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Sigma Announce Firmware Update v2.0 For Sigma fp

News / Sigma Announce Firmware Update v2.0 For Sigma fp

Sigma have announced firmware version 2.0 for the Sigma fp, bringing major updates including the ability to create and play back cinemagraphs and supporting HDR in movie shooting.

 

26 Jun 2020 9:17AM by ePHOTOzine |  Sigma fp in Mirrorless Cameras

 

Sigma has announced firmware update 2.0 for the Sigma fp full-frame mirrorless camera. The update includes functions that had been planned but were not available at the fp’s launch, and come in addition to the benefits announced in March 2020.

 

Everything included in the update is as follows:

 

Newly introduced functionality

 

Supports cinemagraph creation and playback

Supports CinemaDNG footage playback

Supports still capture during live view and movie shooting in Cine mode

Supports still image capture from movie files (CinemaDNG, MOV) shot with the SIGMA fp

Supports HDR in movie shooting

Supports still and movie shooting in Director's Viewfinder mode

Supports DCI 4K 12bit / HDMI Raw output

Supports RAW over HDMI recording with Atomos Ninja V monitor-recorder * A free AtomOS firmware update for Ninja V is required.

Supports recording Blackmagic RAW codec over HDMI with Blackmagic Video Assist 12G models * Requires firmware update of Video Assist 12G models using Video Assist Update 3.3.

Camera movement control is now compatible with ZHIYUN Weebill S gimbal.  * Firmware update of the corresponding device is required. * Please refer to ZHIYUN firmware release information about functions supported. Since not all functions will be supported in this firmware update, both SIGMA and ZHIYUN will need to continue working on this to make more and more functions compatible in future firmware updates.

Instruction message appears when attempting to use greyed-out items in SHOOT menu

Supports camera control in USB mode * The SDK (Software Development Kit) for controlling the camera is scheduled to be available by early July.

 

Enhanced/modified functionality

 

Supports Dual Base ISO (ISO100 and ISO3200)

Improves AF performance

Improves accuracy with evaluative exposure metering

Improves image quality

Supports CinemaDNG 25 and 29.97 fps (UHD 12bit) shooting

Supports CinemaDNG 100 fps (FHD 12bit) shooting

Supports CinemaDNG 100 and 119.88 fps (FHD 8bit and 10bit) shooting

‘OFF’ option available in Color mode

Exposure adjustment available in QS (Quick Set)

Tone control setting ‘Auto (Mild / Strong)’ available during movie shooting

Supports USB Video Class (UVC) settings adjustments while the fp is connected to USB

Supports time code generation

Compatible with BWF format

Supports file size changes at aspect ratio 7:6

Supports changes to shutter sound effect

 

 

Bug corrections

 

Corrects the phenomenon of flickering in dark areas when shooting video footage

Corrects bugs in USB Video Class (UVC) setting when connected via USB or during movie shooting

Improves recording stability with recording media

Other minor bugs have been corrected

* To develop raw data (DNG files) from the SIGMA fp with firmware Ver2.0, the use of SIGMA Photo Pro 6.7.4 is required. Users must update to SIGMA Photo Pro 6.7.4 when applying the fp Ver2.0 firmware update.

 

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Visit Zhiyun during CES 2020, from January 7th to January 10th Las Vegas Convention Center, South Hall 1, Booth 21063 (Photo: Business Wire)

 

December 18, 2019 05:30 AM Eastern Standard Time

SHENZHEN, China--(BUSINESS WIRE)--Zhiyun, the world’s most popular gimbal brand for filmmakers with cameras and smartphones, is pleased to announce it will showcase a wide range of product at CES 2020, including the latest WEEBILL-S with exclusive TransMount Image Transmission Module, plus its CRANE-M2, SMOOTH-Q2, CRANE 3 LAB and CRANE 2.

 

WEEBILL-S Gimbal with All-New TransMount Image Transmission Module

 

The WEEBILL-S is Zhiyun’s latest compact yet powerful gimbal for mainstream camera combos. It introduces an all new, ultra-low latency TransMount Image Transmission Module that includes Transmitter, Receiver, and Remote Controller, which supports image transmission to three devices, such as smartphone, tablet and monitor. It enables crystal clear clarity with 1080p 30fps recording, professional monitoring, and up to 100-meter maximum transmission distance. Other features include ViaTouch 2.0, SmartFollow 2.0, Sync Motion, and Smart Calibration that automatically weighs the attached devices and aligns the ideal motor strength for the best shooting accuracy.

 

For more information in the WEEBILL-S www.zhiyun-tech.com/weebills/en

 

CRANE-M2 Compact & Portable Stabilizer

 

The CRANE-M2’s unprecedented all-in-one design works with multiple devices, including compact digital cameras, light mirrorless cameras, smartphones, and ruggedized action cameras. With a beginner-friendly control panel, wireless camera control via Wi-Fi and Bluetooth, seven-hour battery life covering a full working day, and an intuitive OLED display, the CRANE-M2 is a revolution in affordable camera stabilizers for budding filmmakers.

 

For more information on the CRANE-M2 www.zhiyun-tech.com/cranem2/en

 

SMOOTH-Q2 Mobile Gimbal

 

The SMOOTH-Q2 is an ultra-lightweight, pocket-sized mobile gimbal featuring an aluminum-built miniaturized body and a generous 17 hours of battery life that’s ideal for travelling. The internal battery even doubles up as a power-bank for smartphones in case of emergencies. The SMOOTH-Q2 can access native Apple iOS or Android OS smartphone camera for photo or video shooting. Just like professional filmmakers, you can embrace a range of unique styles like full-range POV mode, Vortex mode, time-lapses, Vertigo shots, object tracking and panoramas.

 

For more information on the SMOOTH-Q2 https://www.zhiyun-tech.com/smoothq2/en

 

About Zhiyun

 

Zhiyun Tech is a pioneer and a world leader in gimbals and stabilizers for both professional filmmakers and personal video creators. Zhiyun’s innovative solutions and dedication to delivering products that go beyond customers’ expectations strengthen the belief that everyone can be an excellent filmmaker with the right gimbal to equip with their shooting device. Learn more about Zhiyun Tech at www.zhiyun-tech.com or check us out on Facebook:@ZhiyunGlobal or follow us on Instagram: @Zhiyun_Tech

 

 


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After the massive success of the Kickstarter campaign for their SMOOTH-Q2 smartphone gimbal, Zhiyun is back with a new gimbal for DSLR and Mirrorless cameras: the Zhiyun Weebill-S. This compact and robust handheld gimbal is a follow-up to the previous Weebill LAB that was announced at Photokina 2018. Let’s take a closer look at it!

 

Zhiyun Weebill-S Design

Zhiyun has just announced their new handheld gimbal for mirrorless and DSLR cameras: the Zhiyun Weebill-S. This fresh stabilizer is a follow-up to the previous Weebill LAB, but it is not a replacement. Overall, the one-of-his-kind design is similar between the two. If it works, don’t fix it.

 

ZhiyunWeebillS_01

Image credit: Zhiyun

 

You can mount the included tripod – that double as a handle – in “normal” mode under the gimbal. That way, you can operate the Weebill-S like any other one-hand-gimbal. But, the neat feature is that you can also mount the tripod horizontally as a handgrip. In that position, it makes it easier to operate the gimbal in underslung mode and get low-to-the-ground shots.

 

The Zhiyun Weebill-S is also pretty compact, with a total height of just 297mm. It is powered by two 18650 interchangeable batteries, for a runtime of up-to 14-hours according to Zhiyun.

 

ZhiyunWeebillS_02

Image credit: Zhiyun

 

One thing that I like in the design of the Zhiyun Weebill-S is the locking switches on every axis. There is one dedicated switch on the Pan, Tilt and Roll axis.

 

These locks are helpful for transport purposes, so your gimbal doesn’t go in every direction in your bag without you noticing. Also, for balancing goals, you can adjust each axis at a time by locking the other two. These are the small design features that make your life easier and your job quicker.

 

ZhiyunWeebillS_Featured

Image credit: Zhiyun

 

But what’s new with the Zhiyun Weebill-S compared to the previous generations?

 

Zhiyun Weebill-S Features

The Zhiyun Weebill-S features new motors with a 300% improvement in motor torque and a 50% increase in responsiveness, according to Zhiyun. In short, it means that you can now mount and balance more massive setups like a Sony A7III + FE 24-70mm F/2.8 and Canon 5D4 + EF 24-70mm F/2.8.

 

The quick-release plate to mount your camera is now Manfrotto and Arca-Swiss compatible. Otherwise, there is no word from Zhiyun regarding the maximum payload the Weebill-S can take at the moment.

 

ZhiyunWeebillS_03

Image credit: Zhiyun

 

A new intelligent auto-tune feature should provide more stable and flawless stabilization results. Indeed, the Weebill-S can now automatically recognize the setup weight and auto-tune its power to adapt the camera setup best.

 

ZhiyunWeebillS_04

Image credit: Zhiyun

 

Zhiyun wholly redesigned the image transmission module. The new TransMount Image Transmission Module can be directly mounted under the quick release plate.

 

The features of the TransMount module are quite impressive: 1080P transmission at up to 30 frames per second, a 100-meter range, and a range of tools such as LUT/false color/focus peaking/zebra. Also, you can use the TransMount for live streaming purposes, but you can also connect up to three devices at the same time.

 

ZhiyunWeebillS_05

Image credit: Zhiyun

 

Zhiyun Weebill-S Control Features

The TransMount Image Transmission Module gives you access to the ViaTouch 2.0 eco-system. In short, ViaTouch turns your smartphone into a monitor and remote controller. If your camera is compatible, you can control/record/adjust the camera parameters through ViaTouch 2.0. For a complete list of the compatible cameras, please look at the Zhiyun’s inventory on their website here.

 

ZhiyunWeebillS_06

Image credit: Zhiyun

 

With your smartphone attached to the Weebill-S, you can use SmartFollow 2.0 to track an object or person in your shot automatically. Finally, with the Sync Motion functionality, you can use your smartphone with the Zhiyun app to control the gimbal, like the Freefly Mimic, for example.

 

ZhiyunWeebillS_07

Image credit: Zhiyun

 

On the gimbal itself, there is a control wheel on the side of the bottom handle. You can use that wheel to control your focus electronically without the need for an additional follow-focus (if your camera is supported). But the control wheel can also pilot the Zhiyun TransMount Servo Zoom/Focus Controller (sold as an accessory).

 

ZhiyunWeebillS_08

Image credit: Zhiyun

 

Finally, six creative shooting modes are available: full range POV mode, Vortex mode, GO mode, PF mode, F mode, and L mode.

 

Pricing and Availability

The Zhiyun Weebill-S retails for $439/351€. Shipping should begin at the end of October. The TransMount Max Servo Zoom/Focus Controller retails for $89/85€.

 

Several packages are available; there is a Zoom & Focus Pro Package that includes the Weebill-S and the follow focus for $519/426€. Another Image Transmission Pro Kit that consists of the Weebill-S, follow focus, and Image Transmission Module is $679/521€.

 

What do you think of the Zhiyun Weebill-S? Do you think it is a direct competitor to the Ronin-S/SC? Let us know in the comments!

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Weebill-S Gimbal takes over Thailand and Asia with a more powerful and compatible design

 

(Photo: Business Wire)

(Photo: Business Wire)

 

October 21, 2019 12:38 AM Eastern Daylight Time

SHENZHEN, China--(BUSINESS WIRE)--Zhiyun, the world’s leading gimbal manufacturer announced the WEEBILL-S gimbal which was held at a special event in Bangkok, Thailand. The Weebill-S is designed for mainstream mirrorless and DSLR camera & lens combos. This new gimbal offers ultra-low latency image transmission in 1080p with an all-new TransMount Image Transmission Module. ViaTouch 2.0 turns your phone into a professional monitor and multi-functional remote controller.

 

Event Details

 

The event kicked off with an opening speech, a Zhiyun company and Weebill-S speech, a KOL speech, a special display and demonstration of the Weebill-S, dinner, and a lucky draw that concluded the events. There was a live streaming of the launch event on Zhiyun’s Global Facebook, Instagram, and YouTube accounts between 7pm – 9:30pm yesterday evening China time.

 

Brand Attendees

 

The event in Thailand was attended by Canon, Nikon, Sony, Panasonic, Olympus, and Fujifilm representatives and highlighted their participation with Zhiyun. Z Cam CEO, Kinson and co-founder Eric were in attendance.

 

Demonstration

 

Zhiyun had over 20 sets of the Weebill-S on site being displayed with the leading camera combos (Canon, Nikon, Sony, Panasonic, Olympus, Fujifilm, BMPCC, Z Cam). Attendees were able to test and play around with the Weebill-S to get a feel for the product and its potential. Also, at the event were Zhiyun’s global ambassadors from Holland (Chung Dha), Singapore (Sean Seah), and Australia (Rah Sharma) sharing their knowledge and experience with the Weebill-S gimbal.

 

Weebill-S Gimbal

 

The Weebill-S gimbal from Zhiyun is the latest and most lightweight gimbal to date. It is powerful, compact, and compatible with many devices. On display were the all-new TransMount Image Transmission Module, the ViaTouch 2.0 and SmartFollow 2.0 software, sync motion and wireless control, smart calibration, ease-of-use in mobility, focus strengths, and powerful and durable demonstrations. These are the qualities that sets the Weebill-S gimbal from the rest of the competition.

 

For more information about the WEEBILL-S visit WEEBILL-S product page and WEEBILL-S video.

 

About Zhiyun

 

Zhiyun Tech is a pioneer and a world leader in gimbals and stabilizers for both professional filmmakers and personal video creators. Learn more about Zhiyun Tech at www.zhiyun-tech.com or check us out on Facebook: Zhiyun Thailand or follow us on Instagram: @zhiyunthailand

 

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Video News: Zhiyun Tech's "Tiny Giant," the WEEBILL-S, though small in size, it packs power and features that allows to expand creative shooting possibilities when shooting with DSLRs and mirrorless cameras.

 

 B&H Photo Logo (PRNewsfoto/B&H Photo)

NEWS PROVIDED BY

 

B&H Photo

Oct 11, 2019, 00:01 ET

 

SHARE THIS ARTICLE

 

     

NEW YORK, Oct. 11, 2019 /PRNewswire/ -- B&H Photo is pleased to share the announcement of the new Zhiyun Tech WEEBILL-S Handheld Gimbal Stabilizer. Touted by Zhiyun-Tech as the "Tiny Giant," it features motors that are 50% more responsive and have 300% more torque than previous gimbals. This allows the WEEBILL-S to remain small and lightweight, while supporting DSLR and mirrorless cameras without reaching the limits of the gimbal's motors—all of which makes it easier to operate the gimbal for extended run times with more flexibility in shooting.

 

 

WEEBILL S Gimbal supports DSLR and Mirrorless cameras a full-range POV mode, Vortex mode (for 360-degree barrel rolls)

 Zhiyun Tech WEEBILL-S Handheld Gimbal Stabilizer. https://www.bhphotovideo.com/c/product/1511032-REG/zhiyun_tech_weebill_s_handheld_stabilizer.html

 

The built-in OLED screen can display a variety of adjustable parameters such as: Motor Strength, Follow Speed, Smoothness, and Deadband (helps prevent unwanted gimbal movements). These adjustments can be made directly on the WEEBILL-S without using the downloadable app. A built-in auto-tune function will tune the WEEBILL-S to mounted camera, providing the most efficient use of power and allowing your WEEBILL-S to run up to 14 hours on a set of interchangeable 18650 batteries, and the WEEBILL-S can power select cameras. Your camera mounts via the two-in-one Manfrotto/Arca-Swiss quick-release plate, while newly designed axis locks make balancing your camera faster and easier. The gimbal supports a full-range POV mode, Vortex mode (for 360-degree barrel rolls), Go mode for extremely fast action, PF mode (pan follower), F mode (follower), which has all axes follow your movements, and L mode, which allows you to mimic jib shots. Additionally, the Zhiyun ZY Play iOS/Android mobile app enables Panorama, Timelapse, Motion Timelapse, and Long Exposure Timelapse shooting.

 

An optional Image Transmission module mounts directly under the quick-release plate and transmits video signals up to 1080p30, allowing you to livestream from your gimbal. It works not only as a transmitter, but, incorporating a motion sensor, it allows for precision control. The second supported mobile app, ViaTouch 2.0, takes advantage of this, allowing you to connect with your smartphone, camera, and gimbal together electronically so you can adjust settings and control your set up from a smartphone. When coupled with the SmartFollow 2.0 module, sold separately, you can track objects precisely from your smartphone, without needing to mount your smartphone on your gimbal. The WEEBILL-S supports up to three devices wirelessly, including smartphones, tablets, and monitors. A third app, Sync Motion, interfaces with the Image Transmission module and allows real-time monitoring plus synchronous motion control for an immersive FPV experience.

