s a mini ergonomic triumph.

Zhiyun Weebill-S gimbal with tripod, inline

Shooting operation of the Weebill-S is straightforward. There are physical controls directly on the main handle, with a small LCD display (showing both gimbal and core camera settings, such as ISO, F-stop and shutter speed), a record button, a POV button, the joystick/scroll wheel, menu navigation buttons, power button, a ‘Go’ button and Locking or Pan Follow Mode button. All the common actions are right there under your thumb and fingers for easy access.

Camera focus can be controlled in one of two ways: either electronically or by mechanical focus/zoom control via the control wheel on the Weebill-S. By attaching the included cable (not the longest in the world, it has to be said, so make sure it’s snugly connected), you can control camera focus and zoom precisely. In our experience this worked well, the servo motors precisely refining image focus. You might not need to touch your camera at all once it’s mounted on the gimbal. It also allows for creative refocussing mid-shot, e.g. going in and out of focus to achieve a blurred fade, which is great and very convenient direct from the gimbal.

More options - as well as all of the above - are opened up if you use the Zhiyun Play app (iOS or Android). We previously used the Play app with the Smooth Q2 for smartphone control of the gimbal and image preview. With the Weebill-S, this smartphone sidecar expansion offers even more (the app isn’t required: the core functions of the gimbal work absolutely the same with or without the app).

Panorama, Timelapse, Motionlapse and Long Exposure Timelapse are additional creative options in the app, as well as onscreen controls for motor strength, calibration and the Scene Mode.

Sync Motion is another nice touch that allows you to control the movement of your gimbal by physically moving your smartphone or tablet in whatever direction you choose for the gimbal to replicate. Some DJI gimbals have a similar function, called Force Mobile, and Sync Motion is Zhiyun’s response. It works well and you’d be surprised how often you can find a use for it. An obvious application is that the app and your smartphone can act as a remote control for both camera and gimbal if you want or need to work at a distance from them.

However, the real power of the app and smartphone combo is unlocked if you are also using the TransMount Image Transmission Module, an optional accessory. This Transmission Module is a wireless transmitter, capable of HD image at 1080P, 30fps, direct to a smartphone or tablet at a distance of up to 100m. It enables a whole gamut of professional image control features (Histogram, Pseudocolor, LUT, Zebra Stripes, Clipping, Reference Line, Focus Peaking, Monochrome Display, Mirror Image), as well as professional real-time monitoring and livestreaming.

The Module is mounted onto the gimbal underneath the quick release plate, which is neat enough, although you are obviously adding more weight and complication to your mobile setup as it sprouts an increasing number of cables and antennae.

The ViaTouch 2.0 software system is pretty cool, as you now have direct touchscreen control over so many image and shooting functions, bringing together the controls for camera, gimbal and smartphone. You can also now use the SmartFollow 2.0 function, which allows precise object tracking simply by tapping the object on the phone screen and the gimbal will handle the rest. There is also Sync Motion, a motion sensor control system that allows real-time monitoring and synchronous motion control at the same time.

The Transmission Module can also be used as a standalone HDMI wireless image transmitter for any suitably equipped camera, which is a nice fringe benefit. It has its own rechargeable battery and accepts HDMI signals, so isn’t limited solely to use with the Weebill-S.

If you also happen to add the TransMount Image Transmission Receiver to your Weebill-S package, you can have a professional monitoring solution, transmitting your footage to up to three different devices, including professional HD monitors. With the full TransMount Image Transmission Package, you can also live stream direct to social media channels. Note: you don’t need this Transmission Receiver unit to view and monitor on a single device; it is only required for output to an HDMI monitor.

These extras really up the ante in terms of what the Weebill-S is capable of in terms of professional film-making, although they do increase the complexity of the set-up, as well as the weight and the cost.

While image transmission is built-in with the Crane gimbal, and its DJI counterpart, Zhiyun has obviously taken a more modular approach with the Weebill-S. If you feel like you don’t necessarily want the ViaTouch functionality immediately, or that you don’t need the professional monitoring solutions, you can buy the basic Weebill-S package and be perfectly content with that. Down the road, you have the option to expand your set-up as your burgeoning film-making needs dictate. There are also bundle prices available from Zhiyun which include various add-ons, such as the TransMount Wireless Remote Controller.