 

About B&H Photo Video

 

As the world's largest source of photography, video, and audio equipment, as well as computers, drones, and home and portable entertainment, B&H is known worldwide for its attentive, knowledgeable sales force and excellent customer service, including fast, reliable shipping. B&H has been satisfying customers worldwide for 45 years.

 

Visitors to the website can access a variety of educational videos and enlightening articles. The B and H YouTube Channel has an unmatched wealth of educational content. Our entertaining and informative videos feature product overviews from our in-house specialists. You can view the B&H Event Space presentations from many of the world's foremost experts and interviews with some of technology's most dynamic characters. Tap into this exciting resource by subscribing to the B&H YouTube Channel here. In addition to videos, the B&H Explora blog presents new product announcements, gear reviews, helpful guides, and tech news written by product experts and industry professionals.

 

When you're in Manhattan, take a tour of the B&H Photo SuperStore, located at 420 Ninth Avenue. The techno-carousel conveyor spins all year round at the counters and kiosks at B&H. With thousands of products on display, the B&H Photo SuperStore is the place to test-drive and compare all the latest gear.

 

Contact Information

Henry Posner

 

B&H Photo Video

212-615-8820

https://www.bhphotovideo.com/

 

SOURCE B&H Photo

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Zhiyun Announces the WEEBILL-S Gimbal

SHENZHEN, China, Oct. 11, 2019 /PRNewswire/ -- Zhiyun, the world's leading gimbal manufacturer, is pleased to announce the WEEBILL-S gimbal designed for mainstream mirrorless and DSLR camera & lens combos. This new gimbal offers ultra-low latency image transmission in 1080p with an all-new TransMount Image Transmission Module. ViaTouch 2.0 turns users' phone into a professional monitor and multi-functional remote controller so that they can get a professional experience in a lightweight but rigid device where they have control.

 

Power, Compatibility, and Compactness

 

Zhiyun Announces New Gimbal Weebill-S

WEEBILL-S' latest iteration has a 300% upgraded power torque motor and a 50% increase in responsiveness. It works well with camera combos, including Sony's A7III+FE 24-70mm F2.8 or the Canon 5D4+EF 24-70mm F2.8, unleashing unlimited possibilities. The WEEBILL-S unique ergonomic sling mode lets you easily switch between high and low angle shots using the TransMount quick setup kit. The 8th Instune algorithm enables the gimbal to automatically recognize weight and selects the perfect motor strength for the best shooting accuracy.

 

All-new TransMount Image Transmission Module

 

The all-new image transmission module enables crystal clear clarity with 1080p at 30fps, maximum 100-meter image transmission featuring; LUT, pseudo coloring, focus peak, and zebra adjustment for professional monitoring and livestream publishing. Users get better usability from the TransMount image transmission module which allows you to add 3 devices to the stabilizer whether it be a smartphone, tablet, or professional monitor.

 

ViaTouch 2.0 and SmartFollow 2.0

 

The latest accompanying software update is ViaTouch 2.0 in ZY Play which allows for a seamless connection between smartphone and camera. Users can easily monitor video, control and record, and adjust the camera parameters through ViaTouch 2.0. Coupled with the image transmission module is an all new object tracking function called SmartFollow 2.0. Select the object or even a person from the ViaTouch 2.0 interface and the camera will follow movement with ultra-low latency and a cinematic experience.

 

Sync Motion and Wireless Control

 

The all-new motion sensor control system Sync Motion gives users the advantage of controlling the stabilizer's direction with a smartphone and an ultra-high responsive speed gives users an immersive filmmaking experience. Coupled with the wireless remote controller users can control their cameras at long distances and simultaneously use their smartphone to check shooting effects.

 

Smart Calibration

 

WEEBILL-S integrates the brand-new self-adaptive control algorithm which automatically recognizes the weight and selects the perfect motor strength for the best shooting accuracy. Plus the WEEBILL-S expansion bar adds a counterweight to balance the gimbal, use the sling mode to add a microphone. Users can adjust the follow speed for each axis to adapt to various shooting scenarios.

 

Set-up and Pack-up Fast

 

The WEEBILL-S uses the two-in-one quick release plate allowing for an easier setup and a faster transition between equipment without re-balancing. And, the latch design allows for each axis to be easily locked for better balancing adjustments and storage.

 

Stay in Focus

 

The WEEBILL-S supports electronic focus and mechanical focus/zoom control with a handy control wheel on the grip, to realize a fast and accurate focus or zoom when shooting. Using the servo focus/zoom motor, users can control the zoom and focus for a more professional filmmaking experience.

 

Powerful Endurance

 

The WEEBILL-S has interchangeable batteries and runs for 14 hours straight. It is able to charge a camera in real-time, ensuring a reliable and effective solution for those long day shoots.

 

Product information and video

 

For more information about the Zhiyun WEEBILL-S at WEEBILL-S feature page.

 

Pricing and availability

 

The WEEBILL-S is available for an MSRP of US$439 and US$519 for Zoom/Focus Pro package and US$679 for Image Transmission Pro package at the following retailers:

 

Zhiyun official store

Zhiyun WEEBILL-S at B&H Photo and Video

Zhiyun WEEBILL-S at Best Buy

 

About Zhiyun

 

Zhiyun Tech is a pioneer and a world leader in gimbals and stabilizers for both professional filmmakers and personal video creators. Zhiyun's innovative solutions and dedication to delivering products go beyond customers' expectations and strengthens the belief that everyone can be an excellent filmmaker with the right gimbal to equip their shooting device. Learn more about Zhiyun Tech atwww.zhiyun-tech.com or check us out on Facebook: @ZhiyunGlobal or follow us on Instagram: @Zhiyun_Tech

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SmallRig accessories for the Zhiyun Crane 3S

SmallRig has a range of new accessories for the Zhiyun Crane 3S gimbal. These include a Mounting Clamp, a Mounting Plate, and a Baseplate.

 

All of the accessories have been designed to be as lightweight as possible.

 

SmallRig Mounting Clamp for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 23 18 PM

The SmallRig Mounting Clamp allows you to add accessories to your gimbal.

 

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Screenshot 2020 05 20 at 11 23 06 PM

The clamp locks onto the neck of Crane 3S through the use of two captive m4 screws.

 

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The clamp has a maximum payload capacity of 15kg (33lb), yet it only weighs 115g (4oz).

 

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The Mounting clamp features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads which makes it easy to mount a wide range of accessories, such as the separately available Magic Arm and Cold Shoe. By doing this you can add attachments such as a monitor, light, or microphone.

 

Each side incorporates a NATO Rail that allows for quick-release accessories such as the Magic Arm and NATO Handle.

 

The interior of the clamp features rubber pads so your Crane 3S won’t get scratched.

 

The Mounting Clamp is available to pre-order for $24.90 USD. It will start shipping on June 7th.

 

SmallRig Mounting Plate for Zhiyun Crane 3S Handheld Stabilizer

Screenshot 2020 05 20 at 11 31 52 PM

The SmallRig Mounting Plate, just like the Mounting Clamp, allows you to place accessories on your Crane 3S.

 

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The Mounting Plate locks onto the gimbal through a captive 3/8”-16 screw and two locating pins to prevent it from twisting.

 

Screenshot 2020 05 20 at 11 32 24 PM

It features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads that enable you to mount a wide range of accessories, such as the separately sold Magic Arm and Cold Shoe.

 

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The plate is compatible with Zhiyun’s original sling handle adapter and SmallRig Sling Handle. The interior of the plate features rubber padding so it doesn’t scratch or damage your gimbal.

 

The Mounting Plate is available to pre-order for $13.90 USD. It will start shipping on June 7th.

 

SmallRig Baseplate for Zhiyun Crane 3S Handheld Stabilizer

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The SmallRig Baseplate allows you to add accessories to the bottom of Crane 3S gimbal.

 

Screenshot 2020 05 20 at 11 38 33 PM

This baseplate attaches to the bottom of the stabilizer with a captive 3/8”-16 screw and two locating pins to prevent twisting.

 

Screenshot 2020 05 20 at 11 38 26 PM

Just like the other products listed, it features multiple 1/4″-20 threaded holes and ARRI 3/8″-16 threads for mounting accessories.

 

Screenshot 2020 05 20 at 11 38 44 PM

You can also attach the Top Handle to hold your gimbal upside-down or to attach an Easyrig. The plate is compatible with Zhiyun’s original tripod.

 

Screenshot 2020 05 20 at 11 38 51 PM

It is available to pre-order for $13.90 USD and it will start shipping on the 7th of June.

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Zhiyun Weebill-S review

The Zhiyun Weebill-S is a compact gimbal that supports both DSLR and mirrorless cameras

Should I buy the Zhiyun Weebill-S?

Expert's Rating:

ratingsratingsratingsratingsratings

recommended

Pros

DSLR & mirrorless support

Compact

On-device controls

Cons

Stiff balance adjustment

Poor instructions

Confusing button layout

Our Verdict

If you need a portable gimbal for light professional filming with a DSLR - or, perhaps more likely, to step up the quality of your hobbyist filming or YouTubing - the Weebill-S is a solid shout.

 

Price when reviewed

 

 

Zhiyun Weebill-S full review

The Weebill-S is a pretty simple proposition: a fully featured gimbal that can handle either DSLRs or mirrorless cameras, but features a compact, lightweight(ish) design that avoids as much bulk as possible.

 

This isn’t the gimbal for you if you want something to stabilise your phone photography, but if you’ve got a ‘proper’ camera and want to expand your video options there aren’t many better options.

 

Design and build

This is above all where the Weebill-S triumphs, with a design that’s compact, portable, and yet still feature-rich.

 

 

1x1 pixel

The gimbal includes locks for each of the three axis for individual calibration and tuning, with a two-part quick release plate for the camera that’s easy to remove and compatible with other tripod systems in case you need to move from one platform to another.

 

It’s a little fiddlier to remove the plate entirely from the camera - there are three screws to deal with along the way - but it’s painless in terms of moving the camera on and off the gimbal itself on the fly.

 

Calibration and balancing is relatively simple - though not helped much by the rather cryptic included instructions - though a few of the calibration points can be a little stiff, making fine-tuning occasionally tricky. Otherwise build quality is top notch though - a necessity if you’re going to trust a several-grand camera to it - and this feels as sturdy and reliable as you’d need it to be.

 

 

The tripod base feels sturdy and secure, and you have the option of attaching it below the gimbal for a traditional upright mode, or at an angle on the rear in a sling mode.

 

The trigger shaped main handle includes the battery compartment, basic controls, menu for changing on-device settings, a scroll wheel that controls the optional zoom-and-focus attachment, and a small monochrome display.

 

At 895g the Weebill-S is also lightweight by DSLR gimbal standards, though once you’ve slapped a big camera in there you will still begin to feel the burn as you sling it around. That’s especially true if you have a large lens on too, as this supports some fairly hefty camera/lens combos.

 

 

 

Obviously the weight is less of an issue if you use a mirrorless camera, but if you’re using a mirrorless then you honestly might be better off with Zhiyun’s own Crane M2, which is designed for mirrorlesses, smartphones, and action cameras. It’s cheaper and lighter, but the lack of DSLR support makes it less useful for professional work.

 

Features and performance

So the Weebill-S is well-built, but what does it let you do? For starters, you get six shooting modes: the standard PF, F, and L, along with Go, Vortex, and POV. That gives you plenty of options for whatever you’re filming, with just about every possible combination of locked and open axis available.

 

To make it easier to switch modes on the fly they’re dotted around between different buttons on the handle a toggle for PF and L, a trigger for Go, a dedicated POV button… It saves you from cycling through the modes one by one, but will mean you have to memorise which button does what if you want to change quickly as you go, especially since the mix of buttons, toggles, and triggers is maddeningly inconsistent.

 

 

That’s fairly typical for recent Zhiyun gimbals, but what’s more impressive is tucked behind the mini OLED display on the Weebill-S. As before this gives you access to on-device controls, but now there are perhaps more than ever.

 

You can adjust motor strength (with a great auto tuning option), follow speed, smoothness, deadbanding for each axis individually, and more. If you prefer you can also tune all of this through Zhiyun’s app, as before, but now it’s far quicker to tweak things without faffing about with your phone first.

 

Zhiyun suggests a battery life of about 14 hours with the included rechargeable Li-ion batteries. This will of course vary depending on the weight of your camera - and how well you balance it during setup. You also have the option to use the gimbal to keep your camera charged up, but of course this will drain the gimbal faster in turn.

 

A second battery compartment is included (though not the second set of batteries) to make it easier to swap things out on the fly, so you can keep shooting with minimal interruption.

 

 

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Then there are all the accessories. The one you’ll probably want is the focus/zoom controller, which lets you use the dial on the Weebill’s handle to adjust the camera’s focus/zoom, as you might guess. It works, and works well, though the included USB-C cable to power it is only juuuuuust long enough to stretch round a DSLR, and depending on the camera I fear it might not make it at all.

 

The TransMount Image Transmission Module is a little more exciting. It can sync 1080@30 video up to 100m, to up to three devices simultaneously, for live monitoring complete with zebra stripes, histograms, reference lines and more.

 

The separate phone mount then lets you mount your phone to the gimbal, and when paired with the Image Transmission Module you can use your phone both as a monitor screen, and a full controller for the gimbal.

 

 

Price

Buying all that kit stretches the price up, but at £369/$439 the base price for the Weebill-S isn’t bad at all for what you’re getting: a fully featured professional gimbal that’s compact, lightweight, and versatile enough to handle mirrorless cameras and most DSLRs.

 

It comfortably undercuts the £459/$559 DJI Ronin S - the closest comparable rival - making it a relatively affordable option.

 

Verdict

If you need a portable gimbal for light professional filming with a DSLR - or, perhaps more likely, to step up the quality of your hobbyist filming or YouTubing - the Weebill-S is a solid shout.

 

At just under a kilo it’s still a hefty piece of kit, but lighter than most alternatives that will handle a DSLR, and it’s packed with smart touches that make it quicker, easier, and more convenient to use.

 

A few minor design irritations hold the Weebill-S back from full marks, but otherwise it’s easy to recommend.

 

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Zhiyun Crane 3S Review

The Zhiyun Crane 3S is the latest addition in the Crane series of gimbals. Zhiyun has taken a lot of what they learned from building the Crane 3 Lab to create their latest flagship gimbal. The biggest selling point of the Crane 3S is that it can handle camera payloads of up to 6.49 kg (14.3 lb).

 

Zhiyun has forged a strong reputation for making affordable, yet high-quality gimbals, so let’s see if the Crane 3S follows in those footsteps.

 

It fills a gap in the market

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For the last few years, we have had one-handed gimbals that were meant for mirrorless/DSLR cameras and smaller sized digital cinema cameras, or larger gimbals such as the DJI Ronin 2 or Movi Pro that were designed for mid to larger sized digital cameras. There really wasn’t anything that bridged that gap.

 

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Moza Air X

One of the few exceptions was probably the Moza Air X. It is the only other single-handed gimbal that I can think of that could handle payloads of up to 6kg.

 

Screenshot 2020 04 13 at 4 34 08 PMZhiyun Crane 3 Lab

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Sure, there are gimbals such as the Zhiyun Crane 3 Lab, DJI Ronin-S, and Moza Air 2, which could take smaller sized digital cinema cameras with a little persuasion, but that is not what they were primarily designed to do.

 

The Crane 3S is bridging a gap in the market between single-handed gimbals and gimbals that were designed to be specifically used with mid to large-sized digital cinema cameras.

 

With a lot of shooters using cameras such as the Canon C200/C300/C500, Sony FX7/FX9, Panasonic EVA1, and to a lesser extent the Kinefinity TERRA/MAVO and Z-Cam offerings, there is a place for a gimbal such as the Crane 3S.

 

Yes, you could well argue that running a small to mid-sized digital cinema camera on a one-handed gimbal is counter-intuitive, but we will explore that argument a little later on.

 

What cameras will work with it?

 

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Compatible cameras include the Canon EOS 1DX, Blackmagic Pocket Cinema Cameras, Canon Cinema EOS, Sony FS & FX series, and RED Digital Cinema Cameras. You could of course also use cameras such as the ARRI ALEXA Mini, Panasonic EVA 1, Z-Cam series, and any of the KInefinity options.

 

CRANE-3S-Camera-Compatibility-List-ENDownload

Above you can download the full camera compatibility list. This is list is more to show you what functionality is available when using various camera and lens combinations on the Crane 3S.