All this transmitter/receiver action somewhat deviates from the core appeal of the Weebill-S. A lot of users are simply looking for a high-performance, eminently portable gimbal for their camera, one that exhibits intelligent and thoughtful design touches. If it also has some additional app-driven smarts, cool. The Weebill-S definitely scores highly on all these points. Expansion options down the road are a nice to have, meaning people can start with the base gimbal package and it will grow with them.

We’ve had a blast filming with the Weebill-S, testing it in a variety of situations and locations. It always performed impeccably and the results were solid. We never felt like the gimbal was struggling to keep up or lagging behind our movement. Only the more extreme, rapid gestures - done deliberately to try and catch the gimbal out - caused it to break a sweat and noticeably destabilised the image.

With the Weebill-S, the price is right and the form factor is spot-on for its intended market, the foldable design and minimal weight absolutely encouraging you to carry it with you more often. The strong motors of the Weebill-S also promises a degree of longevity for the gimbal vis-a-vis being able to cope with any upgrades you might make to your camera equipment.

If you’re looking for a gimbal to steady your DSLR or mirrorless camera work, the Weebill-S is a serious contender at a fair price.

Zhiyun Weebill-S

Zhiyun Weebill-S, £329

Zhiyun Weebill-S Zoom & Focus Pro Package, £387

Zhiyun Weebill-S Image Transmission Pro Package, £519

[Prices correct at time of publication]

Due to the high production cost and complicated production process in the solar energy industry, the solar industry has a low efficiency. In order to improve the efficiency of the industry, solar R&D personnel continuously break through the technology, and the operators perform maintenance and inspection from the operation to optimize system running.

An infrared thermal imaging camera detects objects’ temperature distribution in a contactless way by showing a thermal image of objects being detected. Through the thermal image, we can have a quick and intuitive knowledge of the temperature distribution of the area, spot the place with high and low temperature, and analysis it qualitatively and quantitatively easily.

The main applications of solar thermal imaging camera are as follows:

Void welding and defects of the solar panel

In the operation of the solar energy system, the highest discovery rate is the defect of the battery component, and the surface on the infrared heat map is the "hot spot effect". The components of these defects cannot convert the absorbed thermal energy into electrical energy, but only It is directly expressed in the form of "high heat". Since the temperature is much higher than other batteries, the hot spot is clearly visible through infrared detection.

Dirt and shadow of solar panel

The performance of battery components covered by dirt and shadows will be greatly affected, not only cannot generate energy, the deposition of dirt may even affect the operation of the system, the polarity of the battery components affected by the dirt will change, and discharge phenomena may occur. Direct conversion to thermal energy creates a hot spot in the infrared thermography.

Solar Industry

Loose of solar panel line and conduction band

Loose or faulty lines often cause failures in the overall or regional components. Due to a poor connection, the current path will cause problems, and the temperature will rise abnormally. When it is detected by an infrared camera, it will show an overall heat condition. The same traits are also produced when the tape is not connected to the battery or is in poor contact.

A industrial security cameras captures distinct images of the targeted objects in total darkness without any illumination. That the ability to get the best image details and optimal intrusion detection in challenging imaging environments like rain, snow, fog, smoke provides an undeniable tactical advantage to maximize operational effectiveness respond quickly and stay safe for security professionals, making it the ideal choice for national defense industry and law enforcement department.

TC series products rich in interfaces, suitable for integration and secondary development, which has been widely used in the civilian and military industries.

TC series industrial surveillance cameras is cost-effective and employs DDE image enhancement technique. They are for a wide variety of commercial, industrial and government applications to secure government institutions, airport, railway, bridge, harbor, tunnel, border defense,  prison, warehouse, forest, nuclear power station, petrochemical installations, oil Refinery, Museum, high-end property, turning night today.

1. Case analysis

Public Security Monitoring: Infrared monitoring systems are not blinded by the glare from the sun or artificial light. They produce a crisp image in practically all weather conditions no matter in the darkest nights or the bright sunlight. Thermal energy passes through many obscurants including smoke, dust, and fog. This makes them the perfect tools for security surveillance 24/7. They are being used intensively into many areas of national public security.