 

Just because you can, doesn’t mean you should

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It is all good and well being able to put a small to mid-sized digital cinema camera on a single-handed gimbal, but is it the best idea? That answer really depends on what you want to do with this gimbal. I see it more as a gimbal you would attach to a crane or car mount than a gimbal people will want to use for regular shots.

 

If you are someone who just wants to get the occasional gimbal shot using their main ‘A’ camera then maybe it makes sense. If you are someone who wants to uses gimbal a lot and needs to hold onto it for extended periods of time then you should steer clear.

 

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In a lot of ways, the Crane 3S is a niche product and it is only going to appeal to a certain segment of the market, it isn’t for everyone.

 

Design

 

Zhiyun took direct design cues from the Crane 3 Lab, and its appearance is very similar. Is it two handles or one handle? Well, it’s sort of both. By designing the gimbal in this way it has allowed Zhiyun to shorten the main handle. The reason behind doing this is to allow the user to get the gimbal closer to the ground for low-angle shots.

 

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The secondary handle on the Zhiyun Crane 3 Lab

Unlike on the Crane 3 Lab, the secondary handle isn’t fixed in a locked and non-movable position.

 

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The Crane 3S handle can be detached if you don’t want to use it.

 

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The secondary, removable handle has an electronic connection point that slides into the main section of the Crane 3S. This allows power and control functionality.

 

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It is simple to remove the handle and even easier to put it back on.

 

Having a secondary handle is supposed to allow the operator to make a smooth transition to and from the low mode. By including the secondary handle you just have to change your hand position depending on whether you want to hold it upright or use it in an underslung position.

 

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On the Crane 3S, you can use the control handle, the regular handle, or even the mini tripod stand on the back of the gimbal.

 

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If you use the regular handle as well as the mini tripod legs the gimbal becomes very long.

 

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The big difference between the Crane 3 Lab and the Crane 3S is that the Crane3S has been designed to be a lot more modular, which makes it a lot easier to attach and use with industry equipment.

 

You need to hold the Crane 3S with two hands, one on each handle. This does take some getting used to and you need to work out which hand goes on what handle. There really isn’t any right or wrong way to position your hands. Whether you like the two handle design is going to very much be down to personal preference. By going with this type of design, at least Zhiyun has given you options as to how you can hold and use the Crane 3S. You may well find that you prefer holding it one particular configuration over another. I will talk more about how it is to actually use and hold later in the review.

 

If you are used to the Zhiyun Crane Lab 3, then you will feel right at home operating the Crane 3S.

 

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Just like on the Weebill Lab and Crane 3 Lab, the rear arm is also offset so you don’t have the back screen on your camera being obscured when you are shooting. However, with the Crane 3S, Zhiyun has gone a step further and designed the gimbal with a 55° tilted roll axis that provides an even more unobstructed view.

 

 

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If you need to run an even longer camera, Zhiyun includes an extension arm bracket.

 

You need to use this extension arm bracket if you are running longer camera and lens packages. There weren’t any instructions for how to install it, so here is what I had to do in steps:

 

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Undo the four screws on the roll arm.

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  1. Undo the two small screws that hold the cable cover in place

 

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  1. Gently separate the arm from the roll axis

 

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  1. Install the extension arm bracket near the roll motor.

 

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  1. Install the extension arm bracket to the roll arm

 

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  1. Reinstall the cable cover and tighten the screws

 

To return the gimbal to its original form you just reverse these steps.

 

High payload capacity

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The Crane 3S has a payload capacity of 6.49 kg (14.3 lb). That is a substantial jump from the Crane 3 Lab’s 4.58 kg (10.14 lb) load capacity.

 

In recent times we have seen companies coming out with one-handed gimbals that can accept some pretty heavy payloads. In my opinion, I think this sort of defeats the purpose of having a compact one-handed gimbal. The heavier the payload, the shorter the time you actually hold it for. I think once a gimbal payload reaches a certain point you are better off with a two-handed design. This is especially true if you are going to try and use something like a Canon C300, Panasonic EVA-1, or an ALEXA Mini on a single-handed gimbal.

 

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In my opinion, if you are just going to be running a small mirrorless or DSLR set up, there really isn’t a lot gained by buying a larger one-handed gimbal that supports high payloads. Sure, having the added flexibility to run a variety of cameras on a gimbal is great, but you really need to take into account just how long you can operate a single-handed gimbal with a heavy payload.

 

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So how does the Crane 3S payload capacity compare to other single-handed gimbals? Below you can see:


PAYLOAD CAPACITY

Zhiyun Crane3S

6.49 kg (14.3 lb)

Zhiyun Crane 3 Lab

4.58 kg (10.14 lb)

DJI Ronin S

3.6 kg (7.94 lb)

Moza Air 2

4.2 kg (9.26 lb)

Moza Air X

6 kg (13.2 lb)

Tilta Gravity G2X

3.63 kg (8 lb)

 

Above you can see the payload capacities of some of the other one-handed gimbals that are available. As you can see, the Crane 3S payload capacity is almost 2 kg more than the Crane 3 Lab and almost 3 kg more than the capacity of the DJI Ronin S.

 

It still has a reasonably small footprint

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Despite its large payload capacity, the Crane 3S can still be folded down into a relatively small footprint. Look, it is still quite big, but at least the design enables you to fold it down into a workable solution. This makes it a lot more convenient to travel with. This is a big advantage that the Zhiyun models have over other competing gimbals, such as the DJI Ronin-S and the Moza Air 2.

 

Who is it aimed at?

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The Crane 3S is aimed at users of small to mid-sized digital cinema cameras and larger mirrorless and DSLR camera packages. Even if you are running a mirrorless or DSLR camera having a larger payload capacity gives you the flexibility to be able to run heavier lenses without straining the gimbal.

 

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A lot of shooters are happy running mirrorless or DSLR cameras on a gimbal and I’m not quite sure how many would prefer to be using their main camera on a gimbal instead. Running a smaller mirrorless or DSLR ‘B’ camera on a gimbal is just easier for most shooters as they don’t want to carry around a larger gimbal like a DJI Ronin 2 or Movi Pro. Whether the Crane 3S tempts shooters to start using their main camera on a gimbal will be interesting to see.

 

What do you get?

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The Zhiyun Crane 3S comes in a foam case that you can carry and store the gimbal in. The case probably isn’t strong enough for air travel, so I wouldn’t recommend you check it in.

 

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Inside the case, there are custom cutouts for everything that comes with the gimbal. All the components are easy to see and access.

 

The Crane 3S comes in a case, but once you fit the extension arm bracket it won’t fit back into the case. This is something you should be aware of.

 

You also get a quick start guide which gives you enough information that you can set up and get your gimbal running fairly quickly.

 

Along with the actual Crane 3S gimbal, you also get:

 

Quick Release Camera Plate

SmartSling Handle

3 x 18650 Battery

Battery Charger

Extension Arm

Handle Adapter Base

Backing Base

Tripod

Lens Support

Lens Support Rod

Micro-USB Canon Control Cable

Mini-USB Canon Control Cable

USB Type-C Panasonic Control Cable

USB Type-C to Multi Sony Control Cable

USB Type-C Charging Cable

Foam Storage Box

3 x 1/4″-20 Screw

Wrench Set (M1.3, M2.5, M4)

Limited 1-Year Warranty

Build Quality

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The Crane 3S has a similar build quality to the Crane 3 Lab. In saying that, I think Zhiyun gimbals have continued to improve over time and the Crane 3S feels just a little more polished than the Crane 3 Lab.

 

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Despite quite a lot of plastic being used, it’s still a pretty heavy gimbal. All the buttons, switches, and knobs are fairly well made. If you are familiar with Zhiyun products you will be more than happy with the build quality of the Crane 3S. There wasn’t anything that I saw that overly concerned me in terms of how it was built and put together. It looks like it would hold up well to the rigors of field use.

 

The gimbal is heavy

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Look there is no way to sugar coat it, it’s a heavy gimbal. Even using a smaller sized digital cinema camera, I wasn’t able to hold onto it for very long before I felt like I wanted to put it back down. This is not a dig at the Crane 3S, I find this to be the case with all of the larger single-handed gimbals.

 

What you do need to keep in mind is that the Crane 3S (with batteries) weighs in at 2.47 kg (5.45 lb). If you were to attach a camera package with a payload of around 6 kg you are looking at having to carry around 8.5 kg. This is not easy to do and you will find yourself putting the gimbal down within a few minutes.

 

How much does it weigh compared to other gimbals? Below you can see:


GIMBAL WEIGHT

Zhiyun Crane3S

2.47 kg (5.45 lb)

Zhiyun Crane 3 Lab

1.9 kg (4.19 lb)

DJI Ronin S

1.86 kg (4.1 lb)

Moza Air 2

1.6 kg (3.53 lb)

Moza Air X

1.4 kg (3.08 lb)

Tilta Gravity G2X

1.79 kg (3.95 lb)

 

Batteries & Run Time

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The Crane 3S requires 3x 18650 batteries, and Zhiyun claims a run time of up to 12 hours. Based on my experience using the gimbal I found that the battery life was good and it should easily get most shooters through an entire day.

 

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To remove the battery cover, there is a little locking switch on the top that you need to unlock.

 

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If you want longer run times, Zhiyun also now sells an optional TransMount PowerPlus Battery Pack that can house 6x 18650 batteries. It also serves as a compact yet fast-charging power bank for your devices.

 

The TransMount PowerPlus Battery Pack will run the CRANE 3S for up to 18 hours. For camera combos over 3kg, Zhiyun recommends you use the PowerPlus Battery Pack.

 

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There is a DC input on the gimbal where you attach the TransMount PowerPlus Battery Pack.

 

Double Locks

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Just like the Crane 3 Lab, the Crane 3S Lab features a latch on each axis that you can lock off to make balancing the gimbal a lot easier. Zhiyun has actually slightly redesigned this system and now it features double locks.

 

The double locks are a necessity because you don’t want a heavy camera and lens package falling down or to one side when you are trying to balance it.

 

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The nice aspect about these latches is they aren’t made out of plastic, they are anodized aluminum and are not going to break.

 

What I do like is if you are traveling around from location to location you can lock all of the axes and keep your camera on the gimbal. Then when you turn up you can simply unlock them and you are ready to go. This saves you a ton of time as you don’t have to re-balance the gimbal every time you move locations. If you are like me, I tend to leave a camera on a gimbal as I find it too time-consuming to be taking a camera on and off all the time. This is one of my favorite features of the Crane 3S.

 

In saying all of this, it is just as easy to take your camera off as it has a quick-release plate. This allows you to put the camera back on the gimbal without needing to do any major rebalancing.

 

Balancing

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Here is where I found the Crane 3S to be very hit and miss. Balancing smaller camera and lens packages like a Panasonic S1H or a BMPCC 6K is relatively easy and straight forward, but larger cameras are a different story.

 

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I tried balancing a Kinefinity MAVO LF on the Crane 3S and it was a little difficult. With larger cameras, the balance needs to more exact and things make the whole balancing process take longer.

 

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The other problem I found is that once you have a heavier camera placed on the gimbal, it becomes extremely hard to move the adjustment arms. They require you to use so much force that it is hard to make subtle micro-adjustments.

 

With bigger, heavier cameras it is also hard to make adjustments because you have all of the weight and inertia of the camera fighting against you.

 

Quick Release Plate

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The Crane 3S utilizes a Manfrotto quick release plate. Once you attach the plate to your camera you just slide it on and then lock it in place. The locking mechanism hs been slightly redesigned and it is better than the one found on the Crane 3 Lab.

 

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The redesigned plate also lets you attach the included rods straight to the front of the plate.

 

No built-in stand

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The Crane3S comes with a small removable stand that you can attach to the bottom of the gimbal. This allows you to put the camera and gimbal down onto a flat surface.

 

This removable stand is quite small and the problem I found is that it is awkward to unfold quickly, especially when you need to do it with one hand.

 

Zhiyun Crane 3 Lab Review

In a nice touch, Zhiyun has labeled the tripod stand so you know exactly which way it needs to be turned to remove it or tighten it onto the gimbal. I like little touches like this because it shows me that the design team is paying attention to small details.

 

Mounting Points

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The Crane 3S has a 3/8″ mounting point on the base of the main handle. This is where you can attach the included Mini Tripod Legs, or put it onto a light stand, pole or anything else that you want to use.

 

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There is also a 3/8″ mounting point towards the back of the gimbal. Here there are also two 1/4 20″ tapped mounting holes.

 

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Zhiyun also includes a mounting bracket that you can attach with two screws to this same mounting point. This allows you to mount other accessories or move the long handle further back.

 

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Near the back of the gimbal, there are also two rosette style attachment points (one on the left side and one on the right side)where you can attach the optional TransMount Phone Holder with Crown Gear or a monitor arm or other accessory. This is also a 1/4-20″ tapped hole.

 

Zhiyun Crane 3 Lab Review Optional TransMount Phone holder

Optional TransMount Phone holder

The optional TransMount Phone Holder with Crown Gear really is a must if you are purchasing the Crane 3S. I still can’t work out why they made this an optional accessory and charge $49 USD for it. It really should have been a standard accessory that is included with the gimbal.

 

Wireless Image Transmission

Using the wireless video feed with an iPhone 7 Zhiyun Crane 3 Lab

Using the wireless video feed with an iPhone 7+

First introduced on the Weebill Lab, wireless image transmission is also as a standard feature on the Crane 3 Lab, However, it is not standard on the Crane 3S. The in-built wireless was one of the main features for me that put the Weebill Lab ahead of its competition (when it worked). I hate rigging up an external monitor to a gimbal and I can’t for the life of me judge exposure, framing and focus from a tiny screen on the back of a camera. This is especially true when shooting in bright sunny conditions.

 

With no built-in wireless transmitter, you need to buy the optional module to be able to do real-time monitoring, framing, and camera control (although this depends on the camera).

 

Zhiyun Crane 3 Lab Review

The image is wirelessly transmitted over wi-fi so all you need to do is download the Zhiyun Play app and then fire up your smartphone. The way it works is that you need to connect an HDMI cable from your camera to the optional image transmission module.

 

The only problem is, and they never show you this in the marketing material, you need to have both the camera control cable and an HDMI cable connected up between your camera and the gimbal. This means you have a myriad of cables sticking out everywhere. You also need to be aware that with certain cameras, if you attach an HDMI cable or use a camera control cable, the back LCD screen turns black.

 

The Zhiyun Play app allows you to adjust and control your gimbal as well as control quite a few functions on your camera (this depends on what camera you are using).

 

Object tracking with the Zhiyun Crane 3 Lab

One of the features in the Zhiyun Play app is the image tracking. This feature allows you to draw a box around an object and then the gimbal will track that object no matter which direction the gimbal is moving. I found the image tracking to be pretty disappointing. It seems to only work when subjects are in the middle of the frame. As soon as they start moving toward the side of the frame the tracking seems to stop.

 

Physical Controls & Layout

 

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If you are familiar with other Zhiyun gimbals you will find that the basic control layout is very similar to the Crane 3 Lab, but some controls have been repositioned.

 

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Now, this is both good and bad. The good aspect is because of the way the Crane 3S has been designed, you are probably going to be holding it with two hands anyway. The bad aspect is that by positioning the controls and status screen on the rear handle, Zhiyun is forcing you to use it.

 

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If you want to use the joystick control or focus wheel then you are almost being forced into holding the gimbal with one hand on the rear handle and one on the main. If you want to just hold onto the main handle you won’t be able to easily change camera settings such as f-stop etc.

 

In saying this, if you did want to just hold onto the main handle or not use the rear handle, you could attach your smartphone and then make all of your changes there. That way you don’t have to touch any of the controls on the rear handle.

 

You may also find that you will have to hold the rear handle with whatever is your dominant hand. For example, if you are right-handed and you try and hold the rear handle with your left hand you might find it awkward to make changes or operate the buttons.

 

I do, however, like that the display screen is on the rear handle because it makes it a lot easier to see. Having the screen on the main handle doesn’t make a lot of operational sense because you can’t really see it easily.

 

On the rear handle, there is a small display, record button, GO button, buttons for changing the camera setting modes such as ISO and f-stop, and a dial for navigating the menu and making changes. To the left-hand side there are three buttons for changing the gimbals operating modes.

 

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On the rear of the back handle, you will find a zoom rocker. This can be used to zoom compatible lenses or to control the optional focus/zoom motor. There is also a dial underneath the zoom rocker that is for making camera setting adjustments.

 

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To the far right of where the camera baseplate goes, you will find the inputs for camera control, and on the opposite side, you will find the inputs for focus and zoom control.