 Security Surveillance Industry

2. The public security and customs department’s law enforcement and patrol

Infrared imaging makes those hide in shadows and bushes that trying to camouflage themselves become clearly visible on a thermal image, making it extremely useful weapon fighting criminals.

police_vehicles_patrolling.jpg

police vehicles patrolling

maritime_search_and_rescue.jpg

maritime search and rescue

maritime_search_and_rescue.jpg

search hidden criminal

3. Military fields

Lots of thermal imaging cameras are needed to modernize the army. They are used for a wide variety of security and surveillance applications in the fields of air, sea and land. Diverse infrared imager is available, such as handheld thermal camera, weapon sights, driver's vision enhancer, military night vision monocular, armored combat vehicle periscope instrument, armored combat vehicle weapon sights, submarine periscope, and industrial surveillance system .

There are lots of power equipment faults and most of them would give off heat. In the power industry, the thermal camera for electronics has been used for thermal defects detection on electrical equipment and lines to ensure their security operation for a long time.

Use our infrared inspection of electrical equipment to do the following thermography electrical inspection  and fault diagnosis:

Thermal imaging camera electrical application as follow:

1. Detection Object: Transformer

Faults Can Be Detected: Transformer tank overheating, eddy current overheating, a poor connection of the up and low end of high-low pressure bushing, oil-filled bushing lack of oil.

2. Detection Object: Lightning Arrester

Thermal imaging electrical testing the Faults : Inner damp of various lighting arrester. Inner component aging and nonlinear characteristics variation.

3. Detection Object: Capacitor

Faults Can Be Detected: Overheating of various capacitor, poor oil-insulation of coupling capacitor and lack of oil.

4. Detection Object: Circuit Breaker

Faults Can Be Detected: diversion body overheating caused by poor connection, inner damp of insulation porcelain jacket, poor connection of moving and fixed contact, lack of oil, poor connection of middle contact and fixed state base.

5. Detection Object: Insulation Chain

Faults Can Be Detected: Bad porcelain, dirt, low value and zero value which leads to insulator fault.

5.jpg

6. Detection Object: Instrument Transformer

Faults Can Be Detected: Insulation fault, oil and iron core fault, inner connecting fault and lack of oil.

6.jpg

7. Detection Object: Electric Generator

Faults Can Be Detected: stator-core insulation defect, poor connection between stator bar contact, electric brush and collecting ring.

7.png

8. Detection Object: Power cables and wires

Faults Can Be Detected: Diversion overheating fault caused by poor connection of three-phase outlet connector of cable head, diversion overheating fault caused by poor connection of internal connector, partial insulation fault of cable head, cable bushing fault, which lead to wire faults and poor quality of wire, wire insulation faults.

Power_cables_and_wires.png

9. Detection Object: Disconnecting Switch

Faults Can Be Detected: Porcelain pole surface dirt and cracks, insulating coating degradation and poor insulation contact.

Disconnecting_Switch.png

10. Detection Object: High-voltage transmission conductor and pressure pipe

Faults Can Be Detected: Poor joint contact.

Fire hazards have certain concealment and incubation period, and visual inspection is often difficult to find. It is urgent to establish a scientific, accurate and operable fire safety detection method. In many aspects such as fire control, personal thermal imaging camera firefighting and rescue, fire warning, and electrical fire safety inspection, thermal imaging camera applications can greatly improve the processing capacity of people for fire protection work. The firefighter thermal imager not only detects the surface temperature of the object, but also displays the temperature distribution of the object. Therefore, it can provide more information to the firefighters. In rescue operations, thermal imaging camera often play a key role in the following four main aspects:

1. Search for electrical fire hazards

fire thermal imaging camera can detect infrared ray emitted by the electrical device and produce a thermal image in accordance with the surface temperature of the device, thus spotting the hot point and its temperature to avoid potential fire hazards.

Fire Industry   Fire Industry

2. Fire Scene Search and Rescue

Search and rescue is conducted by the steering and rescue group together. The steering group uses the camera to search and spot the position of the trapped person. Then set a secure and effective way, arrange a marker line that directs the team member to enter and evacuate from the fire scene.

When trapped person is spotted, a rescue group is sent to rescue and the rescue group together with the trapped person shall follow the marker line to evacuate from the building.