 

On the tilt axis, you will find the camera control input, as well as the inputs for focus and zoom motors.

 

PhoneGo Mode

If you want to follow fast moving objects or people you can enter what is called the PhoneGo Mode. By single tapping on the Go button, the gimbal goes into its maximum follow speed. This is handy if you are filming sports or anything with fast moving motion. This is similar to Sports mode on the Ronin-S.

 

Motion Sensor Control

The gimbal has a built-in motion control sensor, so if you don’t want to use your smartphone on your gimbal, you can take it off and turn it into a motion sensor controller. By simply moving your phone, you are controlling the gimbal in real time. This is a nice feature and it’s impressive that it is a free built-in feature in the app. If you have used Mimic with a Freefly Movi or the controller mirror mode on the Ronin 2, it is a similar feature.

 

It does take a bit of time to get used to how it works, and it is not the most intuitive way to operate your gimbal, but once you get the hang of it it works fairly well. This feature can come in handy if you are using the gimbal on a jib or as a remote head.

 

Focus & Zoom Motors

Getting critical focus, especially when shooting 4K on a full frame sensor camera is hard at the best of times. In the last 12 months or so we have seen quite a few follow focus systems emerge for gimbals. The Crane 3S has a built-in focus controller on the gimbals handle, but they also have two optional follow focus (or zoom) motors that are available. On the Crane 3S you can connect up two follow focus motors, so you can use one for focus and the other for zoom.

 

The TransMount Lite Servo Focus and Max Servo Zoom/Focus Controllers

The TransMount Lite Servo Focus and Max Servo Zoom/Focus Controllers

Now, there is actually two different versions of the motor available. One is the TransMount Lite Servo Focus Controller, and the other is the TransMount Max Servo Zoom/Focus Controller. While they look similar, the TransMount Max Servo Zoom/Focus Controller is slightly larger. Both Controllers will work on the Weebill Lab as well as the Crane 3 Lab and the new Crane 3S.

 

What's included with the TransMount Focus Motor

What’s included with the TransMount Focus Motor

Included with Focus Controllers are the mounting bracket, a 15mm rod, and the power, control cable.

 

Both Focus controllers feature a tool-less design, and they attach to the gimbal using just the included thumbscrews. To attach, you secure it to the supplied support bracket and mounting rod using two thumbscrews, and attach this assembly to the bottom of the gimbal’s baseplate with the third thumbscrew. You then connect the servo to the gimbal with the provided USB cable and connect the camera to the gimbal with one of the camera control cables the gimbal comes with. The USB cable connection provides zero-latency signal transmission.

 

The external follow focus can be controlled in two ways, one is through a tactile wheel on its body, or through the app directly on your smartphone screen. If you use one as a zoom, you can also control it via the app or through a zoom rocker on the gimbal.

 

Zhiyun Crane 3 Lab Review

The Zhiyun TransMount focus motor is pretty much silent

The external follow focus motors are relatively lightweight and certainly do work. You just hook it up to the gimbal with a cable and then you can control focus directly on the side of the gimbal. The motor is absolutely silent and doesn’t make any noise at all.

 

Zhiyun Crane 3 Lab Review

With the follow focus motor you get a couple of rubber lens gears that you can use on lenses that don’t have pitch gears. These work reasonably well, you just have to make sure you have then tight enough around the lens so they don’t slip or move. I found they were a little fiddly to put on to your lens and secure tightly.

 

While there is absolutely nothing wrong with how the motors operate or perform (with stills lenses) they do take a bit of time to install and set up. The whole process is a little fiddly and time consuming and by the time you add the rubber lens gear and attach another cable between the gimbal and the motor you end up with cables and bits and pieces everywhere. I think it would have made more sense to design a wireless system that communicated with both the gimbal and the app so you didn’t end up with so many cables. I would have also preferred to see the motors feature an inbuilt battery so they could be used without the gimbal.

 

How does it actually perform?

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Features are great, but at the end of the day it’s still a gimbal, and therefore it needs to be able to create smooth shots. So how does the Crane 3S perform? The gimbals stabilization is, for the most part, nice and smooth, and with the increased motor strength it never really feels like its struggling even if you are running very heavy camera payloads.

 

While it works well, it is heavy. The package I was running, including the weight of the Crane3S, tipped the scales at 6.8kg (15lb). If you take away the weight of the gimbal, and the SmallHD monitor and arm I was still 2.2kg short of reaching the max. payload capacity. I wouldn’t want to be holding a gimbal package that was 2kg heavier than the one I was using!

 

 

I did find a problem that if you had the adjustment arm where the camera sits all the way out to its full extension the tilt motor would vibrate violently and make a lot of noise. This is obviously a design flaw.

 

I found that the majority of the footage I got was very smooth and usable, and the gimbal performed well. Like any gimbal or Steadicam, results will vary depending on how proficient you are as an operator.

 

 

Above you can see some quick example footage captured with the Crane 3S. This is not a collection of pretty shots, as all I was interested in is to see how the gimbal performed and how it was to operate and use, especially with a heavier camera package.

 

 

Above you can see some shots taken at a higher frame rate. To be honest his tells me nothing about a gimbals performance. Any gimbal shot looks good in slow motion.

 

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As this gimbal can be used with a variety of cameras I also decided to do a couple of quick tests using a Nikon Z6. I wanted to see how the gimbal performs with a lighter camera.

 

 

 

Above you can see some vision from the Z6 and a Sigma 18-35mm F1.8 lens.

 

Like any new product there is always going to be a learning curve. It is very hard to make a comprehensive conclusion as to the performance of the gimbal without using it over a prolonged period of time.

 

One-handed gimbals always have the inherent problem of creating quite pronounced up and down movement when you are walking. This is due to the momentum of your body moving your arm up and down. With a two-handed gimbal, this is easier to control as you are essentially locking your shoulders to create a more stable platform. The Crane 3S actually does a fairly good job with this, although just like any one-handed gimbal, you will still get a slight up and down movement when walking.

 

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The design of the Crane 3S does make it easier to get low angle shots and transition from a low angle to a normal level. Having two handles certainly does make a difference when doing these type of shots.

 

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I also liked that because the gimbal is quite long you can actually use it to do dolly style shots.

 

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It is nice to use the two handles on the bottom of the gimbal because you can actually use it as a sort of brace against your leg when you are resting.

 

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You can also use the two handles to place the gimbal on the ground to get a regular low angle tripod style shot.

 

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Another benefit of the two handles is you can elevate the gimbal quite high. This allows you to create some interesting perspectives.

 

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The problem I found when running a larger camera package and using both of the handles on the bottom of the gimbal is that to hold it comfortably you have to place your hand a long way down on the handles. When you do this you can no longer reach the joystick, so if you wanted to pan the gimbal left or right or up and down you can’t do it.

 

As far as the actual performance goes, I didn’t feel like it was that much different from any other Zhiyun product I had used.

 

The focus control wheel is located in a position where it isn’t that easy to use due to the way you have to hold onto the Crane 3S.

 

When you use your smartphone in the optional cradle I found it very hard to make changes without putting the gimbal down. To make changes you need to take your hand off the main handle, which means all of the weight gets transferred to the hand holding the rear handle.

 

To be perfectly frank, you are almost always going to be able to get better results from gimbals such as a Movi or Ronin. One handle gimbals have their limitations, but what you sacrifice in performance, you make up for in portability.

 

Accessories

TransMount Lite Servo Focus Controller for Crane 3-Lab & WEEBILL LAB: $85 USD

TransMount Max Servo Zoom/Focus Controller for Crane 3-Lab & WEEBILL LAB: $89 USD

TransMount Quick Release Baseplate for WEEBILL LAB, Crane 3-Lab & Crane 2: $19 USD

TransMount Camera Backing Base for WEEBILL LAB, Crane 3-Lab & Crane 2: $19 USD

TransMount Focus & Zoom Servo Combo Kit for Crane 3-Lab: $74 USD

TransMount Phone Holder with Crown Gear for Crane 3-Lab & WEEBILL LAB: $49 USD

Competition

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This is an interesting one, because if you want to run camera and lens payloads that are over 5kg, there aren’t many options unless you want to go to larger gimbal such as a DJI Ronin 2 or Movi Pro.

 

Realistically, if you want to stick to a smaller, more compact gimbal solution that is easier to travel with, the Crane 3S is arguably the only solution.

 

Price

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The Crane 3S comes in a range of different configurations.:

 

Zhiyun-Tech CRANE 3S Handheld Stabilizer $739 USD

Zhiyun-Tech CRANE 3S PRO Handheld Stabilizer $1,149 USD

Zhiyun-Tech CRANE 3S-E Handheld Stabilizer $649 USD

The Crane 3S is more expensive than most other single-handed gimbals, but it does have a much higher payload capacity.

 

For the price, it represents very good value for money. As a comparison, a DJI Ronin 2 retails for $8,399 USD. Yes, it has a payload capacity of 30 lb, but before the Crane3S came along you would have had to use something like the Ronin 2 to run a rigged up Sony FS7.

 

Conclusion

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Zhiyun has certainly made a product that will suit some shooters, especially if you have been wanting to run a mid-sized digital cinema camera but didn’t want to spend a ton of cash.

 

Does it get heavy? Yes. Do you have to put it down after a few minutes? Yes. If you want smaller sized gimbal that can run heavy payloads the trade-off is going to be the time you can spend using it before fatigue sets in. This is something you clearly need to understand if you are going to use it.

 

Unless you want to use it with an Easyrig or something similar you may find yourself saying more expletives than normal.

 

This is not a gimbal for everyone and you really need to think long and hard whether it is what you actually need.

 

I personally don’t like heavy one-handed style gimbals, but that’s just me. If you can’t hold a one-handed gimbal for more than a few minutes without having to put it down then that is a problem. I am less likely to use a gimbal that I can’t hold for more than a couple of minutes than one I can hold comfortably for a lot longer.

 

I have to give credit to Zhiyun. They are constantly improving their products and they have been at the forefront of innovation and features when it comes to single-handed gimbals.

 

I’m not a big fan of using heavy gimbals if you are just running smaller DSLR or mirrorless cameras. In that regard, for me at least, I prefer the smaller Weebill Lab or the Crane Lab 3 over the Crane 3S. In saying that, using a larger gimbal puts less stress on the motors and does give you more flexibility to use larger lenses and bigger cameras, but that does come at the expense of usability.

 

Zhiyun has certainly thrown everything but the kitchen sink into the Crane 3S, and there is no denying that it is a very feature-rich gimbal. Despite all of the features and pizazz, it’s nice that you don’t need to use any of them if you don’t want to. Zhiyun has managed to still make a gimbal that can be used for both simple and more complicated shots and is versatile to handle a large range of camera and lens packages.

 

The gimbal itself performs pretty well, but it’s not perfect.

 

The new latches are a really nice touch, but to be honest, I think they are there out of necessity more than anything else.

 

The optional electronic follow focus and zoom motors work well, but in all honesty, I’m not sure how many people are actually going to use this. As it only works on a gimbal, it’s not a very flexible product. Don’t get me wrong, it’s great to have, but for me personally, when I use a small gimbal it’s usually with a wide-angle lens where you don’t tend to adjust the focus and zoom that often.

 

The wireless video and app that allows you to monitor the images from certain cameras and make changes have all been improved by Zhiyun, to the point where it is much more reliable and easier to use. The image quality of the wireless signal is a lot better than it was with the Weebill Lab, but it still has some latency issues every now and then.

 

In summing up I think Zhiyun has made a reasonably good gimbal that certainly offers pretty decent value for money, although it is a fairly niche product that is not going to appeal to everyone. Its performance as a gimbal is pretty good and the fact that you get so many included features is bound to make it a popular choice for shooters looking for a compact, easy to travel with gimbal that can handle larger camera packages.

 

The biggest caveat is the weight. Carrying around a gimbal and a payload that weighs upwards of 8Kg is a back, shoulder, and arm breaker.

 

If you are planning on buying the Crane3S you better hit the gym!

 

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Zhiyun Crane 3S SmartSling Kit Review

OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

 

hat is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

 

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

 

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

 

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

 

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

 

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

 

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

 

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

 

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OUR VERDICT

The Crane 3S is a next-generation motorised gimbal stabiliser. It packs in the features and has one of the heaviest payloads for any single hand gimbal on the market. But this is far more than other gimbal stabilisers, and with the modular grip design it can be used in multiple ways; use it on its own to get smooth handheld footage or use as part of a larger rig. However, you use it the Crane 3S is a formidable force for capturing cinematic footage.

 

FOR

Decent max payload

Lond battery life

Good for fast motion

AGAINST

Heavy

Limited features for some cameras

Joystick can be tricky to reach

What is the Zhiyun Crane 3S SmartSling Kit?

The gimbal stabiliser market has exploded in the last couple of years as theses clever devises enable you to capture professional stabilised footage with your standard DSLR or mirrorless camera.

 

In the past, this level of stabilisation was the preserve of professionals who could afford the equipment and training. While gimbals have been around since the ’70s, it’s only with the latest motor and battery technology that the gimbals have both reduced in size and cost.

 

Zhiyun Crane 3S review

Zhiyun is a company that has been at the forefront of the advancement and development, and while they may not be as well know as DJI they are on a par, and their Crane series of gimbals is a firm favourite for many videographers.

 

In this review, I’m looking at the Crane 3S SamrtSling kit. This includes the additional SmartSling Handle that bolts onto the horizontal grip of the stabiliser. Once attached it gives you more holding options as well as control over the operation and settings for many cameras.

 

As previously mentioned the Crane series has a dedicated following, two close videographer friends swear by the features and build quality of theirs, and this is the latest and most advanced version yet.

 

When it comes to features, there’s little that this gimbal doesn’t feature, and this version boasts a max payload beyond that of many others on the market.

 

However, while compatibility is rapidly expanding for the Crane 3S, not all features and options are available to all cameras.

 

That said, there’s still plenty on offer for one of the most robust and sophisticated gimbal stabilisers yet.

 

Buy the Crane 3S now from eBay (£659), Wex Photographic (£659), Amazon (£659), Park Cameras (£689).”>

SPECIFICATION

Product type: Stabilising gimbal

Max Payload: 6.5kg

Battery life: 12 hours

Feature App : ZY Play

DC-In: Yes

Camera Control: yes

Features

The Crane 3S comes in three different kits with modules that differentiate each. Each of those modules is available separately so you can upgrade from one to the next as required.

 

The EasySling is the first option and features the gimbal along with an additional handle that can be bolted in for more significant support.

 

Zhiyun Crane 3S SmartSling

The SmartSling, which is the version I’m looking at in this review, features the SmartSling handle that again bolts into the gimbal and provides the same support but has integrated camera controls.

 

The Pro kit features the EasySling and SmartSling along with the Servo Zoom and Follow Focus Motors.

 

Before we look at the features, it’s worth pointing out that each configuration will only work with certain cameras and lens combinations. Zhiyun have a comprehensive compatibility list on their website which can be seen here: https://www.zhiyun-tech.com/search/en

 

If you have a compatible camera, such as with the Panasonic GH5 then the Crane 3S is a formidable piece of kit, if you own the Sony A7 III then it’s still a formidable piece of kit but you’re are limited to basic camera control and the powerful stabiliser.

 

At present, the SmartSling and App have compatibility with many cameras including the Nikon D850, Z6, Canon 5D Mark IV, 6D and R, Panasonic GH5 and Sony A7R3. This list is rapidly growing, so do check out the website for your camera.

 

Basic features

The Crane 3S SmartSling kit includes the main gimbal, mini tripod, SmartSling a few accessories and cables and the free to download app.

 

One feature that instantly makes the Crane 3S stand out is the maximum payload which is 6.5kg; this compares to the DJI Ronin-S at 3.6kg. This additional payload does one of two things, the first being that it enables you to stabilise far heavier cameras, the second being it’s a little more forgiving.

 

Zhiyun Crane 3S motor

Unlike other single-handed gimbal stabilisers, Zhiyun has concentrated on comfort. As well as the usual foldable mini tripod base that converts to a grip in use there’s a horizontal grip and then the addition of the SmartSling. This multi-grip design makes the Crane 3S easier to hold than other gimbals, even with a heavy camera and lens combo, although it is heavy.

 

Adaptability has also been well-considered, and the Crane 3S is one of the few gimbals of this size that can quickly adapt from being handheld to being part of a larger rig or mounted. There’s plenty of mounting options.

 

As well as the ability to adapt the grips to your needs, the arms and mounts can be adapted to support small and large cameras better. This means that you can use the Crane 3S with a Sony FS7 then switch to a small Sony A7 III mirrorless if you so wish.

 

The gimbal lock design has also been redesigned compared with the previous version, and this gives more security when being transported.

 

The Crane 3S is supplied with three batteries that provide power for 12 hours with a 3KG load.

 

The Crane 3S SmartSling Kit without the camera or baseplate weighs in at 3.08kg.

 

There is also the option for DC in, which supports the new 25.2v TransMount PowerPlus battery pack. This gives the Crane extended use time to 18 hours and is ideal on professional shoots.

 

One of the issues that affect many gimbal stabilisers of this type is the effects of high wind and G-Force that reduce the usual stability the Crane 3S would provide. Engineers have worked hard to counteract these forces with an all-new algorithm that promises to enable you to capture smooth shake-free footage however fast the action.

 

Another feature that has been carefully considered is the 55º tilted roll axis that has been accurately calculated and ensures that you always get a good view of the camera’s screen and have plenty of space to mount cinema, camera lens combos.

 

When it comes to the mechanics of motion it has a tilt range of 360º, Roll range of 330º with a max of 75º and min of -255º and pan axis of 360º. This gives plenty of flexibility and control.

 

 

 

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Other features available with additions

While the SmartSling does have a good level of features, you can further add to the functionality with the addition of modular motors and wifi kit, which are available for an additional cost.

 

On the side of the gimbal, there’s a built-in focus wheel. To use this, you’ll need those add on servo motors and of course a compatible lens.

 

Zhiyun Crane 3S review

On the SmartSling there’s also a built-in zoom rocker, again this requires a compatible camera and lens to use.

 

Another exciting addition that you could add is the CRANE 3S X TransMount Image Transmission System.

 

This enables you to control and transmit visuals directly from the camera connected gimbal to a smart device. Again check the compatibility for this, and the feature also requires additional equipment.

 

Then there’s ViaTouch 2.0 which is part of the TransMount system and enables seamless communication between the gimbal, camera and smart device all using the ZY Play app that needs to be installed on a smart device. Again you need the additional kit to take advantage of all the features.

 

ZY Play App

The ZY Play app is where most of the advanced features reside.

 

Once your camera is wired into the gimbal, say a GH5, you can then take control of your camera, adjusting the values and some shooting settings as well as starting and stopping recording.

 

The app also packs in some interesting features such as Panoramic, timelapse and trajectory photography.

 

Build and Handling

The Crane 3S once assembled and balanced is solid and features the usual three-axis mechanism that enables the motorised stabilisation.

 

Real attention to detail has been paid throughout the design with independent locks for each axis. These locks help protect the motors and arms during transportation and make it easy to pack away; they’re also used when balancing the camera at set-up.

 

Zhiyun Crane 3S Easy view of screen

There is little to fault with the manufacture of the Crane 3S other than to say that this is not a small or lightweight piece of kit.

 

Key features of the design are the axis locks, DC-in on the side, plenty of accessory ports both for digital and physical additions, the SmartSling handle that slots and locks and the variety of other mounting threads, both 1/4 and 2/3-inch giving plenty of options and versatility.

 

 

 

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Initial assembly and balancing

As with most motorised gimbal stabilisers, a little assembly is required before you get started, it’s also worth downloading the app, ZY Play.

 

The first part of the assembly is the mini tripod which bolts to the main gimbal, once screwed in the gimbal can then be placed on a flat surface and the SmartSling slotted and locked in.

 

Next, dependent on the camera the base plate is bolted on, if you’re using a mirrorless or medium DSLR, then you’ll probably need the riser plate as well.

 

This additional plate gives the lens a little more space and is required for balancing with smaller cameras.

 

Once in place, the lens support can be slotted on to the base plate, and the Y section raised to rest against the lens.

 

It’s worth noting that if you’re using a zoom lens and you intend to zoom in and out without rebalancing, then the zoom needs to be placed at the midway focal length. For an example using a 24-70mm, something around the 50mm is a good midpoint and means that there is less for the gimbal to do to correct the slight imbalance if you zoom in or out0.

 

Now the baseplate is slotted into the gimbal and making sure the tilt axis is unlocked, you slide the camera back and forth until it finds a balance.

 

Once the camera balance has been found, the lock can then be secured. Now the tilt axis can be balanced; this involves moving the arm up and down until the camera holds it’s a position.

 

Next, you repeat a similar procedure for the other two axes. It takes a while to get the hang of it, but Zhiyun has created superb videos that walk you through the process.

 

The final stage is to connect the cables, and this will differ depending on the camera you have. Again check the compatibility chart on the website to see what functions and features will be available for your camera.

 

On the Panasonic GH5, most of the features such as focus and camera settings and control are all available, on the Sony A7 III you can only really start and stop recording and take photos. In both cases, you’ll need to ensure that your camera has been updated with the latest firmware.

 

Now that the camera is balanced and connected, you’re almost set to go. Switch on the gimbal, then the camera, and finally connect the app.

 

Once the app boots, you need to select the manufacturer through the settings screen, and that’s it, you’re ready to shoot ultra-smooth video or use the app to shoot timelapse and panoramas.

 

Performance

For the bulk of this test, I used the Sony A7 III with a variety of lenses. The first thing to note is that if you thought the DJI Ronin-S was heavy, then the Crane 3S is another level up.

 

However, the design of the Crane 3S does give you plenty of handling options, and if shooting for a day, I would recommend a Flycam Flowline or similar.

 

And that’ss the thing with the Crane 3S, it gives you options, and that’s something that other gimbals just don’t do.

 

Using the Crane 3S with the Panasonic GH5 was seamless, the two are ideally matched, and the compatibility between the two is incredible.

 

The gimbal smooths and stabilises the footage, and there’s plenty of control over the settings through the SmartSling.

 

Switching to the Sony A7 III and the gimbal still works well, although you lose the ability to change settings through the SmartSling, the loss of the LiveView through the app is also a shame but not a deal-breaker.

 

What does become apparent very early on is that the Crane 3S is very forgiving? Those motors are designed to carry the load of a professional stills or video camera, so a small mirrorless is easily balanced and held.

 

That leniency does have a limit, and if you hold the gimbal to close to the max or minimum rotations when the camera isn’t quite balanced, you will get a small amount of judder.

 

During the test I found, especially for low angled shots, that on occasion there was a slight judder from the motors. If this happened, a quick rebalance would quickly correct the issue.

 

A cruder fix was just to tilt the handle up slightly to give the gimbal a little more room to play. These are user-related issues rather than anything with the gimbal; it’s just that the power of the motors forgives the user being a little lax with the setup.

 

The results of the stabilised footage are impressive. Handheld and static scenes showed the framing and hold on composition are excellent; there’s a natural smoothness to the look of the footage.

 

Setting out on a brisk walk and trying to tailor the walk to avoid any bobbing and again the Crane 3S does a great job enabling you to capture smooth professional-looking video with ease.

 

The final stabilisation test was to take the Crane 3S for a run. Not a long one, as it weighs quite a bit, and here you can see just how impressive those motors and new algorithms are.

 

OK, the speed wasn’t overly fast, but the terrain was pretty rough, and downhill and you can see just how well the motors work to create a smooth pan.

 

There is a slight jerk in the footage just after a jump, but the Crane 3S manages to smooth this, so it looks like a small blip, whereas it was me momentarily losing my balance and only just recovering from a possible face plant.

 

When it came to the stabilising performance, there was little to fault.

 

However, in use, there are a few things that I did highlight. The main one was access to the joystick under the horizontal handle. The spacing here is tight, and sometimes it can be a little tricky to get the full range of movement that you want.

 

Also, I would have liked some control on the SmartSling over the motion of the axis, maybe the zoom could operate tilt, and the index finger jog wheel could operate the side to side movement. Still, unfortunately, I couldn’t see a way to customise these buttons and dials in this way.

 

The final part of the Crane 3S that I have mentioned but not in any depth is the app. ZY Play is used across the Zhiyun gimbals and offers added features for the gimbal as well as adjustments.

 

The interface is well laid out but does take a little time to orientate correctly. The two main highlights from the app are the timelapse which enables you to capture stunning timewarp style footage and the panoramic option.

 

The Panoramic setting enables you to set a start and stop point, and then the gimbal works out how many shots are needed and automatically shoots the sequence. It’s a feature that has been common across gimbal stabilisers but nevertheless is still impressive.

 

Zhiyun Crane 3S review verdict

The Crane 3S is an impressive piece of kit, and what I liked about it was the flexibility. If you’re working solo, then there’s plenty of features that will assist you with the shoot; such as the ability to attach accessories and hook up to additional supports.

 

It’s also incredibly easy to balance due to those powerful motors and the axis locks help out as well.

 

Zhiyun Crane 3S grip

The build is solid, there’s nothing dainty or weak about the construction, and it feels like a real workhorse.

 

That solid build and power do come at a price, and that’s the weight, you do need to be fit to shoot with it unaided for a day, but again Zhiyun has thought of that with all those connection options.

 

The real test comes down to the compatibility and quality of stabilisation.

 

On the first point, compatibility is increasing, and already through the test, all cameras that I tried with the gimbal had an acceptable level of control. If all could have the levels attributed to the Panasonic GH5, then that would be amazing. Still, even with just the ability to start and stop recording, take pictures etc as with the Sony A7 III, that was still enough to make this a worthwhile purchase.

 

The primary function of the Crane 3S is to provide you with a platform for shooting smooth video, and to that end, this motorised gimbal stabiliser excels.

 

So, yes this is a fantastic product, but who should buy it? For most enthusiasts the price and size will be off putting, it is just above the needs of those just starting out or looking for something for occasional use.

 

However, if you’re a professional or filmmaker, then the Crane 3S gives you more options than other similar products. Mainly the ability to mount in a variety of ways making it incredibly flexible in use.

 

Attach the Crane 3S to a Crane, rig, flowline, dolly or any equipment that enables motion, and it won’t let you down.

 

Handheld some might find it heavy, you’re looking at a minimum of 5kg, but during several tests out in the field, I carried it for well over an hour without issue. The design of the handles makes it easy and comfortable to carry when not filming.

 

When filming, I could happily control the gimbal position for around five minutes before a quick rest and the more you use it, the more you discover the comfortable positions to hold.

 

Overall I have to say I was blown away with the quality of the Crane 3S. Its performance throughout was excellent, and for handheld static and motion shots, the quality of the stabilisation was exceptional.

 

For faster-moving and running shots, the Crane 3S really stood out.

 

For any professional videographer or filmmaker needing a highly versatile gimbal then there’s really nothing else this good at this kind of size and price.

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Hands-on review: Zhiyun Weebill-S gimbal

 

A perfectly portable powerhouse gimbal for stable video shoots.

 

With many people now choosing a DSLR or mirrorless camera for all their still photography and video needs, the market for high-performing gimbals that help deliver the best, most creative and stable footage has mushroomed in recent years.

 

Zhiyun is one major player in this arena, alongside main rivals DJI and Moza, plus others. Zhiyun has released over a dozen different gimbals since 2014, from the smartphone-oriented Smooth Q2 to professional gimbals such as the Crane 3S which is designed to support heavier camera setups with extended lenses.

 

This latter kind of setup would be overkill for most consumer and prosumer users - e.g. any set-up and situation where you might realistically be advised to wear a back brace for shooting video for hours on end. What most people want is a gimbal that offers plenty of power and flexibility, but which doesn’t look like you arrived in a truck with a crew.

 

The Zhiyun Weebill-S is the Chinese company’s latest offering for this mid-range customer. Building on the success of its Crane Lab gimbal, the Weebill-S takes design cues from its older sibling but presents them in a more compact form factor. Zhiyun is calling the Weebill-S a ‘Tiny Giant’. This is intended to convey the relatively diminutive form factor of the Weebill-S, whilst simultaneously underlying its strengths (incidentally, a weebill is in fact Australia’s smallest bird, a bit like a European sparrow or wren).

 

Zhiyun Weebill-S gimbal, inline

Unboxing the Weebill-S is encouraging, with an overall feeling of quality and attention to detail. A sturdy foam box in two halves neatly houses the gimbal and all components that you need for immediate operation (it’s an idea to photograph the contents when you first open the box, so you can put everything back in the right place later - see photo below). There is no actual carry case supplied - nor, as far as we can tell, one available to purchase at time of writing - so the foam box could prove important to you long-term. Alternatively, as the Weebill-S folds down to be no bigger than a piece of A4 paper, a decent camera bag or backpack can easily accommodate it plus a few accessories.

 

The delivery includes the gimbal, a quick-release plate, a variety of connector leads and two heavy-duty batteries. The latter provide up to 14 hours of runtime and can also simultaneously charge your camera, so all-day shooting should be feasible. We certainly never ran into any power issues during our extended testing.

 

Zhiyun Weebill-S gimbal delivery, inline

The Weebill-S is not noticeably heavy (it weights just under 1kg, without a camera) and even with a camera attached it never becomes unwieldy. The gimbal features the popular two-in-one quick release plates (Manfrotto/Arca-Swiss), enabling an easy setup and fast transitions between equipment without the need for constant re-balancing. There is also a riser plate included in the delivery, should you need a particular camera to be elevated slightly above the quick release plate.

 

The Weebill-S has a new ‘Axis Lock’ design, with a redesigned lock switch on each axis to make balancing and storage easier. This makes it easier to fine-tune the crucial balancing process, as you can balance one axis and lock this in place, then tackle the next axis and so on. Once they’re all locked, you’re good to go and you can leave your camera on the gimbal as you move around and nothing should change. When you’re ready to shoot, simply unlock the axes and the gimbal can do its stabilising thing.

 

Once you’ve successfully balanced your camera, you can also leave the mounting plate attached, giving you freedom to shoot with or without the gimbal as circumstance demands. The plate is relatively unobtrusive, so never feels too much in the way of hands and fingers, and when you want to use the gimbal again, your camera is already set up for perfect balance.

 

One caveat regarding balancing and operation - applicable to all gimbals - is that the bigger and heavier your camera payload, the higher the chance of some limitations of movement at certain angles. We didn’t experience anything significant with our test Canon 760D camera, but some users with more elaborate camera-lens-filter set-ups have reported issues, especially when switching gimbal handling modes.

 

Zhiyun Weebill-S gimbal with camera and tripod, inline

The Weebill-S is ideally suited to mid-range DSLR and mirrorless cameras with native lenses. Given the uprated strength of its motors, the Weebill-S can also handle more elaborate, esoteric and heavier kit configurations, but obviously the permutations here are endless, so if you have a specific niche camera set-up you should research this aspect more carefully. There are plenty of reviews online, which cover most camera configurations.

 

On the subject of motors, the Weebill-S has much stronger motors than the Crane Lab and an improved and upgraded ‘8th Instune’ algorithm for snappier responsiveness to help eliminate camera jitter in fast-moving situations. The autotune function instructs the gimbal to deliver the appropriate motor power for the camera and lens combination you choose to run, with three levels of torque for the stabiliser. It’s also possible to adjust the speed and other parameters of each axis directly using the dial on the handle of the Weebill-S.

 

Zhiyun claims the new motors provide a 300 per cent improvement in torque and a 50 per cent increase in responsiveness - big numbers, any way you slice them. Zhiyun cites camera and lens combinations such as the Sony A7Ⅲ with an FE 24-70mm F2.8 or a Canon 5D MK IV with EF 24-70mm F2.8 as examples of serious kit that can easily be balanced and stabilised atop the Weebill-S. We’ve seen a camera/lens combination weight of around 2kg suggested as a sensible ballpark for the Weebill-S. YMMV.

 

Stabiliser modes available include Pan Following Mode (PF) (the camera pans left/right following the movement of the stabiliser, with the tilt and roll axes locked, although operating the joystick manually enables control of the tilt axis); Locking Mode (L) (which locks the movement of all three axes; again, the joystick can manually override tilt and pan); Point of View Mode (POV) (whereby all three motors can rotate 360° to follow the movement); Follow Mode (pressing the trigger button at the back means the camera pans and tilts, following the movement of the stabiliser, while the joystick controls the rotation of the roll axis); Go Mode (press the Fn Button allows the camera to pan and tilt, following the movement of the stabiliser at fast speeds, but keeping the roll axis locked); and finally Vortex Mode (double-pressing the POV mode button tilts the camera at a 90° angle and pans to follow the movement of the handle with unlimited 360° rotation, keeping the roll axis locked).

 

Essentially, any way you want to shoot, the Weebill-S has got your back. Whether it’s a straightforward tracking shot or something altogether wilder (the 360° and Vortex modes are heaps of creative fun), this gimbal can keep pace with your ideas.