Fire Industry   Fire Industry

3. Ensure the safety of firefighters

At the scene of the fire, the safety of firefighters is also greatly threatened. Our thermal imaging camera for sale can monitor on dangerous goods and materials at the scene of the fire to ensure the security of the firefighter.

4. Clearance of the fire scene

When fires were out, lots of flammable stuffs are still left over, our camera can find these places fast to avoid potential burning of them.

We have firefighter thermal imaging camera for sale, If you need, please contact us in time.

SHENZHEN, China, March 19, 2020 /PRNewswire/ -- Zhiyun, the world's leading gimbal manufacturer for cameras and smartphones, is pleased to announce the launch of the CRANE 3S Gimbal. From intense chase shots to studio work, every shooting environment has its own special demands, requiring the most versatile equipment. Zhiyun's original CRANE 3 LAB, the first generation of gimbal with built-in image transmission, introduced new ways of holding and controlling a gimbal for creative filmmaking. But Zhiyun still felt that the gimbal could adapt even better to the strict and unpredictable filming environment. The new CRANE 3S builds on Zhiyun's heritage of innovation with a brand new modular design, and it offers a wider range of applications and more intuitive control.

Unprecedented Motors for Unlimited Creation

Demanding shooting tasks may require the use of a variety of cameras and accessories in complicated shooting environments. CRANE 3S is reengineered with new SUPER motors which allow it to handle a 6.5kg payload for more ambitious camera setups--including Canon EOS 1DX, Blackmagic Pocket Cinema Cameras, and even Canon Cinema EOS, Sony FS and FX series, and Red Digital Cinema Cameras.

Modular Design for Flexibility and Cross-Compatibility

CRANE 3S features a modular design in the motor axis and handles. For larger cinema camera combos, users can attach the included extension module onto the roll axis. For smaller DSLR combos, the extension module can be removed to make the setup compact and portable.

The previous LAB series created a new way of holding a gimbal in underslung mode with the second handle. The CRANE 3S rethinks the structure and introduces a detachable second handle with two options: the EasySling Handle and the SmartSling Handle. You can either mount EasySling handle to extend the grip for more comfort upright & underslung operation, or choose to mount SmartSling handle featuring an intuitive control panel and OLED screen, for direct camera & gimbal parameter adjustment, or combine them together.

The handle mods are easy to fit and remove, and both provide multiple thread holes in different sizes to mount accessories. The modular design makes CRANE 3S highly compatible with motorized dollies, jibs, cable cams, Easyrig, etc.

A New Battery Pack to Support Intense Shooting

With three 18650-format batteries, CRANE 3S can run for up to 12 hours. A DC-in power port on the battery compartment allows input of up to 25.2-voltsfor direct charging. To support long shoots with larger setups, Zhiyun introduces the TransMount PowerPlus Battery Pack, a compact yet fast-charging power bank for the gimbal and camera. This houses six 18650 batteries and independently provides 18 hours of runtime for the gimbal.

Dependable and Responsive System

Zhiyun's CRANE 3S provides ultimate reliability that users can count on. The newly-designed locking system can lock all three axes without noticeable swinging. The modular design comes with double locks to ensure the setup is 100% safe. Larger lens support has been added to the zoom and focus system.

CRANE 3S is driven by a new algorithm which enables phenomenally responsive speed and smoothness. In fast action shooting, the CRANE 3S can resist high winds. The 55° tilted roll axis is designed for an unrestricted view and allows enough space to mount large cinema camera combos.

Image Transmission Module: Beyond Your Vision

Zhiyun TransMount Image Transmission Module is compatible with CRANE 3S. With the transmitter, the video can be streamed to up to three monitoring devices including smartphones. The ViaTouch 2.0 system in the ZY Play app bridges the communication gap between stabilizer, camera and monitoring devices, allowing you to adjust camera and gimbal parameters remotely and intuitively. The ViaTouch 2.0 system also enables a visualized remote motion control for the gimbal.

Online Debut Show

On March 20th ZHIYUN will host a CRANE 3S debut live show on the official YouTube, to fully introduce the gimbal and showcase the field test, followed by a Q&A section.

Pricing and availability.