 

One of the coolest features of the Weebill-S is its handling. It’s a simple enough innovation, but the ability to choose between either holding it upright in front of you or in ‘underslung’ mode - where the camera is essentially shooting from knee/ankle-height - is very convenient and makes creative shooting more straightforward to execute. All you have to do is unscrew the handle and reattach it where you want it: top or bottom. This handle also doubles as a built-in stand, so you won’t necessarily always need a separate tripod (even though there is a thread adapter to take one, should you need it): you can simply fold out the handle’s three legs. All told, it’s a mini ergonomic triumph.

 

Zhiyun Weebill-S gimbal with tripod, inline

Shooting operation of the Weebill-S is straightforward. There are physical controls directly on the main handle, with a small LCD display (showing both gimbal and core camera settings, such as ISO, F-stop and shutter speed), a record button, a POV button, the joystick/scroll wheel, menu navigation buttons, power button, a ‘Go’ button and Locking or Pan Follow Mode button. All the common actions are right there under your thumb and fingers for easy access.

 

Camera focus can be controlled in one of two ways: either electronically or by mechanical focus/zoom control via the control wheel on the Weebill-S. By attaching the included cable (not the longest in the world, it has to be said, so make sure it’s snugly connected), you can control camera focus and zoom precisely. In our experience this worked well, the servo motors precisely refining image focus. You might not need to touch your camera at all once it’s mounted on the gimbal. It also allows for creative refocussing mid-shot, e.g. going in and out of focus to achieve a blurred fade, which is great and very convenient direct from the gimbal.

 

 

More options - as well as all of the above - are opened up if you use the Zhiyun Play app (iOS or Android). We previously used the Play app with the Smooth Q2 for smartphone control of the gimbal and image preview. With the Weebill-S, this smartphone sidecar expansion offers even more (the app isn’t required: the core functions of the gimbal work absolutely the same with or without the app).

 

Panorama, Timelapse, Motionlapse and Long Exposure Timelapse are additional creative options in the app, as well as onscreen controls for motor strength, calibration and the Scene Mode.

 

Sync Motion is another nice touch that allows you to control the movement of your gimbal by physically moving your smartphone or tablet in whatever direction you choose for the gimbal to replicate. Some DJI gimbals have a similar function, called Force Mobile, and Sync Motion is Zhiyun’s response. It works well and you’d be surprised how often you can find a use for it. An obvious application is that the app and your smartphone can act as a remote control for both camera and gimbal if you want or need to work at a distance from them.

 

However, the real power of the app and smartphone combo is unlocked if you are also using the TransMount Image Transmission Module, an optional accessory. This Transmission Module is a wireless transmitter, capable of HD image at 1080P, 30fps, direct to a smartphone or tablet at a distance of up to 100m. It enables a whole gamut of professional image control features (Histogram, Pseudocolor, LUT, Zebra Stripes, Clipping, Reference Line, Focus Peaking, Monochrome Display, Mirror Image), as well as professional real-time monitoring and livestreaming.

 

The Module is mounted onto the gimbal underneath the quick release plate, which is neat enough, although you are obviously adding more weight and complication to your mobile setup as it sprouts an increasing number of cables and antennae.

 

The ViaTouch 2.0 software system is pretty cool, as you now have direct touchscreen control over so many image and shooting functions, bringing together the controls for camera, gimbal and smartphone. You can also now use the SmartFollow 2.0 function, which allows precise object tracking simply by tapping the object on the phone screen and the gimbal will handle the rest. There is also Sync Motion, a motion sensor control system that allows real-time monitoring and synchronous motion control at the same time.

 

The Transmission Module can also be used as a standalone HDMI wireless image transmitter for any suitably equipped camera, which is a nice fringe benefit. It has its own rechargeable battery and accepts HDMI signals, so isn’t limited solely to use with the Weebill-S.

 

If you also happen to add the TransMount Image Transmission Receiver to your Weebill-S package, you can have a professional monitoring solution, transmitting your footage to up to three different devices, including professional HD monitors. With the full TransMount Image Transmission Package, you can also live stream direct to social media channels. Note: you don’t need this Transmission Receiver unit to view and monitor on a single device; it is only required for output to an HDMI monitor.

 

These extras really up the ante in terms of what the Weebill-S is capable of in terms of professional film-making, although they do increase the complexity of the set-up, as well as the weight and the cost.

 

While image transmission is built-in with the Crane gimbal, and its DJI counterpart, Zhiyun has obviously taken a more modular approach with the Weebill-S. If you feel like you don’t necessarily want the ViaTouch functionality immediately, or that you don’t need the professional monitoring solutions, you can buy the basic Weebill-S package and be perfectly content with that. Down the road, you have the option to expand your set-up as your burgeoning film-making needs dictate. There are also bundle prices available from Zhiyun which include various add-ons, such as the TransMount Wireless Remote Controller.

 

All this transmitter/receiver action somewhat deviates from the core appeal of the Weebill-S. A lot of users are simply looking for a high-performance, eminently portable gimbal for their camera, one that exhibits intelligent and thoughtful design touches. If it also has some additional app-driven smarts, cool. The Weebill-S definitely scores highly on all these points. Expansion options down the road are a nice to have, meaning people can start with the base gimbal package and it will grow with them.

 

We’ve had a blast filming with the Weebill-S, testing it in a variety of situations and locations. It always performed impeccably and the results were solid. We never felt like the gimbal was struggling to keep up or lagging behind our movement. Only the more extreme, rapid gestures - done deliberately to try and catch the gimbal out - caused it to break a sweat and noticeably destabilised the image.

 

With the Weebill-S, the price is right and the form factor is spot-on for its intended market, the foldable design and minimal weight absolutely encouraging you to carry it with you more often. The strong motors of the Weebill-S also promises a degree of longevity for the gimbal vis-a-vis being able to cope with any upgrades you might make to your camera equipment.

 

If you’re looking for a gimbal to steady your DSLR or mirrorless camera work, the Weebill-S is a serious contender at a fair price.

 

Zhiyun Weebill-S

 

Zhiyun Weebill-S, £329

 

Zhiyun Weebill-S Zoom & Focus Pro Package, £387

 

Zhiyun Weebill-S Image Transmission Pro Package, £519

 

[Prices correct at time of publication]

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ZHIYUN PROFESSIONAL STABILISER- ZHIYUN CRANE 3S

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IBC Showcase: From intense chasing shoot to studio filming, different types of shooting environments require both high capacity and flexibility of shooting equipment. Bearing filmmakers in mind, Zhiyun felt the Crane series can be even better to adapt to strict and unpredictable filming environment. Now introducing the new Crane 3S, ...

 

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The Zhiyun Crane 3S is the latest iteration of Zhiyun’s flagship line of Crane gimbals, traditionally designed for DSLRs and mirrorless cameras. On first glance, the Crane 3S looks a lot like the Crane 3 LAB, but it definitely holds a few extra tricks up its sleeve.

 

I’ve been using one for a few weeks now when weather and Scotland’s lockdown rules have allowed and I’m going to go over some of those differences and the advantages the Crane 3S has to offer over the Crane 3 LAB.

 

 

 

There are three different Crane 3S kits available. There is the Crane 3S-E, the Crane 3S and the Crane 3S Pro. We’ll get into the differences a little later, but for clarification, the kit I have is the standard Crane 3S.

 

FIRST IMPRESSIONS & DIFFERENCES OVER THE CRANE 3 LAB

The case for the Crane 3S is quite similar to that of the Crane 3 LAB. It feels a little more compact, although it’s actually pretty close in size. It feels tough and rugged, built from the same kind of hard foam as many gimbal cases these days. It has a top handle for carrying it and locking clips that keep it shut when it needs to be.

 

Inside though, the Crane 3S case looks a little more cramped than that of the Crane 3 LAB due to a slightly beefier body, with no empty slots for future expansion and upgrades, which is a little disappointing. This was a great feature of the Crane 3 LAB case, which had dedicated slots for all the extras you could buy separately as well as a spare set of batteries. There is still nowhere to add any kind of shoulder strap. So, if you’re carrying the case, you’re tying up one of your hands.

 

 

 

If you buy the 3S Pro kit, I would assume (hope?) that it comes with a different case containing slots for all the extra bits that come with it. But if you’re buying the 3S and hoping to add extras like the focus motor (which only come with the 3S Pro kit), then you’re going to need something else to store them in.

 

All that said, the case feels solid and everything is packed well inside. The immediate difference between the 3S and the 3 LAB, for the observant ones amongst you, is that the handle isn’t actually attached to the gimbal. Yes, that’s right, it’s removable, and the gimbal can function just fine without it through a bunch of extra buttons on the gimbal body itself or by using the mobile app.

 

You can see when you look inside the Crane 3S and Crane 3 LAB cases side by side that the 3S is somewhat beefier than the 3 LAB, with noticeably thicker arms and larger motors. This provides the Crane 3S load capacity of a whopping 6.5kg vs the 4.5kg of the Crane 3 LAB. Interestingly, both gimbals have the same minimum load capacity of a somewhat modest 0.6kg. The gimbal itself, however, weighs almost a kilogram more than the 3 LAB, coming in at 3.2kg vs 2.3kg – which is a significant difference.

 

Pulling it out of the case, the 3S actually feels even more solid than the 3 LAB did. I think this is partly due to the new locking mechanism on the pitch, roll and yaw axes. In the 3 LAB, the arms could either be unlocked and free to move or “locked”, restraining them to a fairly consistent position, although a little movement was available. With the Crane 3S, these locks now have three modes. There’s unlocked, a locked mode similar to the 3 LAB and a new really locked mode, which tightens the arms down hard so that they don’t move at all – which makes balancing a little easier.

 

 

 

One of the things I immediately noticed about the 3S over the 3 LAB was how many connection points it has. But it wasn’t just the quantity that caught my attention, but the fact that some of them have been upgraded from 1/4-20″ to 3/8-16″. This is great because it means you’ll get a more substantial connection between accessories and support systems, but it is slightly annoying in other ways as some accessories will not be interchangeable between gimbals if you own both the Crane 3S and Crane 3LAB, or other gimbals that only utilise 1/4-20″ threads.

 

 

 

The new mounting plate was also something that I noticed right away. It’s still a Manfrotto PL compatible plate, although they’ve ditched the strange extra adjustable platform of the mounting plate that came with the 3 LAB and they’ve also added threads on the front of the plate to attach rods for your follow focus motors. Having this built right into the tripod plate means it’s much easier to set up your camera and balance it properly with a follow focus unit now than it was before because the camera and focus motor is moving together.

 

 

 

You’ll see above that there’s also a lens support supplied with the mounting plate. Personally, I’ve only needed to use this when playing around with the 300mm, but it can be very handy for larger cameras with big lenses that need a little extra assistance. To help with the increased size of the loads it can carry, the whole mount assembly slides left and right from the tilt arm, too, which means you no longer need offset plates for wide cameras like the Blackmagic Pocket 4K.

 

 

 

As a quick aside, while we’re on the topic of focus motors, the Crane 3S is compatible with the Crane 3 LAB focus motors, and there are Type-C USB sockets for connecting both right next to the mounting plate. So, if you’re upgrading from the 3 LAB to the 3S, bear this in mind.

 

After charging up the batteries and pulling everything out of the case, things went together well. The SmartSling removable handle, which replaces the fixed handle on the Crane 3 LAB goes in and out easily and utilises a double locking system to ensure a good fit with no accidents.

 

 

 

 

 

 

 

The camera slides onto the mount smoothly and balancing the camera is just as straightforward as it was on the 3 LAB if not a little easier, thanks to being able to completely lock each arm down tight.

 

Powering it up presents the same array of shooting modes as the Crane 3 LAB and handling seems very similar, albeit slightly heavier.

 

Let’s dig into a little more detail now, though.

 

THE SMARTSLING (AND EASYSLING) HANDLES

The kit that I have is the standard Zhiyun Crane 3S package. This includes the SmartSling handle, which offers similar controls to the built-in handle on the Crane 3 LAB except that unlike that one, this is removable.

 

A removable handle might seem a little odd at first, especially if you’re only used to using gimbals handheld, but it has a few benefits. First, it means you can break the gimbal down into smaller components for more easily packing into a backpack. But it also means that you have easier mounting options for attaching it to things like vehicles, as the arm isn’t going to be getting in the way, and helps to keep everything as compact as possible.

 

Attaching the Crane 3S to a vehicle isn’t something I’ve tried yet, although it’s on my list. After Scotland’s lockdown is fully over and it’s safe to travel and be in close proximity to other people, it’s one of the first things I’ll be trying when the chance presents itself, so stay tuned for that.

 

The Crane 3S-E package comes with just the EasySling handle, which is essentially just a rubber-clad metal cylinder with a 3/8-16″ threaded socket in the bottom, a 3/8-16″ threaded screw on the top. It’s clad in rubber to make it easy to grip and not feel so cold when you’re shooting in chilly weather. You can screw this straight into the gimbal, or attach it via a small offset plate, putting it into a similar position to how the SmartSling would mount. Of course, you don’t get any handle controls or display with the EasySling handle.

 

Despite not being part of the standard 3S kit, I did receive the EasySling handle, and if you decide to only get the standard kit, I’d definitely recommend buying an EasySling handle separately. It’s available as an optional accessory. Both handles come included with the Crane 3S Pro kit, and having them both will make your life much easier with the Crane 3S, especially if you’re using larger cameras, as you can also mount it underneath the gimbal with the supplied tabletop tripod below that.

 

Being able to use both the SmartSling and EasySling handles simultaneously in this way and pick the whole rig up and set it back down with two hands definitely makes life easier on your arms and back.

 

I was originally going to recommend that the EasySling handle would be a good upgrade for existing Crane 3 LAB owners who don’t need the added load capacity and versatility of the Crane 3S, but there’s a bit of a snag. The Crane 3 LAB and its accompanying tabletop tripod use 1/4-20″ threads, not 3/8-16″. Hopefully, Zhiyun will release a similar handle that uses 1/4-20″ for Crane 3 LAB users, as Zhiyun has stressed that the 3S is not a replacement model for the 3 LAB, it’s simply another product line.

 

 

The mount on the Crane 3S (left) is 3/8-16″, a beefy upgrade from the 1/4-20″ on the Crane 3 LAB (right), although it means parts aren’t interchangeable.

 

This also means that all your 1/4-20″ quick releases for the Crane 2 and Crane 3 LAB to take it on and off the mini tripod, your monopod, or whatever else you put it on also won’t fit the Crane 3S. Hopefully, they’ll release a 3/8-16″ version, too. Or at least one with a 3/8-16″ hole in the bottom, a 1/4-20″ thread on top, and a couple of 1/4-20″ to 3/8-16″ adapters.

 

WEIGHT AND SIZE CAPACITY

While the Zhiyun Crane line of gimbals has traditionally held a lot of weight, they’ve had a one or two issues. Many users haven’t been able to take full advantage of that weight capacity due to size limitations. Usually, it’s because the camera just can’t sit off to the side or forward & backwards enough to balance well or the larger camera systems (like the Blackmagic URSA Mini) physically don’t fit. With the Crane 3S, those problems are solved, with the ability to take some pretty large cinema cameras. Even the Blackmagic URSA Mini.

 

Knowing in advance that I’d have a Zhiyun Crane 3S was on the way to me, I had hoped to get hold of and actually test it with a Blackmagic URSA Mini but then the lockdown happened, making that pretty much impossible. So, I’ve had to make do with the equipment I have here at my disposal. For me, that primarily means Nikon DSLRs and Panasonic mirrorless. Not the best test subjects for a heavy-duty gimbal like this, but it does allow me to test out at least physically large and awkward setups, even if it’s not putting much of a load strain on the gimbal.

 

My basic setup for these tests was the Nikon D800 and the Sigma 28-70mm f/2.8 lens. It’s not a particularly outstanding setup when it comes to video quality, but it’s a respectable size and weight and represents what you might get with something like a Pocket 4K or larger video-centric mirrorless camera. So, it serves the purpose.

 

Initially, I tried it out with just the supplied mini tripod screwed into the bottom. Despite the increased weight, it felt quite similar to using the Crane 3 LAB. The movements were pretty much the same, and the general operation didn’t differ too much despite the extra controls and buttons on the Crane 3S.

 

The one thing that did stick out, though, was the joystick. You can’t unscrew it and remove it on the Crane 3S like you can with the Crane 3 LAB, which can sometimes lead to accidentally knocking it and moving the orientation of the camera if you’re not careful.

 

What I really wanted to see, though, was how big and useful this thing was fully extended. The extension is a separate piece, and it’s awesome, but it’s also awkward. It’s not designed to be regularly taken on and taken off. The wires contained within the arm are quite delicate and it is quite easy to risk damaging them if you’re not careful. So, if you’re always using larger camera systems, you’ll want to keep the extension attached all the time. This means you’re probably going to be looking for another case in which to keep the gimbal, as it won’t fit into the supplied one with the extension arm attached.

 

But, I extended the arm on the head of the gimbal, put the EasySling handle underneath and attached the focus motor. My D800 was otherwise engaged, so I just grabbed a 1.5x crop Nikon D7000 – mostly because this would offer me a field of view at a given focal length similar to Super 35mm. On this camera, I put the Nikon 300mm f/4 AF-S, for a field of view similar to a 450mm lens on full-frame. This is a setup that just should not work on a gimbal, and it’s rare you’ll find people using anything longer than about a 60mm or 70mm full-frame equivalent lens, just because such a long focal length massively magnifies the little micro-jitters from the motors or simply being handheld.

 

It actually held up surprisingly well. You do need to be quite careful, and tracking a moving subject is extremely difficult because the tiniest movement in pan follow mode can translate into a very big shift going ahead of your subject. But I just wanted to see how well it could even handle such an odd (for shooting video on a gimbal) set up and it was very impressive. It held the shot extremely well. Occasionally I moved a little too quickly and it would be pointing at something completely different to what I intended, but when I wasn’t screwing up, it was certainly giving me usable steady shots, without any of the jitters you’d expect with such an unusual load.

 

It’s certainly not a practical setup, by any means, and not something I’d ever use in the real world, but it served its testing purpose. If you want to go handheld on a static subject at a distance with such a long lens, then it does sort-of work. Of course, I’d probably recommend a tripod with a fluid head instead for this sort of thing, but curiosity got the better of me and I had to try it.

 

My loads were typically of the DSLR + 28-70mm f/2.8 variety I mentioned earlier, though and it it performed equally as well as the Crane 3 LAB. Except with the added benefit of being able to put the EasySling handle between the gimbal and the mini tripod, making it much easier to pick it up, set it back down and walk around with it two-handed.

 

BALANCING AND THE NEW LOCKS ON THE ARMS

As mentioned earlier, the Crane 3S features a 3-way locking system over the 2-way system of the Crane 3 LAB, which had them completely loose or sort-of locked. Now you get loose, sort-of locked and locked solid. This actually makes much more of a difference than I expected it to. For easy transporting in a backpack (which the Crane 3S can do, thanks to the removable handle), being able to fully lock the arms provides a much more secure feeling when it’s bouncing around inside the bag. But it also made balancing easier, too.

 

 

Instead of having a locked-ish feeling with the two arms I wasn’t currently balancing, I could lock them down completely. They were absolutely immobilised, which meant that it was much easier to adjust the length of the other arms individually and balance each one in turn without wobbles from the other two. As a result, balancing was easier and possibly a little quicker than it was with the Crane 3 LAB, and when you’ve got a big, unbalanced and unwieldy load on there, it definitely helped.

 

The locks of the Crane 3 LAB were definitely a step in the right direction from the no-lock-at-all on the Crane 2. The Crane 3S just takes that a step further and it made a big difference to me.

 

OTHER FEATURES

The Crane 3S comes with the usual assortment, but also has one or two extra tricks up its sleeve. As one would expect, there are places to connect a pair of servo motors to control focus and zoom (or aperture) rings on your lens. These sit directly next to the mounting plate for your camera, so they’re within easy reach. The Crane 3S also works with the same motors as the Crane 3 LAB. So, if you’re upgrading from the 3 LAB to the 3S, you won’t need to buy new motors.

 

There’s also the port on the other side for connecting the gimbal to your camera, offering some level of remote control for a number of brands and models of camera to different degrees. With some, you can control the focus without a servo motor over the USB connection. With others you can adjust the exposure settings. Some cameras allow you to start and stop recording from a button on the gimbal itself. And some don’t offer you any kind of communication between the camera and gimbal at all.

 

None of my cameras are compatible with the USB communications on the Crane 3S, but I did use the focus motor from my Crane 3 LAB with it and it behaved flawlessly.

 

One of the big advantages the Crane 3S has over the Crane 3 LAB is when it comes to power. Yes, both of them are powered internally by a trio of Zhiyun 18650 batteries, but the Crane 3S also allows for external power via the Zhiyun TransMount PowerPlus, which extends the battery life with six more 18650 batteries and plugs into a port on the side of the Crane 3S.

 

 

SHOOTING MODES AND HANDLING

As you would expect, the Zhiyun Crane 3S offers the usual array of shooting modes including Pan Follow (PF), Follow (F), Point of View (POF), Vortex (V), Lock (L) and Go. Each of these modes offers different ways of shooting to get different kinds of shots.

 

Pan Follow (PF) – This mode lets you pan and follow your subject on a horizontal plane, even if you’re tilting the actual gimbal for better handholding.

Follow (F) – This mode pans horizontally as well as tilts up and down to follow your movements.

Point of View (POV) – This offers synchronous 360° movements on all three axes.

Vortex (V) – This offers 360° barrel rotation when the gimbal is “underslung”

Lock (L) – This locks the camera to always point in a specific direction, no matter how you turn or tilt the handle.

Go Mode – This mode lets you capture fast action and movement for things like sports or fancy whip pan transitions

All of these modes performed quite well, although I don’t really need to use the POV or Go modes much for the kinds of things I shoot. Pan Follow, Follow, Vortex and Lock modes work as well as we’ve seen from other gimbals in Zhiyun’s lineup – although Vortex isn’t one I need to use too often.

 

 

The controls to switch between modes are available on the SmartSling handle with buttons spread around the LCD and to the side, but you can also switch them on the gimbal itself. This means you have access to change modes with either hand if you need it, or when you’re using the EasySling handle.

 

After using the Crane 3 LAB for the past year or so, switching to the Crane 3S with the SmartSling handle was a doddle. It operates in a very similar fashion. Using the EasySling handle, though, took a little more getting used to. Not having the controls right there at my fingertips with an easy to read display was a pain. If you’ve never used the 3 LAB or the SmartSling handle, you’d probably take to it more quickly. But for me, that EasySling handle will live underneath the gimbal between it and the mini tripod.

 

And with that setup, it’s absolutely fantastic. SmartSling handle on the back, EasySling handle underneath (if you go for the standard 3S kit, BUY THE HANDLE!) and it felt easier to handle than the Crane 3 LAB, despite the increased weight. Because I was able to more easily distribute that weight, and because I didn’t struggle as much to lift or set down the gimbal, my arms and wrists survived for much longer.

 

If you’re using a much heavier system, like the previously mentioned URSA Mini, then you’re not going to have such an easy time. It’s certainly not something you’re going to be carrying around all day without some assistance from something like a Steadicam vest & arm or the Digitalfoto Thanos Pro. But, without the arm & vest, it should still be usable for short bursts.

 

One of the things I’m particularly looking forward to trying, which I haven’t done yet, is vehicle mounting. It’s something Zhiyun showed off in the launch video, and it’s made easier by the fact that there’s a more substantial 3/8-16″ socket underneath but also a second one on top, allowing for two pretty solid mounting points. And as you can remove the SmartSling handle from the gimbal, it’s not sitting there getting in the way.

 

When using this setup, obviously you’re not going to be holding it. You’re either going to be communicating via smartphone or Zhiyun’s Image Transmission System. But it’s definitely something I plan to try once the country starts to fully open up and it’s safe to hang out with other people again. And what could be a better view for it than the Scottish wilderness on two wheels?

 

CONCLUSION

Overall, it’s a really nice upgrade over the Crane 3 LAB if you can deal with the extra weight or really need the increased load capacity. If you already have the Crane 3 LAB and it already offers you exactly what you need, then I’d probably stick with it. If you don’t know whether you need the extra features and load capacity the Crane 3S offers over the Crane 3 LAB you already have, then just stick with what you know. But if you don’t have the Crane 3 LAB yet, and you’ve been thinking about it, it’s definitely worth considering the Crane 3S instead.

 

PROS

When it comes to the pros, there are quite a few – more than I expected over the Crane 3 LAB.

 

6.5kg load capacity with stronger motors for big beefy rigs

Extendable arm for increased size capacity for larger camera setups

Same minimum load capacity as the Crane 3 LAB

Lateral movements of the camera plate for wide cameras like the Pocket 4K

External power for longer running time with heavier systems

Removable handle to let it fit in a backpack when travelling

The EasySling Handle as a base between the gimbal and tripod (just get it)

CONS

Weight. In a straight side-by-side with the Crane 3 LAB, assuming you’re using a camera setup that works fine on both, you’re carrying around an extra 900g for no real benefit. When you add the EasySling handle, though, it gets easier and for me, it sort of evened things out.

If you’re using a really heavy rig, then you’re going to need to invest in a vest and arm solution for long term use on set.

If you’re thinking about the Crane 3S-E package which only contains the EasySling handle, then I’d probably suggest going for the Crane 3 LAB instead, if you can find one, unless you’re planning to vehicle mount it or something and control it remotely and really need that extra load capacity. The versatility of the built-in handle on the Crane 3 LAB is well worth the extra, plus you save some weight.

 

If you’re looking at the standard Crane 3S package, then I’d probably recommend going for this over the Crane 3 LAB if you don’t own one already. If you’re concerned about the extra weight, sure, go for the Crane 3 LAB, but given the benefits of the EasySling handle underneath the gimbal in addition to the SmartSling handle controlling the gimbal, I think I’d still prefer the Crane 3S with buying that extra handle (it’s only an extra $49)

 

If you’re planning to go the whole hog and get the Crane 3S Pro package, then you likely already know that you need both handles, along with the external power, focus & zoom motors and all the extra bits, so just go for it. But plan for the arm & vest.

 

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Five Reasons You Should Get the Zhiyun Crane M2

With Zhiyun's new gimbal about to launch, should you care? And if so, why?

With modern DSLR and mirrorless bodies being more than capable video cameras, a lot of stills shooters have dipped their toes in to moving image waters. However, there was the barrier that is so familiar to photographers the world over: money. To effectively shoot professional quality footage, there's always equipment you could do with owning, but that racks up in cost. However, typical to all technological advance, things are getting smaller and cheaper.

Zhiyun have already built a good reputation in the gimbal world, and their new Crane M2 looks to be an excellent option with a low entry point — a very low entry point. Coming in at just $269, videographers using mirrorless, small DSLRs, or phone cameras can have a serious gimbal for under $300 without having to take your chances with unproven brands. It is certainly an interesting option.

 

Do you currently have a gimbal at this price point? Are you looking to buy Zhiyun-Tech's new stabilizer? Share your thoughts in the comments below.

 

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Zhiyun teases their new Crane-M2

Zhiyun has given a sneak peek of their upcoming Crane-M2. The M2 is a gimbal designed for lightweight cameras, smartphones, and action cameras.

 

It is a replacement for the companies Crane-M which was released two years ago and is now no longer available. The Crane M was designed specifically for smaller cameras such as the Sony a6300/a6500, Canon EOS-M, Nikon 1-series and action cameras like the GoPro and Sony FDR-X3000R, as well as smartphones. The minimum camera/lens weight that you could use on the Crane M was 125g (4.4oz) and the maximum was 650g (22.9oz).

We don’t have many details about the Crane-M2, and here is only images of it partly being shown. This is what we do know so far:

 

All-in-one solution for lightweight cameras, smartphones or action cameras.

Small and compact with a pin and latch to fix the three axes.

Quick On, Quick Off: a quick release plate which allows you to easily remove your camera from the stabilizer and re-install the camera back without having to calibrate and re-balance again.

Multiple 1⁄4 inch screw holes on the stabilizer that allows you to mount accessories.

 

Zhiyun has continued to improve their gimbal range over recent years and I would expect that the Crane-M2 will not only improve on the original Crane M, but it is also likely to share some of the same technology used in the companies Crane 3 Lab and Weebill Lab.

 

Price & Availability

There is currently no pricing or availability set for the Crane-M2. The Original Crane-M cost $239, but with prices of gimbals dropping over the last few years, I would expect the new version to be cheaper than the original.

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Zhiyun Crane M2 review

If you want a single gimbal to cover your smartphone, mirrorless, and action camera then the Zhiyun Crane M2 might be it - but it does come with caveats

By Dominic Preston, Deputy EditorDominic Preston | 03 Oct 2019

zhiyun crane m2 review 4

Should I buy the Zhiyun Crane M2?

Expert's Rating:

ratingsratingsratingsratingsratings

recommended

Our Verdict

It may not be quite as versatile as the marketing suggests - you’ll still need to buy an extra action cam cage and switching cameras is far from seamless - but if you want to carry around one stabiliser to cover multiple cameras, the Crane M2 does the job well.

 

Great battery life, solid performance, and an impressive array of stabilisation modes are enough to make up for slightly clunky controls - just make sure your camera is compatible before you commit.

 

Price when reviewed

 

 

Zhiyun Crane M2 full review

The modern vlogger or videographer is more likely than ever to shoot not only across multiple devices, but multiple types of devices, darting between a mirrorless camera, a smartphone, or an action camera as and when the need arises.

 

It’s enough of a pain to carry round multiple cameras, but it’s made even worse if each requires its own gear, which is why the Zhiyun Crane M2 is so welcome: a compact stabiliser and gimbal that will fit a mirrorless, a smartphone, or an action cam, all in one device.

 

Price and availability

The Crane M2 costs £259/$269, and you can order it directly from Zhiyun’s official Aliexpress store, Amazon US, Amazon UK, or Wex Photo & Video.

 

That's a chunk more than some smartphone gimbals - the latest DJI Osmo Mobile 3 is only £99/$119 after all - but is affordable by the standards of mirrorless stabilisers - and a bit of a bargain when you factor in the support for other types of device too.

 

 

Three for the price of one

The chief selling point of the Crane M2 is undeniably its versatility. Most gimbals are designed to serve a specific purpose: smartphones, mirrorless cameras, or action cameras. If you're lucky you might find a stabilizer that covers two of the three, but compatibility with all three makes the Crane M2 fairly unique.

 

Still, there are caveats. It should go without saying that mirrorless cameras, phones, and action cams are all different shapes and sizes - hell, there are plenty of different builds within each of those categories, let alone between them - and so you can't quite expect to dive between different devices in seconds as you need to use a different mount for a mirrorless than you would for your phone.

 

The Crane M2 also can’t support every mirrorless out there, so it’s worth checking Zhiyun’s compatibility guidelines to see if your model is supported. For the most part it’s a question of size and weight - with a max supported weight of 720g some of the bulkier mirrorless ranges won't work, and even some smaller models will struggle once you put a lens on, so this is really best suited to vloggers who are already using a lightweight camera anyway.

 

 

You’ll also need to buy a separate camera cage in order to mount a GoPro, as Zhiyun has only included mounts for smartphones and mirrorless cameras with the M2 - so out of the box this still doesn’t quite cover all three camera types.

 

If you keep each respective camera clipped or screwed into its mount and simply swap those on and off you'll save some time, but there's still the question of calibration: a mirrorless weighs a lot more than a GoPro, and the weight is distributed differently. That means you’ll have to adjust settings every time you switch devices no matter what.

 

That’s not really a criticism of the Crane M2, but more just a way of managing expectations: this won’t let you switch devices on the fly and carry on filming without missing a beat. This is more about saving you from carrying multiple gimbals around when you know you’ll be filming with different devices across the day.

 

 

Three devices, six modes

The M2’s versatility isn’t just in the cameras it supports. It also offers six different types of stabilisation to suit whatever shooting style you want, from the bog-standard to some that are a little more niche.

 

Pan following (PF) is one of the standards, panning the camera as you turn the gimbal from side to side, while locking tilt and roll. Following (F) pans and tilts, while you can manually control the roll with the thumbstick. Finally, lock (L) does what it sounds like: locks every mode to keep the camera static while giving you manual control and tilt and pan using the joystick.

 

Those three modes are pretty standard, but Zhiyun has also thrown in three more options. First up is ‘Go’ mode, which locks roll while speeding up the pan and tilt controls so that you can follow fast-moving subjects more easily - though be warned, it takes practice to keep control of the camera while tracking that quickly.

 

 

Then there’s Vortex mode, a nifty little feature you’ll probably never use. It automatically rotates the camera 90 degrees to face the same way as the handle, and ties panning to the joystick so that you rotate the camera to create a spinning vortex image. Again, it’s cool, but obviously has specific and limited use cases.

 

Finally, in POV move all three axes move following the stabiliser handle, giving you total freedom to move the camera in any direction while still enjoying a stabilising effect. As with Go mode, this takes a little work to get the hang of if you’re used to having one axis locked, but is perfect for action cam footage that really wants that POV effect.

 

One downside of having all those modes is that selecting them gets a little confusing. PF, L, and POV are all tied to the main ‘mode’ button, which cycles through the three. Go and Vortex are each tied to double taps of that same button for some reason, and F is turned on by hitting the trigger on the back of the handle.