Three options are available for purchase at ZHIYUN official store:

CRANE 3S (with SmartSling Handle) at USD739

CRANE 3S-E (with EasySling Handle) at USD649

CRANE 3S Pro (with SmartSling Handle, PowerPlus Battery Pack, Zoom&Focus Controllers, Image Transmission Transmitter and Smartphone Clamp) at USD1149

Click for more information about CRANE 3S and CRANE 3S video.

About ZHIYUN

Zhiyun Tech is a pioneer and a world leader in gimbals and stabilizers for both professional filmmakers and personal video creators. Zhiyun's innovative solutions and dedication to delivering products that go beyond customers' expectations strengthen the belief that everyone can be an excellent filmmaker with the right gimbal to equip with their shooting device. Learn more about Zhiyun Tech at www.zhiyun-tech.com or check us out on Facebook: @ZhiyunGlobal or follow us on Instagram: @Zhiyun_Tech

Are you looking for camera gimbal?

ZY Play for IOS  2.7.8

Version iOS 9.0 or Higher

be compatible with the following equipments:

iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone SE, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6

ZY Play for Android  2.4.0

Version Android 5.0 or Higher

be compatible with the following equipments:

*Support list of this device will be continuously updated.

**Functions not available on all devices.

Zhiyun is a professional manufacturer of gimbal. If you want to know more details or quotation, just feel free to contact us!

ZY Play for IOS  2.7.4

Version iOS 9.0 or Higher

be compatible with the following equipments:

iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone SE, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6

ZY Play for Android  2.1.1

Version Android 5.0 or Higher

be compatible with the following equipments:

*Support list of this device will be continuously updated.

**Functions not available on all devices.

ZY Play is a professional camera app designed for ZHIYUN camera gimbal users, to enable a quick and simple way to use our stabilizers.

By connecting to our app, you are able to fully explore the features of ZHIYUN stabilizers. Highlighting professional services, ZHIYUN team is speeding up the app update with new features and performance improvements, making your filmmaking experience even more delightful and personal!

Features:

Record high-quality videos at 4K resolution

Capture wide views with Panorama

Enable amazing nighttime shooting with Long Exposure

Create an emotional aura or stress a moment with Slow Motion

Perfectly depict the passage of time with Timelapse

Realize more dynamic visual effect with 3-axis Timelapse

Feature Vertigo mode, making cinematic filmmaking accessible for everyone!

Adjust camera params on your phone with just one tap on Manual mode

Apply filters to bring out the beauty of your photos

Adjust params directly using the control panel on the stabilizer

Intelligent motors under Scene mode

Upload and share your videos to the online community Lightollector

Transform your video into incredible footage with Video Editor

Zhiyun is a professional manufacturer of handheld gimbal. If you want to know more details or quotation, just feel free to contact us!

SMOOTH 4

Born for Mobile Filmmakers

Zhiyun Smooth 4 turns your mobile phone into a professional filmmaking camera, helping you create stable and smooth footage with just your phone. The design of integrated control panel can reduce the need to touch the screen, and help users control both the stabilizer and mobile camera directly with hot-key buttons. Get one now to create your own Hollywood movies with just phones!

Focus Pull & Zoom Capability

The more professional and delicated handwheel is built in Smooth 4, bringing you the unprecedented experience of smooth operation. You can zoom in or out as you want to take close-up shots.By pressing the FN switch button, the handwheel is configured into a focus puller, helping you achieve high-precision focus changes in real time to create creative shots.

PhoneGo Mode for Instant Scene Transition

Like a high-end sports car, Smooth 4 can enter PhoneGo mode and release the potential of motors in a flash. It can respond to every delicate movement without delay without the need to worry about losing any shots.What's better is that amazing scene transition can be achieved in your footage without post-processing.

Time Lapse Expert

Smooth 4 supports all kinds of advanced shooting techniques. It can realize features such as Timelapse, moving time lapse and Motionlapse, recording lives and displaying the art of time flow.

Smooth 4 makes deep optimization on Timelapse and supports all kinds of advanced shooting techniques. It can capture more details from a broader perspective easily overlooked in daily lives.

With so many time lapse with freer settings on shooting ranges (wide to tight), angles and focus, you can customize unique-style time lapse footage, capturing all movements and objects including huge crowds, dancing flowers, moving silhouette or white cloud in the air. Creating a different time flow in your phone or capturing lives in a retrospective light, it's all up to your imagination.