 

Once you remember where everything is this is fine, but it’s surely not the most user-friendly way to manage the modes, and doesn’t really speed up the process of switching between them, as you’ll find yourself tapping all sorts of buttons to try and remember which one triggers the mode you want.

 

 

Otherwise the controls are simple enough, with a few buttons, the joystick, and a small screen to display the current mode. There are record and zoom controls you can use if you connect the gimbal to your camera or phone via Wi-Fi (with an accompanying app in the case of phones), and that’s about it.

 

Charging is over USB-C, and battery life is great at up to 7 hours - carrying the M2 around a busy trade show and shooting multiple videos, I didn’t have to top it up once. You can also use it as a power bank for your camera or phone to keep those topped up while you shoot, though this will drain the gimbal’s own battery fairly quickly.

 

Finally, Zhiyun includes a simple tripod base that screws into the bottom of the handle so that you can set this up in a stable spot when you don’t want to go handheld.

 

Verdict

It may not be quite as versatile as the marketing suggests - you’ll still need to buy an extra action cam cage and switching cameras is far from seamless - but if you want to carry around one stabiliser to cover multiple cameras, the Crane M2 does the job well.

 

Great battery life, solid performance, and an impressive array of stabilisation modes are enough to make up for slightly clunky controls - just make sure your camera is compatible before you commit.

 

Tags: Photo & Video

Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn't affect our editorial independence. Learn more.

 

Author: Dominic Preston, Deputy Editor

Dominic Preston

Dom covers everything that runs on electricity, from phones and laptops to wearables, audio, gaming, smart home, and streaming - plus he's a regular fixture on the Tech Advisor YouTube channel.

 

Recent stories by Dominic Preston:

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Zhiyun has announced the Crane-M2, price tag $269, a new 3-axis gimbal stabiliser designed for use with smartphones, action and compact cameras.

 

The Zhiyun Crane-M2 supports a payload of 720g, meaning it really is only going to support compact cameras at its max, but it has a number of interesting features.

 

The Crane-M2 provides seven hours of battery life on a single charge and uses built-in WiFi and Bluetooth to control the camera remotely through the Crane-M2 via the ZY Play app.

 

The unit itself weighs just 500g, and there’s also an OLED display on the handle for checking your settings.

 

Shooting modes include:

 

PF Mode: The camera pans as you turn the gimbal left and right. One of the favorites for travelers. A must-have for hyperlapse.

 

F Mode: The camera will follow the handle movements. Shoot everywhere as you like.

 

L Mode: The camera direction is locked so you won’t miss a shot in any situation.

 

Full-Range POV Mode, allows 360°synchronous movement on all three axes, offering an immersive experience like never before.

 

Vortex Mode, gives you the freedom to make 360°barrel shots in all dimensions.

 

And with Go Mode, you can capture every fast movement without missing a single beat.

 

Buy the Zhiyun Crane M2 now from eBay ($6), B&H Photo Video ($199), Best Buy ($199).”>You can get the Crane-M2 at retailers such as

 

Buy the Zhiyun Crane M2 now from eBay ($6), B&H Photo Video ($199), Best Buy ($199).”>Via

 

Best gimbal stabilizer for your camera

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Nowadays, videographers or vloggers have so many options to choose from when it comes to creating stabilized video footage. On one hand, you have the action cameras such as the GoPro Hero 7 Black and the DJI Osmo Action that offer digitally stabilized footage. On the other hand, you have mechanical stabilizers such as the DJI Osmo Pocket, DJI Osmo Mobile 2, DJI Ronin-SC, DJI Ronin-S. Of course, as drone enthusiasts most of you will be very familiar with DJI’s offering, however, another big player in the gimbal market is the company Zhiyun. Zhiyun offers a number of different mechanical stabilizers as well. For instance, the Crane 3 for larger cameras, the Weebill for mirrorless cameras, and the Crane v2. And now they have introduced the Zhiyun Crane-M2, a stabilizer for action cameras and smaller mirrorless cameras. The new Crane-M2 will retail for $269 and offers a number of different stabilized shooting modes. See the Zhiyun’s press release below for all the details.

 

 

 

Zhiyun Announces CRANE-M2, the Most Versatile Compact Stabilizer

Multi-device compatibility, great portability, infinite possibilities

 

Zhiyun, the world’s leading gimbal manufacturer, is pleased to announce the compact and versatile CRANE-M2 camera stabilizer. The CRANE-M2’s unprecedented all-in-one design can work with multiple devices including compact digital cameras, light mirrorless cameras, mobile phones, and action cameras. With enhanced camera control via WiFi and Bluetooth, inspirational new videomaking modes, long eight hour battery life, fingertip control, and the ease-of-use of its intuitive OLED display, the CRANE-M2 is a revolution in affordable camera stabilization technology.

 

 

Zhiyun CRANE-M2, one stabilizer to rule them all

Traditionally, artists have had to use different stabilizers for different kinds of equipment – increasing their costs, and increasing the weight and complexity of their working tools. But the CRANE-M2 is a single stabilizer that works with multiple devices (a dedicated accessory is required for mounting mobile phones or action cameras).

 

Compact, portable, easy

The smart balancing system of the CRANE-M2 is an answer to the fast pace of the filming world. CRANE-M2’s new quick release plate makes it much easier to remove the camera from the stabilizer and remount the camera. The scale mark and positioning memory lock mean that balancing and setup only take seconds, so you won’t miss a shot while you recalibrate. For easy portability, the unique pin and latch design also prevents the axes from swinging around during storage, which lets the CRANE-M2 fold up and lock quickly to fit into a backpack or even a pocket.

 

The CRANE-M2 is small and compact while still having powerful motors to deal with multiple devices or scenarios. The handle provides a comfortable grip and gives easy access to all the controls at your fingertips, right on the handle. For example with a single push of the slider on the handle, you can zoom to capture smooth footage at a distance. Meanwhile, a glance at the bright, intuitive OLED display is enough to see the gimbal mode, Bluetooth and WIFI status, battery level and other important parameters.

 

Take control and expand your creative palette

As well as the three basic modes Pan Follow (PF), Follow (F) and Lock (L), Zhiyun’s CRANE-M2 offers some inspiring features for even more creativity. Full-Range POV Mode allows 360° synchronous movement on all three axes, providing an unprecedented visual experience for the creator. Vortex Mode gives video makers the freedom to create 360° barrel shots in all dimensions. Go Mode is ideal for sports and action because it allows a fast pan or tilt to capture fast moving subjects like a football player or a flying bird, without missing anything. And Selfie mode allows you to quickly turn the camera 180° to face yourself – perfect for vloggers.

 

Expand and connect

CRANE-M2’s WiFi and Bluetooth features provide seamless wireless camera control through the gimbal handle and Zhiyun’s exclusive app. The ZY PLAY app opens up a new world of filmmaking, as well as remote control, and advanced functions including timelapse, panorama and Vertigo shot.

 

CRANE-M2’s convenient ¼-inch threaded holes make it easy to attach audio, lighting and monitoring equipment to make your personal mobile studio complete. The battery runtime of up to 8 hours can keep everything working non-stop. CRANE-M2 itself can charge cameras, phones and other devices, and it can also be charged from a power bank or other source.

 

Pricing and availability of the Zhiyun CRANE-M2

Zhiyun’s new CRANE-M2 retails at $269 and will be available for sale on Zhiyun official stores and at major photo retailers in US including Amazon, B&H and Best Buy.

 

About Zhiyun

Zhiyun Tech is a pioneer and a world leader in gimbals and stabilizers for both professional filmmakers and personal video creators. Zhiyun’s innovative solutions and dedication to delivering products that go beyond customers’ expectations strengthen the belief that everyone can be an excellent filmmaker with the right gimbal to equip with their shooting device. Learn more about Zhiyun Tech at www.zhiyun-tech.com.

 

 

Zhiyun CRANE-M2, a new versatile and compact stabilizer

 

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Want to make smoother, more professional-looking video? Then your first port of call is a gimbal, and the Zhiyun Crane M2 could be just the job for filming mountain biking.

 

Choosing a gimbal is a bit of a minefield. There are a lot of brands out there offering gimbals that work with various different cameras so, on top of trying to find the right gimbal brand, you also need to choose a gimbal that works with your camera, and then you have to ensure it has all the features that you want too.

 

Can one gimbal do it all?

Over the next few months, I’ve decided that I want to shoot more video, but the issue I had was I wanted a gimbal that was both small and powerful. I wanted a gimbal that would pack in my riding pack, but still, have the grunt to balance my Sony A6300 mirrorless camera.

 

To make my search even more tricky I didn’t want to spend a whole lot of money, AND I also wanted the ability to mount a GoPro or even a smartphone too.

 

 

 

In all honesty, I thought I was asking too much and looking for a gimbal that couldn’t possibly offer it all, but unbelievably I’ve found one and I have it on my desk next to me.

 

Zhiyun Crane M2

Small but powerful.

Zhiyun is a Chinese technology company that has been releasing gimbals now for a few years. The brand started with smaller mobile phone type gimbals, but over the years has increased it’s range to include full-size, full-feature products that rival DJI’s Ronin.

 

The M2 works with mirrorless cameras, mobile phones and GoPro action cameras.

The Zhiyun Crane M2 is a bit of a crossover product because it’s as small as the mobile phone dedicated gimbals the company makes but powerful enough to handle a mirrorless camera. On top of that though, the Crane M2 ships with mounts for fitting a GoPro or mobile phones, and if you do choose to shoot with your mobile you’ll get impressive features such as automatic targeting tracking.

 

After reading the specifications I was a little sceptical after all this is a gimbal that costs just £259 shipped, and ticks every box I wanted ticking. Before pulling the trigger I decided to check out a few YouTube videos of the Zhiyun Crane M2 to see if it was really up for balancing a mirrorless and surprisingly those reviews and tests proved it was.

 

Manual controls.

The M2’s powerful motors aren’t just to keep your camera steady but can also be manually controlled via buttons located on the handle.

 

Joystick and OLED display.

A joystick on the rear of the device enables manual movement over the gimbal which is great for tracking or panning shots. Below the joystick is a record button which will use Bluetooth to start recording on your camera, and next to that a mode button for flicking through the various modes the gimbal supports including a POV mode, GO mode for sports and fast-moving subjects and even a Vortex mode that spins the camera around for some very creative shots.

 

There’s also a trigger on the front of the handle which can be used to quickly tap from mode to mode, plus it has a triple tap feature that spins the camera around for vlog-style selfie filming.

 

 

 

The M2 easily handles a Sony A6300.

Depending on the camera that you set up with the Zhiyun Crane M2 you’ll also have remote control capabilities and from the handle, you’ll be able to shoot video, photos and even control the zoom. This does all depend on your camera though. I first tested it with the Sony A6000 but the firmware of the camera only allows photo controls remotely whereas the A6300 will run video and zoom too.

 

Axis locks help with packing the M2 in your bag.

The gimbal also packs useful axis locks for easy transportation and to aid balancing, and it ships with a phone holder, a screw-in mini tripod too, USB Type C wire, and the case it ships in is sturdy enough to use as a protective case.

 

As this is a first look I just wanted to run over a few of the features and tech specs of the Zhiyun Crane M2 with the aim to delve into a full review in the coming weeks. If you have any questions about the M2 though then let me know in the comments section below and I’ll answer then as fast as possible.

 

Watch this space for smooth new videos!

Zhiyun Crane M2 Features

Maximum payload: 720g

Connectivity: Bluetooth 4.2 and Wi-Fi 2.4G

Tilt Mechanical Range: 310° / Roll Mechanical range: 324°

Mechanical range: 360° unlimited rotation / Tilt Adjustable angle: -45°~ 260°

Roll Adjustable angle: -70° ~ 70° (Switch from landscape mode to portrait mode with a 40° angle)

Adjustable pan angle: -180° ~ 180° /Operating temperatures: -10℃ ~ 45℃

Battery Capacity: 1100mAh

Battery life: 6h

Charging time: 2h

Price: £259.00

Buy it from eBay ($179.00)

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The Zhiyun CRANE-M2 was just announced and it is smaller than most of its competitors. It weighs 1.1 lbs (500g) and can carry compact cameras, light mirrorless cameras, mobile phones, and action cameras weighing up to 1.58 lbs (720 g). It features enhanced camera control via Wi-fi and Bluetooth, new stabilizing modes, and up to 7 hours battery life. Available now for $269.

 

Zhiyun CRANE-M2 compact gimbal. Source: Zhiyun-Tech

 

Zhiyun-Tech is a Chinese company specializing in electronic gimbal stabilizers. They have been on the market for a few years already and their CRANE gimbals have gotten quite popular.

 

In general, despite their overuse in many fields of filmmaking, the popularity of gimbals has been steadily increasing over the past years and manufacturers are trying to offer products for all weight classes of cameras. DJI introduced their compact gimbal for mirrorless cameras last week with the Ronin-SC. Gudsen introduced the MOZA Aircross 2 for lighter payloads during this year’s NAB.

 

In their last generation of gimbals, Zhiyun-Tech already has two products for different payloads. The CRANE 3 LAB can support payloads of up to 10 lbs (4.5 kg) and the WEEBILL LAB is aimed for payloads of up to 6.6 lbs (3 kg). Now Zhiyun-Tech announces very compact gimbal Zhiyun CRANE-M2. What are the specs?

 

The Zhiyun CRANE-M2 is truly a compact tool – the dimensions of the gimbal are 10.5 x 2.7 x 5.4″ (267 x 69 x 138mm) and it weighs 1.1 lbs (500g). It works with multiple devices including compact cameras, light mirrorless cameras, mobile phones, and action cameras – maximum payload is 1.58 lbs (720 g). Please mind, that a dedicated accessory is required for mounting mobile phones or action cameras.

 

The gimbal has a new quick release plate which makes it much easier to remove the camera from the stabilizer and remount it again. The scale mark and positioning memory lock mean that balancing only takes seconds. The axes can be locked in position by one button and prevented from swinging around during storage, which lets the CRANE-M2 fold up and lock quickly to fit into a backpack or even a pocket.

 

Zhiyun CRANE-M2 compact gimbal. Source: Zhiyun-Tech

 

The handle provides easy access to all the controls. For example with a single push of the slider on the handle, users can operate the camera’s zoom. There is a bright OLED display which shows gimbal mode, Bluetooth and Wi-fi status, battery level and other important parameters.

 

On top of three basic modes known from previous Zhiyun-Tech gimbals:

 

Full-range POV mode allows 360° synchronous movement on all three axis

Vortex mode enables 360° barrel shots in all dimensions

Go mode allows a fast pan or tilt to capture fast moving subjects (on some gimbals it is called sport mode)

Selfie mode quickly turns the camera 180° to face the person holding it – made for vlogging (this mode has also been included in previous Zhiyun gimbals).

 

Zhiyun CRANE-M2 compact gimbal. Source: Zhiyun-Tech

 

CRANE-M2’s Wi-fi and Bluetooth features provide seamless wireless camera control through the gimbal handle and Zhiyun’s ZY PLAY app. Zhiyun-Tech published a list of cameras which are currently supported for the wireless controls:

 

GoPro HERO 5/6/7

For smartphones, Zhiyun only states that most popular smartphones on the market are supported. The ZY PLAY app brings more additional features like remote control, time-lapse, panorama and vertigo shot.

 

 

Zhiyun CRANE-M2 compact gimbal. Source: Zhiyun-Tech

 

The Zhiyun CRANE-M2 also features ¼-inch threaded holes to attach audio, lighting and monitoring equipment. The battery runtime is up to 7 hours. CRANE-M2 itself can charge cameras, phones and other devices, and it can also be charged from a power bank or other source.

 

The Zhiyun CRANE-M2 is available now for pre-order. The price has been set to $269 US (in Europe around €289 incl. VAT).

 

It will be interesting to see which setups can work with such a small gimbal – to look for its limits. When I briefly checked the FUJIFILM X-T3’s weight, which (according to B&H, body with battery and memory card) is 1.19 lb (539 g). I think it might even be possible to mount this camera with a lightweight prime lens. I am curious to see.

 

We will update this article with buy links from our sponsors B&H and CVP when those become available.

 

What do you think of the new Zhiyun CRANE-M2? Do you need a compact gimbal like this? Which camera would you use it with? Let us know in the comments below the article.

 

Zhiyun-TechCRANE-M2 3-Axis Handheld Gimbal Stabilizer

 

Jakub Han is a freelance filmmaker based in Vienna. He is interested in new tech and trends in filmmaking and passionate about action sports and short documentaries. Jakub has over 7 years of experience with camera work and post-production.

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