Smooth 3

Innovative Handwheel for Precise Camera Settings

Designed with a unique handwheel on its control panel, Smooth 3 allows various camera settings in fingertips, including exposure compensation, ISO, white balance, shutter speed and focusing, rendering real-time precise control of both the camera and stabilizer.

Unprecedented Max. 260g Payload

Empowered by the 5th Instune Algorithmic System which realizes 40% increase in motor torque and 35% improvement in respond speed compared to previous versions, Smooth 3 sets up a new benchmark in the industry supporting a max. payload of 260g. This not only significantly improves its system stability, but also allows more extensive phone shooting applications with various add-on options, such as external lens, portable lamp or microphone.

Real-time Mobile Charging thru Gimbal

A 5V/1000mA power output port on Smooth 3 allows convenient real-time charging to smartphone, enhancing both the portability and practicability of phone-shooting to utmost extent.

Record-breaking 14-hour Runtime

Smooth 3 comes standard with one 26650 rechargeable battery, supporting unprecedented ultra-long continuous runtime up to 14 hours. Meanwhile, the Micro USB power port at the side of the handle allows convenient charging from direct power source via a USB port.

Dedicated APP with Multiple Intelligent Functions

The newly upgraded smartphone APP - ZY Play - not only allows customized parameter settings for photo/video shooting and gimbal controls, allowing more subtle adjustments with exposure compensation, ISO, white balance and multi-style filters etc., but further supports multiple intelligent functions, including time lapse, long exposure, panoramic imaging and more to make your phone a real film-making device.

Innovative 2-way Mobile Clamp

Elaborately engineered using top-grade aluminum material processed through high-precision CNC machining, all operations on Smooth 3 are guaranteed with outstanding smoothness. The unique 2-way mobile clamp design allows easy switch of mounting direction, either horizontal or vertical, to adapt various application needs.

SMOOTH Q

Manual Zooming for Freer Capture

By connecting to the dedicated mobile APP, ZY Play, via Bluetooth, Smooth-Q allows instant zooming control of the camera right through the stabilizer. With a single push or pull of the switch, you can focus and capture the moment more freely.

Enhanced Motor Torque with Greater Applicability

Smooth-Q not only can support PLUS-size smartphones, but further allows external add-ons, such as lenses, light-compensating lamp, and microphone etc, to support a wider range of applications.

Empowered by Newly Optimized Stabilizing System

Empowered by the 5th Gen. Instune Algorithms combined with world's advanced electronic stabilizing system, Smooth-Q has realized 40% improvement in its torque output, supporting a max. payload of 200g.

Multiple Intelligent Controls

With the various innovative functions of the ZY Play, Smooth-Q not only perfects your footage with nice cinematic impact, but also realizes multiple smart controls. By activating the Object Tracking function, the gimbal and phone camera will be configured to follow and focus the target automatically, so now you can record any live moment. In addition, it also supports time lapse, slow motion, long exposure, multiple filters and more to inspire your creativity.

Greater in Power, Lighter in Weight

Powered by a built-in rechargeable battery, Smooth-Q not only supports an ultra-long continuous runtime up to 12 hours, but further backs up for extended mission allowing connection with portable power source through USB port. Saving your time and load with a super compact construction of only 440g, with it, now you can really travel light without missing a single moment on the road.

Convenient Charging Anywhere Anytime

Designed with a Micro USB power input port on the side, Smooth-Q allows convenient direct charging from any fixed or portable power source via a USB port, and you will never miss any important moments with Smooth-Q in hand.

5V Power Output For Real-time Charging

A 5V/2000mA power output port on the gimbal allows convenient real-time charging to the smartphone, enhancing both the portability and practicability of phone-shooting to utmost extent.

Individualized Multi-color Design

Ergonomically constructed with special made high molecular compound material, Smooth-Q is offered in 4 fashionable color schemes – JET BLACK, GOLD, ROSE GOLD & SPACE GRAY -- to match your individual style.

SMOOTH 2

The Must-Have for Live WebCasters

Smart Face Track

The smart face track function automatically tracks and keeps your subject in center of the image, allowing convenient off-hand shooting of personal live videos, saving troubles of manual adjustment on shooting angles. In addition, it helps user to further explore their creative potential using 98 by integrating various smart functions, including Sunshiny 3 classic cimbalom control modes: Pan following, Locking, and Following mode.

Capture The Moment

Connect your smartphone to Smooth-II using a special designed multi-functional mobile APP via Bluetooth and now you can make all kinds of shooting controls of your smartphone camera thru the stabilizer, such as front/rear camera switch, photo/video shooting, etc. To realize ideal shooting effect, users are also allowed to adjust various parameter settings in the mobile APP, such as ISO, exposure and white balance, etc.

Cinematic Scenes out of Your Life

Everyone can direct and record their own life scenes now with cinematic smoothness and quality by shooting with their smartphone on a Smooth-II. It not only keeps your camera still, but even cancels out shakes you make while moving. While ensured with convenient charging for long working hours, it helps creating steady and smooth live streams by turning your smartphone into a smart motion camera.

Convenient Charging Anywhere Anytime

Ever troubled by power shortage when shooting photos or videos outdoor or while traveling? You can put your worries away now with Smooth-II. Designed with a Micro USB power input port on the side, it allows convenient direct charging from any fixed or portable power source via a USB port.

360° Unlimited Panning

Allowing 360° rotation along the pan axis, as well as free 2-way (horizontal & vertical) mobile mounting, Smooth-II delivers incomparable flexibility and unparalleled smooth imaging & filming performance to support your unlimited imaginations. In addition, it helps user to further explore their creative potential using smartphone by integrating various smart functions, including Zhiyun's 3 classic gimbal control modes: Pan following, Locking, and Following mode.

Freehand Creativities

Place Smooth-II on a tripod, a suction cup or any fixed mounting base with a ¼” threaded screw, you can easily create stunning time lapse videos, creative motion streams and even capture fascinating star trails that are ready for share.

SMOOTH-C

No Blur On the Move

Empowered by the advanced stabilizing technology, Smooth-C presents you a brand new way to record videos and take photos with your smartphone camera. When you try to capture a shot, Smooth-C will keep the camera still and steady to help you create wonderful smooth streams with cinematic effect that are ready to share.

3rd Generation Motor Control System

Empowered by Zhiyun's 3rd Generation Motor Control System with enhanced motor performance by 30%, Smooth-C responses to intense motions or even sudden twists in real-time with precise and smooth compensation to help you create perfect footage even when you move.

Smart Control for Free Creativity

Integrated with the world's leading stabilizing technology in Zhiyun's unique high-precision motor control system, combined with the 3 classic smart gimbal mode for easiest control, Smooth-C offers Pan Following, Locking and Following Mode options to help you create with more convenience and freedom.

Faster Speed with Lower Consumption

Well-tuned by Zhiyun's self-innovated Instune 3.0 Algorithm, the work efficiency of control motors on all three axes of Smooth-C has been greatly improved, thus reducing power consumption during operations with faster and more accurate stabilizing performance.

Battery Extension Design

Smooth-C comes standard with two 18350 Li-Ion batteries installed in a highly portable and compact construction, supporting a 4-hour continuous runtime. Meanwhile, as Smooth-C is also compatible with 18650 batteries, it allows an alternate battery option for extended working time up to 6 hours with an extensional battery compartment for convenient installation.

Zhiyun has been devoted to supply handheld gimbal for many years, and we are looking forward to cooperating with you.

There are 12 men that have walked on the moon. 500 human beings have been

to space. But only 3 dived into Challenger Deep, the deepest point under the sea.

Yet the sea covers 70% of the earth. Let’s discover the unknown with underwater search camera P3.

Go Anywhere You Wish. Capture Every Epic Adventure.

Fast & stable shooting could be easily achieved since FIFISH P3 has combined aesthetic, hydrodynamics design and AI altitude algorithm in one.

You can take adventures as you wish even in harsh environment.

Smooth, Efficient LIVE-Streaming

FIFISH APP (IOS & Android ) features 1080P Live-Streaming.

Wireless multi-display is supported, which allows you to watch epic moments in real-time.

Easy, Smooth, and Accurate

Customized controller works well for entry level users and professionals

Ultra-sensitive control stick provides

seamless control in 6 directions of movement.

8 Adjustable brightness levels

Accurate Suspension

Smart Hands Free

High speed and Low speed